That Was The Year That Wasn't (Slight Return)

It has been exactly one year since my last blog posting.

So what, if anything, has changed?

Well...

Omicron. No, I'm not too good at the Greek Alphabet either - aside from the odd distant memory from Physics lessons sometime last Century it's not something I've used a lot, although I feel as though it's getting more useful all the time. As I type this I am in the grip of the latest Coronavirus variant - I've been asleep for much of the last few days and when I have been awake I've felt as though I've been in the ring with Mike Tyson in his prime, although thankfully things seem to be improving now. Christmas? Who needs it eh? Still vaccinations seem to be getting more popular these days, although we all know someone who hasn't had one because they don't like the idea of it or that think it's all a conspiracy - I've had two of 'em and and a booster and I still caught it, so it does make you wonder... that said, the general consensus seems to be that if you catch it after being vaccinated it does lessen the effect of the virus, which given how I've felt for the last few days is an interesting thought. 

And the British Government continues to make every mistake imaginable and still somehow remain in power. Surely we deserve better than this? I saw Labour MP David Lammy talking on TV not so long ago - the interviewer made a typically flippant remark about a comment he made criticising the international embarrassment that is our current, worst ever Prime Minister and Lammy snapped back with the words 'THIS USED TO BE A SERIOUS COUNTRY - DO YOU REALISE WHAT PEOPLE THINK OF US NOW?' 

Now there's a question. 

Enough of such philosophical ramblings - I had my 60th birthday this year. 60! How on Earth did that happen?!? The Slogans were supposed to be playing on the day but our drummer man was pinged (remember the pingdemic? It seems a lifetime ago doesn't it?) so the gig didn't happen - instead I spent the evening in the hallowed surroundings of The Dolphin in Uxbridge, mostly in the garden, occasionally somewhere near the bar and had a splendid if rather difficult to remember time. I wonder where we'll all be in July this year? I wonder if we'll be anywhere, if you know what I mean?

And you thought that I'd stopped the philosophical ramblings...

Talking of The Slogans - we managed to play a few shows this year including one particularly memorable one at The Uxbridge Christmas Market earlier this month. Yes that's right, an outdoor show in December. And yes, it was as cold as you would think it would be, yes the power went on and off as you would expect it to and yes, it was really good fun. We've also had more than a few gigs cancelled, which seems to be a familiar tale for most bands these days. I've also been depping in The Good Old Boys as guitarist Simon hasn't been well - again we've played a few shows, had a few cancelled... see what I mean? One can only wonder when or indeed how this situation will change. 

I mentioned in the last missive that I had recorded some guitar parts at home using GarageBand for an Alvin Gibbs & The Disobedient Servants single; this was due out early this year but somewhat inevitably got caught in a Brexit-induced vinyl pressing backlog and so didn't actually emerge until the Summer. Has anything actually improved as a result of Britain leaving the EU? No, I didn't think so either... nevertheless, 'State Of Grace' is available here from Time & Matter Records even as we speak. We only managed to play one show this year (at The HRH Punk Festival in Sheffield back in October since you were wondering) but it was a great gig at an excellent event - there are plans to return to both the studio and the stage next year, and hopefully we will. 

Vinyl copies of the 'ElectrAcoustiC' album by Ruts D.C. were also delayed thanks to the afore-mentioned backlog, eventually being delivered nearly a year after the CD became available. The Sunday before Christmas I played an afternoon show at The Cavern in Raynes Park with The Good Old Boys then made my way up to The 229 Club in Great Portland Street where Theatre Of Hate were playing; there I met Dave and Segs backstage (the things I write here eh? Well, the things I used to write here... I really must do this more often mustn't I?) and signed over 300 albums, all of which had either been pre-ordered or were purchased in the next couple of days. A genuinely exciting day - it would be good to have more like that... mind you, I suppose that might have caught Coronavirus then... ooh!

So - what next? 

Well in a time that could politely be described as 'uncertain' one thing that even I could never have predicted is actually going to happen - nearly 30 years after we first broke up there is to be an official album release by The Price, something that we didn't manage to achieve during our original existence. Even typing it here feels weird... but, incredibly, it's true. 'No Justice?' is out early next year on Cadiz Music - to quote the soon-to-appear press release it contains 19 tracks recorded between 1988 and 1993, and even though I say so myself it sounds bloomin' great. More news to follow on the band's Facebook page via the link above, my Facebook page and no doubt some other places too... maybe even here...

Theoretically Ruts D.C. are supporting The Stranglers in January and February - this is the third attempt at The Final Full U.K. Tour, and with further restrictions looming as I type this it's difficult to say whether it will take place this time either. We have German shows planned for later in the year, along with various others in the pipeline, and we'd also like to make a new album - but who knows what will happen? It's interesting isn't it - we've never really known what will happen in life, but these days it almost feels as though we did. If I put something like 'we're touring with The Stranglers' here then the chances were very good that we that we would indeed tour with The Stranglers. Those days seem a very long time ago now don't they?

Hmm. Even I thought that I'd stopped the philosophical ramblings... mind you, it's been good to be back blogging, even if I am running on paracetamol and, well, not much else at the moment.

See you all in 2022!

That Was The Year That Wasn't

What follows was written quickly. Rather like this year it's a bit disjointed but, rather like this year, it is what it is.

————

‘For a minute there, I lost myself...’

Well. You know that things are getting weird when you find yourself quoting a line from a Radiohead song.

We're in the middle of the Christmas holiday, nearing the end of the strangest of years. Pretty much everyone I've talked to on the phone in the last few days is bored. Lost. Desperate.

When will this all end? Indeed, where will this all end? I've been asking myself that a fair bit lately. Maybe you have too? 

I miss people. I never really thought that I would, but I do. At least I think that I do. I've always spent a lot of time on own - not particularly through choice, it's just how things have worked out. I've never had lots of friends, I've not got much to say for myself, women get bored with me - often when they discover that I don't think about very much other than guitars - and I often find social situations with lots of people difficult to cope with.

Ah - but hang on a minute? I've got friends. I talk to people when I'm out and about, occasionally about things other than guitars. Every once in a while some of them are women. And aren't gigs 'social situations with lots of people'?

 

Gigs. I remember them. Maybe you do too? They were great weren't they? Well, I thought that they were. I wonder if they will ever happen like we used to know them again. 

Sometimes in the last few months I've wondered if I would ever play another gig. That's not a good thing to find yourself thinking. Having said that The Slogans have managed to play three shows since we last spoke - a Sunday afternoon 'sit-down-three-piece-without-the drums' show in The Dolphin in Uxbridge way back in August (I really must update this blog more often mustn't I? More about that in a minute...) and then a whopping two gigs in October, and on successive Fridays at that. We played another sit down show at The Horns in Watford on the 16th, then Dylan made a triumphant return behind the kit the 23rd at The Cavern in Raynes Park. All were highly enjoyable, although I'd be lying if I didn't say that the third show beat the the other two in the fun stakes. Mind you I realised that I wasn't anywhere near match fit at the Cavern show as I was sweating by the second song and not playing particularly well. I got going in the end (I wouldn't have mentioned it here if I hadn't!) and we were due to make a return visit to the venue in December - but, of course, we didn’t. 

It now feels as though Ruts D.C. have postponed more gigs than we've ever played - we haven't of course, but that’s what it feels like. Incredibly we’ve released two - count ‘em, two! - albums this year (since you were wondering- the live ‘40 Years Of The Crack’ recorded on our 2019 UK tour, and ‘ElectrAcoustiC’ which features reworked old songs; both are available on our website) and have somehow played two - count ‘em, two! - gigs. Both of these were sit down shows at The New Cross Inn earlier this month (the 14th and 15th December) and while both were ostensibly acoustic I used an electric guitar for a fair bit of the evening. We were supposed to play three shows, but as we were getting our gear together for the first gig we heard that London was going into Tier 3 of Coronavirus restrictions on the morning of our third show. Much incredulity followed, followed by much swearing... the shows went well, and then we all went home. That was that for this year.

And I even went to some - well, three - gigs. I saw Steve Simpson with his new band The Waders a couple of times at The Cavern (both shows were excellent) and witnessed the mighty Menace at The Holroyd Arms in Guildford. The bands were standing, the audience were seated and I don't mind admitting that I was almost euphoric at times. I really like music. That hasn't changed.

But at least I managed to play some shows. There are many increasingly despondent musicians that haven't played at all this year. Do you remember that ridiculously offensive 'Fatima' advert? Vile wasn't it? Leaving aside the fact that there were some excellent parodies out in no time at all it seemed to me that it was yet another example of how this increasingly appalling government have absolutely no idea whatsoever how to handle the situation. I for one have long been fed up with ghastly toffs telling us what we should think and do - now an endless procession of faceless ministers appear on television instead, none of whom take any responsibility for the current chaos. Tens of thousands of people have died, hundreds of thousands have lost their jobs, physical and mental health problems are increasing at a frightening rate and this gang of goons will all get peerages and houses big enough to be seen from outer space. It would be funny if it wasn't so sad. The tiers of a clown indeed.

In an attempt to make some sort of sense of things and indeed to put my time to good use I decided to try to learn a few things on the computer. Among other things I've had a go at making DVDs (you want a gig bootlegging from YouTube? I'm your man!) and perhaps more constructively I've been finding my way around Garageband. This as you may know is a recording app, and after much brow-furrowing I used it to contribute guitars to 'World Of Sunlight' by Pete 'Joyless' Jones back in the summer - since then I've recorded my parts for a new Alvin Gibbs & The Disobedient Servants single (our 'History' EP was also released back in June - under normal circumstances this would have been a really good year for me in terms of record releases!) and quite a few new song ideas. I still get a bit stuck here and there, but I'm quite pleased with progress so far. Lots of people are recording at home these days - so does this mean the end of recording studios? Will they be yet another casualty of 2020? Let's hope not - the three days Ruts D.C. spent at Perry Vale Studios with Pat Collier recording 'ElectrAcoustiC' were highlights of my year. Admittedly highlights have been few and far between this year, but you know what I mean I think. And surely I could have written more blog posts? Well I could - if there was anything to write about. You'd soon get tired of me ranting on and on about how evil The Tories are over and over again - I'm certainly getting fed up with thinking about it.

So - what now? There's a vaccine or two around, and talk of 'getting back to normal' sometime soon - but will we? Will the world we knew ever return? It's quite a thought isn't it? I'm optimistic that it will - most of the time. Pubs are closing at a depressing rate, often as a result of governmental incompetence which has resulted in the rules changing so often, and I fear that many venues will go the same way. I wonder if people are losing the habit of going out - then again a lot of folk sound as though they would go to the opening of an envelope if it got them out of the house. 

Well - that was 2020. Let's see what 2021 has to offer. It will be better.

It will be better - won't it?

Still burning

Malcolm Owen died 40 years ago today. 40 years! Where on Earth has that time gone eh? 

As someone who is lucky enough to play the music of The Ruts on a regular basis I know, both from speaking to countless people and from the reaction that music still receives, just how much it still means to people - and I know that music will live on forever.

To reflect this Episode 9 of Ruts TV was a something of a Malcolm special, although it also featured Paul Fox heavily too. Dave and Segs reminisce about them alongside footage of The Ruts, Henry Rollins talking about the influence they had on the punk bands in America and more - if you missed it when it went out live last Friday you can see it and all the previous shows here. That's the end of series 1 - Ruts TV will return in the not-too-distant future, albeit in a slightly different way, but there'll be more news as and when we have it.

With Britain attempting to claw it's way out of lockdown Ruts D.C. are looking at yet more cancelled shows (bah!) and are still waiting for copies of our '40 Years Of The Crack' live album. This is all but inevitable due to backlogs at printers, pressing plants etc but we'll hopefully have the first batch soon - at which point Dave, Segs and myself will have to sign 500 albums and 500 CDs. Quite how we're going to do that in these days of social distancing remains to be seen, but I'm sure we'll find a way. It can be ordered along with all other band merchandise including face masks - yes that's right, face masks as demonstrated by Dave and Segs here in possibly the most bizarre advert ever! - via the band's online shop.

Talking of record releases the new Alvin Gibbs & The Disobedient Servants EP 'History' is available now from Time & Matter Records - it's currently available as a 500 copy limited edition 2 x 7" single numbered set (how cool is that?!) which I'm told is selling well, so if you'd like one it might be good to move quickly. You can also order it via the T&M link above, and why not get volume one of Alvin's autobiography 'Diminished Responsibility : My Life As A UK Sub And Other Stories' while you're at it?

Retro Man is an excellent blog that's well worth following - Steve's always-enthusiastic writing covers all manner of bands from the obscure and oblique to the mainstream and more, and I was delighted to be asked to contribute to his series of Lockdown Lowdown podcasts. He asked some interesting questions as well as inviting me to choose some music, and you can hear the result here - cheers Steve!

And life in lockdown has produced a very unexpected - from my point of view anyway - collaboration with ex - Public Image Ltd and Department S bass player Pete Jones; a few weeks ago (gawd knows how many weeks exactly, time doesn't seem to matter anymore does it?) he sent me a backing track with a 'see what you can do with this' directive. In a situation such as this I tend to default to either (a) backwards guitar, (b) slide guitar or (c) a bizarre combination of the two; in this case option (a) seemed to be the best bet, along with a riff that might sound just a little bit like a rather obscure Deep Purple track. I'll leave you to find out which one - it was an accident, honest! 
One of the things I've been attempting to do lately is to learn how to use GarageBand, the free recording thingy (that's a rarely used technical term!) that comes on a Mac computer; I've been doing reasonably well, but hadn't encountered how to record backwards guitar - at which point I discovered Pete Johns, an Australian chap with a mind-boggling command of said recording medium. After a wee while - ok, quite a long while - on his website and YouTube channel I was ready - the resulting track 'World In Sunlight' can be heard here, and incredibly will be available as a download next Friday 24th July. That's my birthday, and I'm bound to say that having new music released on that particular day is one of the best presents I'll ever get, particularly in these uncertain times.

Oh and Liverpool have won the Premier League. I was beginning to wonder if I'd ever get to see that happen again - well done lads, I never doubted you for a minute... well, not that often anyway... 

'Strange days indeed...'

So then.

‘We never bothered to scream,
when your mask went on...’

Coronavirus. 
Pandemic.
Lockdown. 
Self isolation. 
Social distancing. 

How is it all going for you?

I was on the phone to a musician mate of mine the other day who during the course of our conversation said something that has come back to me more than a few times lately - 'the thing is Leigh, people like you and me are probably a bit more used to self isolation than most people are'.

He's not wrong.

I think that a lot of people are finding out some, shall we say, 'interesting' things about themselves at the moment - from the vacuous airhead whining of useless 'celebrities' stranded in their mansions with only a swimming pool or two to amuse them, to the pub bore (remember pubs?!?) who doesn't complain quite so loudly about the lady that lives opposite who 'shouldn't even be in this country' as he's realised that nurses do a little bit more than just leave for work at irregular hours, the times they are a-changing. Indeed, the times they have a-changed. Will they ever change back again? Who knows - apparently a significant percentage of the country actually prefer the current lifestyle to what up until this point in proceedings has been considered to be 'normal'. As I say, times have changed.

Obviously these are not good times to be a musician that relies primarily on live performance for income. Ruts D.C. 'should' be out on our first acoustic tour as I type this - it's been rescheduled for August as discussed in the last blog post, which I have a horrible feeling may be proved to be a rather optimistic piece of planning. Attempts to move this year's Punk Rock Bowling Festival to the Autumn have sadly proved impossible so it'll be happening next May, as will our projected visit to the USA. We're touring Britain with The Stranglers in October and November before a series of European shows, and there are other gigs coming in - well, that's the plan anyway. Will any of it happen? No one knows.  

But we've not been idle. Our live album '40 Years Of The Crack' is due for release in June, and to this end a promotional film aired on the band's Facebook page a couple of Fridays ago. It was followed by a live Q and A session with Segs, all of which constituted the (ahem!) 'launch' of Ruts TV - the plan is for this to feature band footage (much of it previously unseen) alongside items recorded by us during lockdown. An ambitious idea in many ways - and if ever there was a time where plans change then this is it - but to this end I've been attempting to get to grips with Garageband (I've messed around with it in the past but didn't learn it 'properly, if you know what I mean) with a view to recording items for broadcast, and also to send new song ideas over to Dave and Segs and indeed to receive ideas from them. In the meantime episode 2 of Ruts TV featured previously unseen interview and live footage from The Fleece in Bristol a few years ago, while tomorrow night's show will feature The Ruts on the Belgian television show 'Follies' in 1980. Excellent!

And Alvin Gibbs and The Disobedient Servants have some new music due for release - the 'History' EP (actually 2 x 7" singles - how cool is that?!?) was recorded last year and features four new songs including one written and sung by your humble narrator. Yes, that's right - sung. I'm not sure how this happened either... if I could re-record every note of it then I would but, hey, that's just me being self-critical. Hopefully. Available from Time and Matter Records now!

Right - time to get on with... er, something or other... well, you know what it's like at the moment...