Single album, double album, single... er, single...

Shameless self-publicity continues...

When I was a lad bands bought out live double albums - I remember the big scary boys at school having records like 'Made In Japan' and 'Irish Tour '74' under their arms. In that strange way that you have when you're young I used to wish that I was old enough to own them too - eventually of course I was and these were and indeed are two of my favourite releases from that time. I never for one moment thought that I'd feature on a double live album one day, but on Saturday 16th April 'Live On Stage' by Ruts D.C. is released on vinyl for Record Store Day 2016. Great stuff!
And if that wasn't exciting enough (and believe me, from my admittedly often rather naive point of view the word 'exciting' doesn't get close to covering it!) the new Ruts D.C. single 'Psychic Attack' is released on May 20th. Released by Westworld Records and distributed by Plastic Head it'll be available on CD and 7" vinyl (oh yes!) as well as download - we've just got the final mix back from engineer extraordinaire Lee Groves and even though I say so myself it sounds bloody great. It'll be available in all good record shops (as the old saying goes) and of course from us at our gigs, but in the meantime if you can't wait that long it can be pre-ordered here. Go on - you know you want to... and work has continued this week this week on the upcoming album - recently re-titled 'Music Must Destroy' and due for September release we're currently working on a perspective 14 tracks between Ealing and Brixton; I was recording guitars (during which I got to play a Fender Electric XII on 'Soft City Lights' - oh yes!) with James Knight while Dave and Segs were working on vocals at Jamm. There's still a long way to go but we'll get there in the end...   

Meanwhile Friday evening saw your humble narrator catch two halves of two Uxbridge gigs, starting with The Dirty Dog Band at The General Eliott. I went to meet Big Al Reed there, and was just saying hello to him when I heard a cheery 'hello Leigh!' from behind me - I turned around to see the smiling face of Tom Edwards who it transpires plays in said combo. I didn't know that he was going to be there and it was great to catch up with him and indeed to see him play. From there it was a short walk across to The Dolphin to see the second set from The Ska Faces - the place was packed and they sounded much better than when I saw them in Watford last month. 
The next night I journeyed up to Derby to dep with The Pistols supporting The U.K. Ramones at The Hairy Dog. I'd not played with them for quite a while and it was great to see the lads again and indeed to play with them. The venue has been revamped since Ruts D.C. played there a couple of years ago and they've done an excellent job. We played well as did The U.K. Ramones who did a fine job paying tribute to Da Bruddas - it's a shame that there wasn't a few more people in attendance, but those that were there certainly seemed to enjoy themselves.

This week, working in the shop and playing some gigs, next week more recording. Keep on keeping on...

Hats off to Harefield

...except that continuation didn't quite continue in the manner that I thought it would - the Dollis Hill gig was cancelled. Bah! Al received a text from the landlord of The Ox and Gate saying words to the effect of 'the brewery isn't sure if the want us to continue putting on live music, we'll let you know about the other gigs that you've got booked with us later this year' which I for one suspect is landlord-speak for 'we've stopped having live music, but just in case we decide to start it up again we'll attempt to keep you vaguely interested in playing here'. Cynical? Me? Maybe... still at least the Big Al Reed and The Blistering Buicks gig at The Kings Arms in Harefield took place on Saturday night as planned - it's an interesting venue at the best of times, but I knew we were in for a memorable night when, if I might use a word beloved of Sherlock Holmes, a 'singular' gentleman parked his wheelchair-bound mother approximately half an inch away from my amplifier during the interval with the words 'I see that you have stolen my look'. He was wearing a spangly trilby-style hat - mine was spangle-free but that didn't deter him. 'I've been wearing this hat for over five years, how long have you been wearing yours?' In a brave but ultimately doomed attempt at humour I replied 'I put it on just before 8 o'clock this evening' to which he retorted 'see - you've only been wearing yours for a couple of hours, I've been wearing mine for over five years'. It almost goes without saying that he undid virtually all the buttons on his shirt whilst dancing wildly to the first song of our second set - after which somebody stole his hat. As he went off in pursuit of the criminal mastermind responsible I noticed that a chap sitting not two yards in front of us had fallen asleep sitting at a table. No, I can't think of an adequate punchline at the moment either - I'll let you know if I ever do. 

As we unexpectedly found ourselves with no gig on Friday night myself and fellow Buicks guitar man Pete went to Tropic At Ruislip to see noted Jimi Hendrix tribute act Are You Experienced?. Pete saw the man himself play several times and so was an interesting person to attend a show such as this with - it was clear that a lot of work had gone into putting the act together and their two sets featured all the hits alongside less obvious songs like '1983... (A Merman I Should Turn To Be)' and 'Freedom'. Guitarist John Campbell is obviously a big fan and managed to go a very long way towards recreating the legendary Hendrix guitar sound; we was also an excellent player (which helped!) and, yes, he set fire to his guitar at the end of the show. Well to be pedantic he set fire to something like lighter fuel on his guitar which then (thankfully!) went out within a few seconds but the overall effect was there if you know what I mean.  A good gig, as was the previous night's performance by The Ska Faces at The Horns in Watford. They feature my old Price band mate Huggy Harewood on bass, and as their name suggests they play a mixture of ska and mod material. On the surface this is an extremely attractive prospect, and for the most part it worked well although it did all get a bit disjointed in places - 'Won't Get Fooled Again' followed by 'Pressure Drop' anyone? Add to this the fact that the singer seemed to be having monitor problems throughout the first set (which disappeared as soon as he switched his radio microphone for one of the venue's - use a cable boys and girls!) and you have a show which Huggy described as 'not one of our best nights'. I suspect he was correct, but it was good to see him play.

On Sunday I went with my Dad to see Liverpool play Manchester City in The League Cup Final (ok, I know that they call it The Capital One Cup these days, but if you're my age it's The League Cup and it always will be!) at Wembley Stadium. Tickets for events such as these are of course very hard to come by - I got some via Bug / Department S guitarist and all round good guy Phil Thompson who is a Man. City season ticket holder, and bought my Dad his one for his birthday. (He was 84 last Sunday. 84!) It would of course have been a better day if Liverpool had won the game, but I thought City deserved the honours - and as our tickets were smack bang in the middle of 21,000 or so of their fans that might have been the best outcome if you think about it... and I'd not seen a penalty shootout before - ooh they're nerve-racking!

And it's been a busy week this week as although I've got no gigs I've been working in Balcony Shirts every day. I thought that I was getting a day off tomorrow but it's too busy for such behaviour so I'll be in the shop then and Saturday too. Hmmm... this is a bit too much like having a real job! But don't worry Leigh - it's back to the guitar next week...