'If we drink we will die, and if we don't drink we will die...' (a.k.a. 'Lost In the Supermarket')

Four gigs in four days is always a good thing in my little world...

Thursday night saw a swift return to Sunningdale for Big Al Reed and The Blistering Buicks following our debut show at The Sunningdale Lounge a mere two weeks ago. I don't mind admitting that I wondered if this was all a bit too soon and therefore there wouldn't be too many people in attendance but I'm pleased to say that despite the rain there were plenty of people there. When I'm gigging elsewhere my good friend Pete Kerr deps for me, and we generally do shows together when we are both available - however he was working away so I found myself in the relatively-rare-these-days situation of being the 'only' guitarist (Al plays guitar on some numbers, but you know what I mean I think) which took me a few songs to get used to; still with Al on top form thing went well until 'Shakin' All Over' which went a bit wrong when Al managed to get his top E string caught under the pickup on his Gretsch causing him to go to the wrong part of the song. Still we recovered well, and a real one-off moment occurred when a young lady requested 'Brown Eyed Girl' - Al couldn't remember the words so said something like 'do you know this one Steve?' It turned out that Steve Brookes did indeed know it (albeit in the key of E rather than the more usual G) and sang it very well - I really must ask him about The Jam next time I see him... 

The next evening we found ourselves in the perhaps-unlikely setting of The Battle Of Britain Club in Uxbridge. The club is on what used to be The R.A.F. Camp (it's currently being redeveloped as a housing estate) which is also the site of The Battle Of Britain Bunker which I'm told is a very interesting place to visit. It's usually members only but when bands and / or events are on that rule is relaxed, and we played three 40 minute sets to an appreciative if somewhat small audience. With beer at well under £3 a pint I'm amazed that there weren't more people there - I'm considering joining myself!

On Saturday night The Upper Cut returned to The Halfway House in Rickmansworth for the first time since September 2011. That night my amplifier blew up (!) but this time I managed to get through the show without any problems aside from the guv'nor telling us to turn it down several times throughout the evening. We did our best but it's difficult to play the sort of music that we play at a low volume. Well, that's my excuse anyway... mind you that could be why my amp exploded! In the meantime bizarre displays of Cossack dancing took place only a couple of yards in front of us (cue 'I'll have a pint of what they've had' gags) so there were definitely a few lads that enjoyed what we did. Well, I guess they enjoyed it - perhaps it's time for a chorus or two of 'The Cossack Drinking Song'?

And yesterday The Upper Cut made a 5pm appearance in Colnbrook at Ye Olde George Inn. It being a Bank Holiday Weekend we were part of the 'Family Fun Day', and with live music also happening out in the garden we wondered whether we would be better playing outdoors rather than in the bar. Eventually it was decided that indoors was best, and our two sets were witnessed by a cheery assortment of locals (with the odd ex-girlfriend thrown in) amid much drinking, dancing and merriment. I suppose that's why they call it a fun day? This is a venue where they, as the old saying goes, 'pass the hat round' (in this case, my hat) as the band is finishing - I got the job of counting the coppers and was amused to find a supermarket trolley token among them - you know, those things you can use instead of a pound coin. What can this mean? Answers on a postcard please, usual address...

And today I've got 'White Men In Hammersmith Odeon' by The Clash playing in the background as I type this (The Clash really were brilliant weren't they? And this show is extraordinary, as this clip of 'Armagideon Time' shows) and with Ruts D.C. playing in Serbia this coming Friday there are strings to change and stuff to sort out for then. I've also got songs to learn for the next night when I'm playing at The 12 Bar Club (alongside Chris Pope and The Legendary Groovymen) with the astonishingly-named London Sewage Company - more news on that as and when I have it... oh, and Big Al and the band are in Colnbrook on Sunday afternoon, so it's another busy weekend in prospect. Good!

Back to Back To Zero

Back when I was a lad there was a band called The Jam. They were good. Very good. Actually they were a bit better than that, but we haven't got time to go into that here - their success in the late 1970s coupled with the release of the 'Quadrophenia' film precipitated a mod revival that saw sharp dressed bands on 'Top Of The Pops' and scooters and parkas everywhere. One of the bands that was part of this 'scene' (I believe that's the correct term for this sort of thing) were Back To Zero, who released one single 'Your Side Of Heaven' / 'Back To Back' (find out all about it here) and participated in the 'March Of The Mods' tour in August and September 1979 with Secret Affair and The Purple Hearts. They also played with The Lurkers, The Cure and Joy Division among others and were supported by U2  - yes that's right, supported by U2 - at a London show. So - why am I telling you all of this? Well something like 33 1/3 years after their last public appearance Back To Zero are, er, back - on Thursday 2nd May they are playing at The Fiddlers Elbow in Camden and are at The Mods Mayday 2013 in Cambridge two days later. But when I say 'they' I should really be saying 'we' as alongside founder members Sam Burnett (guitar/vocals/songwriting) and Andy Moore (drums) is my old mate John Sorrell a.k.a. Johnny Squirrel on bass and your humble narrator on guitar. We'll also have Stuart Bates on keyboards, and one of the band's original singers Craig Lappin will be joining us for a few songs - I'll be meeting them for the first time at rehearsal this coming Sunday. The songs are great, four-piece rehearsals have been going well and after these shows we're going to record all the songs we've learned so far for an album - great stuff all round. Oh and the Camden show is to publicise the recently-released Paul Fox tribute CD 'See You On The Other Side', which I think you'll agree is more good news. Oh yes!

In mod we trust

Mod has been in the news a lot lately, with Bradley Wiggins getting a knighthood in the wake of his success at last year's Olympic Games. (Apparently he was at the Pete Townshend book signing back in October but I didn't see him. Mind you, I wasn't looking for him!) For many mod hasn't really ever gone away, as is evidenced by events such as The Mods Mayday 2013 weekend at The Alley Club in Cambridge this coming May. The Saturday night line up includes Back To Zero whose single 'Your Side Of Heaven' is a well-thought-of artefact from the late '70s mod revival that occurred around the time of the 'Quadrophenia' film when bands like The Chords, Secret Affair and The Purple Hearts all appeared in the shadow of The Jam. So why am I telling you this? Well all things being equal (which of course they very rarely are!) I shall be playing guitar for the afore-mentioned BTZ alongside original members Sam Burnett on guitar and vocals (he's currently in Department S) and Andy Moore on drums who plays alongside me in The Flying Squad. I'm really looking forward to this - I've been listening to their album 'It's All Relative' rather a lot lately (well, I've got songs to learn!) and there's some great stuff on there. And I must say that I liked a lot of the other music from the same time (my brother played the 'Mods Mayday '79' album to death back in the day) as well as being a fan of the clothes and the general look too. Still it'll be good to try something a bit different - there's a meeting / initial rehearsal planned for later this month so we'll see how it all goes but I'm optimistic that it'll be a great thing to be involved in.

Staying with the mod theme (if a little tenuously) my first gig of the year as a spectator took place on Friday when I went back to Tropic At Ruislip to see Who's Who. I never saw The Who play with Keith Moon (I was too young - honest!) but I'm reliably informed by many who did (and indeed by no lesser person than Peter 'Dougal' Butler, Moonie's driver and assistant for many years) that the drummer in Who's Who is the nearest that any of us will see these days. He certainly seems to me to have got it right both musically and visually, which puts Who's Who in a position to be as authentic tribute to the original band that anyone is ever likely to be. I could pick holes in it all but there's no point - what they do they do very well indeed, and you can't ask for much more than that can you? Well, I don't think that you can.

My first appearance on 2013 with a guitar in my hand was at the first-Sunday-of-the-month open mic night at The Swan in Iver last night, and a very enjoyable evening it was too. John the organiser sang a few songs as did Big Al Reed, Les Payne played some solo acoustic originals, and we all wished that there were a few more people there. Still it's the first one of the year so hopefully it'll all pick up a bit for next month's February 3rd date.

And it's my first 'proper' gig of the year this coming Friday when The Upper Cut return to The Admiral Nelson in Twickenham. That should be a good night - sadly the rest of January and the whole of February are worryingly quiet at the moment. Time to get out and look for some gigs then...

T.V. on TV

I don't know about you (obviously!) but I've been really enjoying the BBC re-broadcasts of 'Top Of The Pops' from way back in 1976. I'm surprised at how well I remember some of the shows - I used to watch them every week in the increasingly vain hope of seeing something interesting, a rather rare sight since the glory days of glam rock a few years earlier. Easily the best clip so far has been Eddie And The Hot Rods playing 'Get Out Of Denver' live in the studio - but all of that is about to change as the shows now move into 1977, a landmark year for rock music as punk rock reared it's spiky head. On BBC4 this Friday at 9 pm 'Top Of The Pops : The Story Of 1977' focuses on the year that the likes of The Jam and The Stranglers made their first appearances on the show, and when people like The Tom Robinson Band and The Saints made people like me go 'ARGH!' (or words to that effect). I particularly remember a blistering live version of 'Lights Out' by Dr. Feelgood (not exactly punk I know, but it was my first sighting of then-new guitarist Gypie Mayo) all but blowing the roof off the studio. The documentary also features interviews with the likes of Paul Cook and John Otway as well as T.V. Smith and Gaye Advert, which means we should hopefully see 'Gary Gilmore's Eyes' and / or 'No Time To Be 21' by The Adverts; then again if we don't see them in this show we should see them sometime in the not-too-distant future when the 1977 shows are repeated.

Good news all round then!