Blood on the tracks

I got on a tube train the other day - nothing too unusual about that - and as I sat down I smiled cheerily at the two young ladies who were sitting opposite me. They looked somewhat awkwardly back at me, probably because blood had just started pouring from my nose. Sadly there is nothing too unusual about that either (the nosebleed, not ladies looking awkwardly at me... actually thinking about it... hmmm, maybe it's best that I don't think about that too much!) at this time of year as the hay fever season is once again upon us. Every year I think that I might be lucky and it won't effect me, and every year it does... bah!

In the meantime I have spent much of last week at Jamm in Brixton with house engineer Greg a.k.a Wizard working on, among other things, the upcoming Ruts D.C. live album. We've been reviewing recordings from several shows recorded over the last year or so with a view to compiling the best ones for release - as you might well imagine this is quite a lengthy and time consuming process, not least because the album is being mixed by Lee Groves (an old friend of Dave and Segs) who lives and works in New York. To this end we email a track over to him, he sends us a mix back, we listen and send him comments, he changes the mix accordingly then sends it back, we listen and send him comments... well, you get the idea. However from what I've heard this week it's all going to be worth it, as the tracks are sounding excellent. We're playing at The Concorde 2 in Brighton this coming Friday followed by a show the next night at The BWM Rally at Santa Pod Raceway, and there are more dates coming in all the time - good news all round!

After a day in the studio I travelled across town to The Half Moon in Putney on Friday evening to catch a night promoted by Retro Man blog writer Steve Worrall. I arrived just in time to catch a couple of songs by The Galileo 7, who feature ex - Prisoners bassist Allan Crockford on guitar and vocals. They sounded good enough for me to resolve to catch them again as soon as possible. Next up were The Len Price 3 who delivered a blistering set to the enthusiastic approval of everyone in the by-now sold out room. It was then left to headliners Graham Day and The Forefathers to close a brilliant evening, which they did in fine style. I've been a massive fan of Day's work since I first heard The Prisoners back in the day, and he remains a criminally under-rated singer and songwriter. As I say, a brilliant evening.

I've also played two shows with Big Al Reed and The Blistering Buicks over the weekend, the first of which was at The Paddington Packet Boat in Cowley. With Pete away for the day I was on solo guitar duties, and with Dave gigging elsewhere Bob Pearce depped on drums for a show that suffered audience-wise at the hands of the England v Honduras game but was nevertheless an enjoyable affair. And I have just - just! - got in from a splendid afternoon show at The Horns in Watford. Dave returned on drums, Pete and myself were both on guitars and everybody in the band gave a fine performance. Great stuff - and there's plenty to look forward to this week, not least the Ruts D.C. gigs at the weekend. Hmmm... I've only played at The Concorde 2 once before, and on that occasion I managed to break to headstock off my Les Paul. Oooo! I intend to be using said instrument for these shows (it has been repaired in the meantime!) and hopefully nothing too untoward will happen this time. Mind you, we are playing on Friday 13th... 

'Vinyl Rules!' Episode One - The Chairs

Proof (were it needed) that I've had far too much time on my hands this week comes with the news that I've bought myself one of those turntables that allows you to convert records into mp3's which you can then make into CD's, put on an iPod and probably do lots of other things with that I'm not clever or indeed young enough to know about. I've been thinking about getting one for a while, as there are quite a few records in my collection that are sadly unlikely to ever emerge on CD and this seemed to be an obvious way for me to transfer them across to the digital world. It's also a chance for me to re-discover some of these recordings, and in doing so it occurred to me that it would be fun to write about them here. So let's start with a band that could have been, and indeed were contenders - I refer of course to The Chairs.

I think I first saw The Chairs at the late and much-lamented Fulham Greyhound (well it's certainly lamented by me although I can't find much on the Internet about it!) sometime in 1988. I guess they were supporting someone but I can't for the life of me remember who, a fact which amply sums up the impact that they had on the evening. They were simply tremendous. I'd been a huge fan of much missed Medway magicians The Prisoners who I'd seen many times and who I always thought should have been massively successful, but here was a band who had all their best elements (great songs, loads of energy and a Hammond Organ that sounded like the loudest and therefore greatest thing on Earth) but who somehow seemed to be an altogether more commercial proposition. They looked good, sounded great and such was their overall brilliance that I somehow overcame my innate shyness and struck up a conversation with one of them, who directed me to their larger-than-life manager Jim - I left for home that night with a copy of their first single and a masterplan that somehow meant that The Chairs and The Price were somehow going to take over the World together. I may have been a little drunk...
The next morning (afternoon?!?) I played the single - the A-side 'The Likes Of You' was brilliant, the b-side 'Something's Happening' was if anything even better, and the band were clearly as wondrous as I'd decided they were the previous evening. By the time their second single came out (the magnificent 'Size 10 Girlfriend' / 'Cut 'n' Dried', probably my favourite of their releases) they'd established themselves as a popular live act and were in hot pursuit of a record contract. Over the next couple of years this became something of an obsession within the band, as there always seemed to be a label or labels interested but no one would bite the bullet and sign them. I remember singer / guitarist / songwriter Paul Sullivan once saying to me words to the effect of 'all that matters is us getting a record contract, we can work everything else out from there', which is a measure of how much it meant to him. Their third single 'Honey I Need A Girl Of A Different Stripe' / 'I Can't Say I'm Sorry' kept up the pressure, as did their live shows which continued to be superb although by their fourth and last single 'Crestfallen' / 'Sometimes It Takes A Hammer' I remember thinking that the atmosphere in the band had changed - the music was still excellent but the mood seemed somehow darker. And then, suddenly, they were gone, leaving just 4 singles and an almost limitless amount of potential that appeared to evaporate almost overnight. Paul went on to play with The Crowd Scene and The Liberty Takers as well as making some solo acoustic appearances but I'm not sure what he (or indeed the rest of the band and their mercurial manager Jim) gets up to these days. I hope they're all still involved in music, but in the meantime there are any number of unreleased songs that remain in the memory banks from live shows - 'Boys From Slumberland', 'Brave Little Soldier', 'All I Need To Know' (inspired by Albert Goldman's controversial book 'The Lives Of John Lennon' - Paul's a huge Lennon fan, and judging by this song is not too enthusiastic about the book) and 'Neck Of The Woods' among them as well as a cover of Elvis Costello's 'Beaten To The Punch', all doubtless destined to remain unheard unless a retrospective compilation magically appears.

Well I've made my compilation from the singles and I've hardly stopped playing it since - 20-odd years on they sound as great as ever. It's good when that happens. Sit on that music!