Titanic days

I've not seen or heard the news much lately, and so have only just heard that Mick Farren died last month after collapsing on stage at The Borderline in London during a gig with The Deviants. I remember reading his work in The New Musical Express back in the day, and 'The Titanic Sails At Dawn' remains a classic piece of pre-punk angst that rails against the complacency then rife among the successful rock bands and artists of the day. Reading it now it still seems to me as though it could have been written yesterday - nothing ever really changes does it? And Mel Smith has died - I loved 'Not The Nine O'Clock News' in the late '70s / early '80s with it's all-too-accurate parodies and outrageous (for the time) portrayals of the politicians of the day. We could do with a show like that now don't you think?

Meanwhile Music Ruined My Life has continued posting old Price material. It's strange in some ways to see it there, and yet some of the comments left by readers show that people do still seem to enjoy our work. If only there had been more of them when we were together! You can find our second single and mini-album alongside this compilation album (which I must admit I'd all but forgotten about - it's very good though!) on there now - once again have a look and a listen and see what you think.

Only one gig for your humble narrator since the last posting but it certainly qualifies as a good one. Utter Madness had been booked to play an outdoor show at Cliveden House last July, but the show was cancelled due to the ground being waterlogged. The band were promised a rebooking this year, and that promise came good this weekend when we played there as part of the 'Cliveden Rocks' weekend. Paul from The Lettuceheads is on drums, Richard is back on keyboards with Ian on saxophone, Jon on bass and Tony as our surrogate Suggs, and we're on first with Queen B topping the bill. There was an odd moment during our soundcheck when it was raining to the left of the stage but dry and sunny to the right - fortunately the weather stayed good all evening other than that. By the time we started our show at 7 o'clock there were apparently around 2,000 people in attendance, and they saw a good-going-on-great-in-places set of Madness and ska classics. Having said that I made a terrible job of 'It Must Be Love' (I think that it's always better to admit it when it's your fault!) and there was the odd moment of madness (if you see what I mean) here and there but overall it was the best of our three shows this year, and it went down very well with the assembled multitude which is only ever the main thing. Queen B certainly went down well too - I'll never be the World's biggest Queen fan (now that my friends just might be the understatement of the year so far!) but what they did they did very well.

And the local paper liked them and indeed us, as you can see from this review...

And it's time (at last!) for some more Ruts D.C. gigs, beginning with The Rebellion Festival in Blackpool this coming weekend. We're on at midnight on Saturday (yeah alright, I know that means that we're actually playing first thing on Sunday morning - stop being so pedantic!) on The Bizarre Bazaar stage, and I have just - just! - got in from rehearsing all day for the show. It should be a great weekend - if you're going then I'll see you there...

I knew I should have kept a box of them under the bed...

Now here's a funny thing - the first Price single for sale on eBay. Most of these were sold at gigs out of cardboard boxes, and incredibly it was made 'single of the week' in the NME although that was a bit of an inside job as the writer in question already knew of the band; his name was Steve Lamacq - I wonder what happened to him? It feels a bit strange to see it there - how naive does 'pay no more than £1.30' look now? - but it's nice to think that we haven't been totally forgotten. You can see the full listing here - and no, I don't have any spare copies!

Following on from Muhammad Ali's 70th birthday last month it was sad to hear of the death of his trainer Angelo Dundee. Boxing was very popular in our house when I was young (my brother Terry was a boxer and dad a big fan of the sport) and so I know his name very well - he was a great character as these quotes show Would Ali have made it without him? Now there's a question... and Witney Houston has died - I don't know much about her music as it's not really my type of thing but with the media gearing up for another paparazzi-powered feeding frenzy I'm sure we'll all have chance to find out far too much about her over the next few days and weeks.

Anyway, amazing news - I actually played two gigs this weekend. At last! Every musician I talk to seems to be suffering at the moment, and while I'm lucky enough to have gigs on the horizon these are definitely tough times for all and sundry. Still The Uppercut returned to The Half Moon in Harrow on Friday evening for a show that didn't start well - even before we'd played a note we were being asked to turn the volume down. Bah! Our first song 'Dock Of The Bay' was so quiet I could hear the unamplified strings of my guitar louder than the sound from my amp. Not good, and although we managed to sneak the volume up a bit later in the evening it put a bit of a dampener on proceedings. Under these circumstances I thought we played well but it was harder work than it should have been.

Sunday night I accompanied Big Al Reed at The Anglers Retreat in Staines; once again Barry the slide guitar player got up for a few blues numbers (and very good he was too) and Al was his usual larger-than-life self; his spontaneous Frank Spencer impression during 'Polk Salad Annie' induced audience hysteria and had to be heard to be believed. It was something of an experimental evening for the venue as it was the first Sunday gig - let's hope they decide to continue.

And last week I saw T. Rextasy at The Beck Theatre in Hayes. I got there early to meet up with ex-Chicago Blues Brothers drummer John Skelton who's been playing with T. Rextasy for several years now; it was good to catch up with him and great to see him doing so well with the band, whose 'Children Of The Revolution' tour celebrates 40 years since the release of 'The Slider' (How long? I remember saving up my milk round money to buy that when it came out!) as well as marking the 35th anniversary of Marc Bolan's death in September. This was only the second date of the tour - John said that they were due to play several songs for the first time at the show, having spent most of their soundcheck running through them. It all sounded good to me, with Danielz as mind-bogglingly like Bolan as ever, and the band sounding solid and strong. The audience loved it too, with plenty of dancing and even a fair bit of screaming from some of the ladies present. Despite playing in several tribute bands myself I still can't make my mind up about them, but for people like myself who didn't see the original band T. Rextasy deliver as faithful a rendition of Bolan's music as we're ever likely to witness. Great stuff - mind you, where was 'Buick MacKane', 'The Slider', 'Shock Rock'... (continued on page 94)