Saturday 21st January at midday, in seat 9F on Eurowings flight 4U9467 at Heathrow Airport awaiting take off
Well. Here we are again. Indeed here we go again, this time to Dortmund via Dusseldorf Airport for a Ruts DC show at The Ruhrpott Ska Explosion Festival. No, I'm not too sure what we're doing at a ska festival either.
It seems strange to think of flying to gigs as 'routine' - which is why I don't think of it as that or anything like it. There's still something exciting about it, even though I've done it a fair few times over the years. I really must grow up one day - then again I've got this far, so maybe not?
I broke a toe this week. Silly me. Then again I didn't do it deliberately... I guess that at this point there should be some crazy rock 'n' roll story attached to the incident ('there I was in a New York hotel having a drink with Keith Richards and Ronnie Wood when Iggy Pop suggested that I swung from one of the chandeliers. I wouldn't have normally but gripped by the spirit of Keith Moon I though that I'd give it a go...') but no - I somehow caught my foot on a table leg in the front room. Gawd knows how - serves me right for not wearing shoes or indeed (gulp!) slippers eh? It hurt a lot when I did it on Thursday but it hurts a bit less now - then again I have taken some industrial strength Ibuprofen, as advised by the chemist that I hopped in to see not long after the frankly ridiculous table leg / toe equation took place. They also advised me to tape it to an adjacent toe (it's the one next to my little toe on my left foot) and to 'take it easy for a week or so'... as I limped my way towards gate A24 30-odd minutes ago I reflected upon how much we all take 'normality', or whatever 'normality' is in our world, for granted. Without wishing to tempt fate I, like most of us, am lucky enough to be reasonably healthy most of the time - and yet we all moan about the most trivial of things don't we? Well, we do don't we?
I suppose that last night was a chance to 'take it easy' - so I of course went out to see a Led Zeppelin tribute band at Tropic At Ruislip. Led Zeppelin are revered both as a band and as individuals for a reason, and Hats Off To Led Zeppelin made a very good job of what is some notoriously difficult material - their two set show saw a good selection from the catalogue (finishing the main set with 'Wearing And Tearing' really was a moment for the diehards!) with the obvious classics getting the biggest audience reaction. A good night all round - I'd not been to the club for a while and it was splendid to see it continuing to thrive in these difficult times.
Right - it looks as though it's take off time so I'm going to try to have a snooze. It's bloomin' tiring having a broken toe. Maybe I should have had a quiet night after all?
Sunday 22nd January at 2.25 pm, in seat 12D on Eurowings flight EW1466 at Dusseldorf Airport awaiting take off
Strange. Very Strange. Well, I think that it is.
While I'm away doing these crazy jaunts around the rock 'n' roll world I usually take an iPod with me, along with a little battery operated device to play it through; this means that if I get my own room I can use it to play whatever peculiar song has somehow found it's way into my warped mind while I'm attempting to get some sleep.
('But Leigh' - I hear you cry - 'what of the women? The drink? The drugs? The wilful destruction of hotel rooms? Whatever happened to the spirit of Keith Moon from earlier?' Good question...)
Anyway last night - oh ok then, very early this morning - I thought I'd play a bit of, wait for it, Eddie and The Hot Rods. Oh it won't work. Flat battery. Very annoying, and strange since I charged it up yesterday. And for some reason it won't charge up now. Bugger!
That's the strange bit, but not the very strange bit. That's coming in a minute.
So I played a song or two on my phone before eventually getting tired enough to get to sleep. Good. After a while I woke up and, since it was dark I attempted to switch my phone on to check the time, like we all do these days. Well, we do don't we? It didn't work. Turn the bedside light on. Try again. Nothing.The battery was as dead as the proverbial dodo. But it was over 70% charged when I went to sleep. Weird. I was of course immediately wide awake, gripped with terror with the hideous realisation that there was obviously an enormous magnetic field (or something) in the hotel that was causing every battery in the building to go flat and so no one's alarm would go off and we'd all be there forever. Or something. A very strange moment- well that's how it felt at the time.
We'd arrived a Dortmund Airport after a pleasingly uneventful flight, and were met by Tony who drove us (at quite a speed, it must be said) to the venue where preparations for the evening were well under way. After checking the drums and amps we were all set to go to our hotel, but with our stage time less than two hours away we decided to stay at the venue. This proved to be a good move as it gave us chance to get something to eat and drink as well as to meet the other bands on the bill.
Showtime was 7.15 - with things already running late (an unusual situation at events such as this) there was an unwelcome urgency in setting up which caused the odd fraught moment but we go there in the end.
Remember my broken toe? I'd almost forgotten about it too until a few songs into our show when I bought my foot down onto the stage just a little bit too hard - In a split second a heavy metal bolt of pain shot up my leg and out through the top of my head. I remembered it then. Absolute agony. The resulting, er, jazz chord hadn't appeared in 'Vox Teardrop' before, and I for one hope that it doesn't appear again - although a similar one turned up later in 'Psychic Attack' for the same reason. Argh! If you see these performances on YouTube then please cut me a little slack... having collectively wondered what on Earth we were doing at a ska festival we all reached the conclusion 'doing rather well' by the end of our set. A great gig, and it must be said a great evening all round. All the bands played well although I must give a special mention to The Valkarians who were simply brilliant. By the time headliner Roy Ellis hit the stage we were all flagging a bit (well I certainly was!) so we headed for our hotel during his set, but we all agreed that it had been a splendid event to be part of.
With no more Ruts DC shows for a month or so it's now time to prepare for the Stranglers tour in March which should, to coin a phrase, be something to write home about - which if you think about it, is exactly what I'm likely to do here...
Tuesday 24th January at 4.27 pm, back in Blighty and at home
So there you have it - some great gigs and some (hopefully) interesting times. I thought that it might be fun to structure successive posts in a similar manner. There has been minimal editing - they really were written in the places and at the listed times, and this is reflected in the writing, which is sometimes scrappy but often oddly revealing. All good stuff!
Showing posts with label ska. Show all posts
Showing posts with label ska. Show all posts
Wednesday, January 25, 2017
Thursday, March 03, 2016
Hats off to Harefield
...except that continuation didn't quite continue in the manner that I thought it would - the Dollis Hill gig was cancelled. Bah! Al received a text from the landlord of The Ox and Gate saying words to the effect of 'the brewery isn't sure if the want us to continue putting on live music, we'll let you know about the other gigs that you've got booked with us later this year' which I for one suspect is landlord-speak for 'we've stopped having live music, but just in case we decide to start it up again we'll attempt to keep you vaguely interested in playing here'. Cynical? Me? Maybe... still at least the Big Al Reed and The Blistering Buicks gig at The Kings Arms in Harefield took place on Saturday night as planned - it's an interesting venue at the best of times, but I knew we were in for a memorable night when, if I might use a word beloved of Sherlock Holmes, a 'singular' gentleman parked his wheelchair-bound mother approximately half an inch away from my amplifier during the interval with the words 'I see that you have stolen my look'. He was wearing a spangly trilby-style hat - mine was spangle-free but that didn't deter him. 'I've been wearing this hat for over five years, how long have you been wearing yours?' In a brave but ultimately doomed attempt at humour I replied 'I put it on just before 8 o'clock this evening' to which he retorted 'see - you've only been wearing yours for a couple of hours, I've been wearing mine for over five years'. It almost goes without saying that he undid virtually all the buttons on his shirt whilst dancing wildly to the first song of our second set - after which somebody stole his hat. As he went off in pursuit of the criminal mastermind responsible I noticed that a chap sitting not two yards in front of us had fallen asleep sitting at a table. No, I can't think of an adequate punchline at the moment either - I'll let you know if I ever do.
As we unexpectedly found ourselves with no gig on Friday night myself and fellow Buicks guitar man Pete went to Tropic At Ruislip to see noted Jimi Hendrix tribute act Are You Experienced?. Pete saw the man himself play several times and so was an interesting person to attend a show such as this with - it was clear that a lot of work had gone into putting the act together and their two sets featured all the hits alongside less obvious songs like '1983... (A Merman I Should Turn To Be)' and 'Freedom'. Guitarist John Campbell is obviously a big fan and managed to go a very long way towards recreating the legendary Hendrix guitar sound; we was also an excellent player (which helped!) and, yes, he set fire to his guitar at the end of the show. Well to be pedantic he set fire to something like lighter fuel on his guitar which then (thankfully!) went out within a few seconds but the overall effect was there if you know what I mean. A good gig, as was the previous night's performance by The Ska Faces at The Horns in Watford. They feature my old Price band mate Huggy Harewood on bass, and as their name suggests they play a mixture of ska and mod material. On the surface this is an extremely attractive prospect, and for the most part it worked well although it did all get a bit disjointed in places - 'Won't Get Fooled Again' followed by 'Pressure Drop' anyone? Add to this the fact that the singer seemed to be having monitor problems throughout the first set (which disappeared as soon as he switched his radio microphone for one of the venue's - use a cable boys and girls!) and you have a show which Huggy described as 'not one of our best nights'. I suspect he was correct, but it was good to see him play.
On Sunday I went with my Dad to see Liverpool play Manchester City in The League Cup Final (ok, I know that they call it The Capital One Cup these days, but if you're my age it's The League Cup and it always will be!) at Wembley Stadium. Tickets for events such as these are of course very hard to come by - I got some via Bug / Department S guitarist and all round good guy Phil Thompson who is a Man. City season ticket holder, and bought my Dad his one for his birthday. (He was 84 last Sunday. 84!) It would of course have been a better day if Liverpool had won the game, but I thought City deserved the honours - and as our tickets were smack bang in the middle of 21,000 or so of their fans that might have been the best outcome if you think about it... and I'd not seen a penalty shootout before - ooh they're nerve-racking!
And it's been a busy week this week as although I've got no gigs I've been working in Balcony Shirts every day. I thought that I was getting a day off tomorrow but it's too busy for such behaviour so I'll be in the shop then and Saturday too. Hmmm... this is a bit too much like having a real job! But don't worry Leigh - it's back to the guitar next week...
As we unexpectedly found ourselves with no gig on Friday night myself and fellow Buicks guitar man Pete went to Tropic At Ruislip to see noted Jimi Hendrix tribute act Are You Experienced?. Pete saw the man himself play several times and so was an interesting person to attend a show such as this with - it was clear that a lot of work had gone into putting the act together and their two sets featured all the hits alongside less obvious songs like '1983... (A Merman I Should Turn To Be)' and 'Freedom'. Guitarist John Campbell is obviously a big fan and managed to go a very long way towards recreating the legendary Hendrix guitar sound; we was also an excellent player (which helped!) and, yes, he set fire to his guitar at the end of the show. Well to be pedantic he set fire to something like lighter fuel on his guitar which then (thankfully!) went out within a few seconds but the overall effect was there if you know what I mean. A good gig, as was the previous night's performance by The Ska Faces at The Horns in Watford. They feature my old Price band mate Huggy Harewood on bass, and as their name suggests they play a mixture of ska and mod material. On the surface this is an extremely attractive prospect, and for the most part it worked well although it did all get a bit disjointed in places - 'Won't Get Fooled Again' followed by 'Pressure Drop' anyone? Add to this the fact that the singer seemed to be having monitor problems throughout the first set (which disappeared as soon as he switched his radio microphone for one of the venue's - use a cable boys and girls!) and you have a show which Huggy described as 'not one of our best nights'. I suspect he was correct, but it was good to see him play.
On Sunday I went with my Dad to see Liverpool play Manchester City in The League Cup Final (ok, I know that they call it The Capital One Cup these days, but if you're my age it's The League Cup and it always will be!) at Wembley Stadium. Tickets for events such as these are of course very hard to come by - I got some via Bug / Department S guitarist and all round good guy Phil Thompson who is a Man. City season ticket holder, and bought my Dad his one for his birthday. (He was 84 last Sunday. 84!) It would of course have been a better day if Liverpool had won the game, but I thought City deserved the honours - and as our tickets were smack bang in the middle of 21,000 or so of their fans that might have been the best outcome if you think about it... and I'd not seen a penalty shootout before - ooh they're nerve-racking!
And it's been a busy week this week as although I've got no gigs I've been working in Balcony Shirts every day. I thought that I was getting a day off tomorrow but it's too busy for such behaviour so I'll be in the shop then and Saturday too. Hmmm... this is a bit too much like having a real job! But don't worry Leigh - it's back to the guitar next week...
Tuesday, May 26, 2015
Neurotic outsider
Colin Dredd, bass player with The Newtown Neurotics, died last week. I saw The Neurotics (as they were also known) play many times and our group The Price shared the bill with them on quite a few occasions - their uncompromising left wing stance ensured that (a) they achieved virtually no mainstream recognition as the terror of the Thatcher years unfolded all around them and indeed us, and (b) people like me loved them. Colin (real surname Masters) was always friendly, approachable and ready to talk to anybody about anything - it always seemed to me that he simply adored everything about being in the band. He will be missed by everyone who knew him and - I'd like to think - remembered by everybody who ever met him.
And Mac Poole died after a long battle with cancer. He will it seems always be remembered as the man who turned down the job in Led Zeppelin, but he drummed with great distinction for many acts in the succeeding years. He depped with Big Al Reed and The Blistering Buicks several times, and I'll remember him as a great character with a rock 'n' roll story for every occasion. He was a heck of a drummer as well.
Ruts D.C. played two gigs over the weekend, the first of which saw us visit Italy for the first time. Arriving at Heathrow Airport Terminal 4 at the not-too-early (for once!) time of quarter to eight in the morning I met up with Dave and Segs, checked in and after a less-than-straightforward journey through security (shoes off, belts out of trousers, hand baggage unpacked) we launched ourselves enthusiastically at breakfast. We're playing at The Sottotetto Club in Bologna at an evening organised by Bologna City Rockers - I'd not played in Italy before so I'd been looking forward to this show for a while. Our first flight took us to Paris - no, I'm not sure why we didn't / couldn't get a direct flight either - where we renegotiated security (shoes off etc) before flying to Bologna where we were met by the Bologna City Rockers team who took us to The Hotel Astor. After checking in an abortive attempt at finding a coffee shop followed (it seems that they close during the afternoon) after which we headed to the venue where things were ready for soundcheck. I had an excellent Marshall JCM 900 half stack (oh yes!) while Segs had a not-quite-so-excellent Ampeg set-up - it sounded bad from the word go so while Dave struggled with a faulty hi-hat clutch some anxious-sounding phone calls were made... eventually a gentleman arrived with another clutch, and after fiddling with the bass amp he announced that it was set in stereo mode, flicked a switch and everything sounded great. After soundchecking we walked over to a nearby bar where we were interviewed for the Bologna City Rockers radio show (or to be more accurate Dave and Segs were interviewed as the questions were about the original band) after which Lorenz took us to the La Perla restaurant where a frankly mind-boggling amount of food was provided - I'd been told that Bologna's nickname 'La Grassa' means 'the fat one' and refers to the local cuisine, and on this showing it wasn't hard to see how it got it's name. (Incidentally I can't find a website for the restaurant but it's highly recommended, if only because it serves a 'Metro Pizza' which we're told is 1 metre wide! Maybe next time!) By now it was nearly 10 o'clock but since we weren't due on until after midnight we decided to go back to our hotel for some much-needed rest. Well, it was certainly much-needed in my case.
Lorenz got us back to the venue for around 11.15 - there were people everywhere, and with the front part of the club resembling a record fair with vinyl, CD and t-shirt stalls all doing a roaring trade it was clear that this was going to be quite a night. Klaxon took to the stage just as we got to the dressing room, their set included a fine version of The Clash's 'Garageland' which is never a bad sign. We start with 'Something That I Said' and with the venue packed with people the sound has changed which prompts Segs to ask me to turn up as he can't hear what I'm playing. His mic stand collapses during 'Mighty Soldier' which causes much amusement, not least from him; by the middle of our set things are well on course for a great gig with people singing along with both the old Ruts songs and some lesser-known Ruts DC material. 'West One (Shine On Me)' triggers a mini stage invasion, 'Love In Vain' gets an almost football crowd - style singalong and the new song 'Secondhand Child' is greeted like an old friend. 'Staring At the Rude Boys', 'Babylon's Burning' and 'In A Rut' clearly are old friends to all concerned and the final encore of 'H-Eyes' finishes a great - make that GREAT - show. Afterwards there are numerous record covers for Dave and Segs to sign while a man who in my imagination resembles a Roman Centurion has tears in his eyes as he tells me that he'd 'waited 35 years for this show'. Amazing.
Meanwhile the DJ is spinning old ska and rocksteady records (yes, records!) and no one is going home, we stay for a while before being reminded that we've got a plane to catch in a few hours...
My alarm goes off at 7am. Bugger. Three hours sleep didn't feel like nearly enough. Oh well. I have a shower then meet Dave at breakfast, there's no sign of Segs so Dave goes to knock on his door, he returns after no response so I suggest he calls his room from reception. Segs answers him with the news that he 'thought he'd heard some banging when he'd been in the shower'. Our taxi takes us to the airport where we attempt to pre-empt security by removing our shoes and belts first. It works - good. From there it's yesterday in reverse - there's time for a quick coffee at CDG before gate K53 takes us back to Heathrow where after a bit of 'how do we meet the bus?' shenanigans we hook up with Bob the soundman, Rhiannon the merch girl and James the new-to-us driver and set the controls for Cheadle Hulme where we're closing The Strummercamp Festival at Manchester Rugby Club. No, I'm not sure why we didn't fly to Manchester either... I guess ours is not to reason why sometimes?
We arrive in the Strummercamp backstage area just as Barnstormer are playing a, well, barnstorming set. Attila The Stockbroker dedicates a song to Colin from The Neurotics, they were old friends of course and he's got a picture of him taped to his mic stand which is a nice touch. Meanwhile we meet Phil and Mike from Bug who are lending us their guitar and bass amps for the gig, they played the day before and by all accounts got a great reception, to the extent that Phil has been stopped by people wanting to buy merch so many times that he's taken to walking around with a bag full of it! After finding out what time we need to be backstage to set up we take the only possible course of action under the circumstances and go to the bar, where it's clear that a lot of people are looking forward to our show. No pressure then... Dave and Segs go off to do another radio interview while I use my meal ticket to get a jacket potato - rock 'n' roll eh?
We return backstage in time to catch the last few songs by King Kurt who sound as great and indeed as mad as ever; the tent empties while we're setting up but fills up to capacity by the time 'S.T.I.S.' kicks things off once again. There's dancing from the word go and everybody is on top form - 'Secondhand Child' gets another good reception which as Dave says 'means a lot to us', and we encore with 'Brand New Cadillac' for Joe Strummer amid scenes of no little audience pandemonium. Afterwards the organisers go on stage to thank the audience for coming but it's us that should be thanking them - it was a real pleasure to be part of such a great festival.
These two gigs were bookended by two shows with Big Al and co., the first of which took place on Thursday at The Sunningdale Lounge in Sunningdale. I'd been rehearsing all day with Ruts D.C. so felt quite tired by the time I got to the venue but it turned out to be an enjoyable show with several new-to-the-act songs (they're old numbers, we didn't write any of them!) alongside the usual crowd pleasers. But if I was 'quite tired' on Thursday then I'm not sure what word describes my condition during Bank Holiday Monday's 5pm show at The North Star in Iver. Let's go for 'out on my feet' shall we? I got home less than an hour before I had to leave for the show - I played the gig, but I'm not sure how. I don't think that I played too well, and I was pretty wound up, especially when some fat drunken oaf kept on saying that he wanted to get up to sing 'Mustang Sally' with us... I think the contrast between successive shows sometimes gets the better of me, or something... perhaps I should call everyone to apologise... in fact I might do that now... hmmm...
And Mac Poole died after a long battle with cancer. He will it seems always be remembered as the man who turned down the job in Led Zeppelin, but he drummed with great distinction for many acts in the succeeding years. He depped with Big Al Reed and The Blistering Buicks several times, and I'll remember him as a great character with a rock 'n' roll story for every occasion. He was a heck of a drummer as well.
Ruts D.C. played two gigs over the weekend, the first of which saw us visit Italy for the first time. Arriving at Heathrow Airport Terminal 4 at the not-too-early (for once!) time of quarter to eight in the morning I met up with Dave and Segs, checked in and after a less-than-straightforward journey through security (shoes off, belts out of trousers, hand baggage unpacked) we launched ourselves enthusiastically at breakfast. We're playing at The Sottotetto Club in Bologna at an evening organised by Bologna City Rockers - I'd not played in Italy before so I'd been looking forward to this show for a while. Our first flight took us to Paris - no, I'm not sure why we didn't / couldn't get a direct flight either - where we renegotiated security (shoes off etc) before flying to Bologna where we were met by the Bologna City Rockers team who took us to The Hotel Astor. After checking in an abortive attempt at finding a coffee shop followed (it seems that they close during the afternoon) after which we headed to the venue where things were ready for soundcheck. I had an excellent Marshall JCM 900 half stack (oh yes!) while Segs had a not-quite-so-excellent Ampeg set-up - it sounded bad from the word go so while Dave struggled with a faulty hi-hat clutch some anxious-sounding phone calls were made... eventually a gentleman arrived with another clutch, and after fiddling with the bass amp he announced that it was set in stereo mode, flicked a switch and everything sounded great. After soundchecking we walked over to a nearby bar where we were interviewed for the Bologna City Rockers radio show (or to be more accurate Dave and Segs were interviewed as the questions were about the original band) after which Lorenz took us to the La Perla restaurant where a frankly mind-boggling amount of food was provided - I'd been told that Bologna's nickname 'La Grassa' means 'the fat one' and refers to the local cuisine, and on this showing it wasn't hard to see how it got it's name. (Incidentally I can't find a website for the restaurant but it's highly recommended, if only because it serves a 'Metro Pizza' which we're told is 1 metre wide! Maybe next time!) By now it was nearly 10 o'clock but since we weren't due on until after midnight we decided to go back to our hotel for some much-needed rest. Well, it was certainly much-needed in my case.
Lorenz got us back to the venue for around 11.15 - there were people everywhere, and with the front part of the club resembling a record fair with vinyl, CD and t-shirt stalls all doing a roaring trade it was clear that this was going to be quite a night. Klaxon took to the stage just as we got to the dressing room, their set included a fine version of The Clash's 'Garageland' which is never a bad sign. We start with 'Something That I Said' and with the venue packed with people the sound has changed which prompts Segs to ask me to turn up as he can't hear what I'm playing. His mic stand collapses during 'Mighty Soldier' which causes much amusement, not least from him; by the middle of our set things are well on course for a great gig with people singing along with both the old Ruts songs and some lesser-known Ruts DC material. 'West One (Shine On Me)' triggers a mini stage invasion, 'Love In Vain' gets an almost football crowd - style singalong and the new song 'Secondhand Child' is greeted like an old friend. 'Staring At the Rude Boys', 'Babylon's Burning' and 'In A Rut' clearly are old friends to all concerned and the final encore of 'H-Eyes' finishes a great - make that GREAT - show. Afterwards there are numerous record covers for Dave and Segs to sign while a man who in my imagination resembles a Roman Centurion has tears in his eyes as he tells me that he'd 'waited 35 years for this show'. Amazing.
Meanwhile the DJ is spinning old ska and rocksteady records (yes, records!) and no one is going home, we stay for a while before being reminded that we've got a plane to catch in a few hours...
My alarm goes off at 7am. Bugger. Three hours sleep didn't feel like nearly enough. Oh well. I have a shower then meet Dave at breakfast, there's no sign of Segs so Dave goes to knock on his door, he returns after no response so I suggest he calls his room from reception. Segs answers him with the news that he 'thought he'd heard some banging when he'd been in the shower'. Our taxi takes us to the airport where we attempt to pre-empt security by removing our shoes and belts first. It works - good. From there it's yesterday in reverse - there's time for a quick coffee at CDG before gate K53 takes us back to Heathrow where after a bit of 'how do we meet the bus?' shenanigans we hook up with Bob the soundman, Rhiannon the merch girl and James the new-to-us driver and set the controls for Cheadle Hulme where we're closing The Strummercamp Festival at Manchester Rugby Club. No, I'm not sure why we didn't fly to Manchester either... I guess ours is not to reason why sometimes?
We arrive in the Strummercamp backstage area just as Barnstormer are playing a, well, barnstorming set. Attila The Stockbroker dedicates a song to Colin from The Neurotics, they were old friends of course and he's got a picture of him taped to his mic stand which is a nice touch. Meanwhile we meet Phil and Mike from Bug who are lending us their guitar and bass amps for the gig, they played the day before and by all accounts got a great reception, to the extent that Phil has been stopped by people wanting to buy merch so many times that he's taken to walking around with a bag full of it! After finding out what time we need to be backstage to set up we take the only possible course of action under the circumstances and go to the bar, where it's clear that a lot of people are looking forward to our show. No pressure then... Dave and Segs go off to do another radio interview while I use my meal ticket to get a jacket potato - rock 'n' roll eh?
We return backstage in time to catch the last few songs by King Kurt who sound as great and indeed as mad as ever; the tent empties while we're setting up but fills up to capacity by the time 'S.T.I.S.' kicks things off once again. There's dancing from the word go and everybody is on top form - 'Secondhand Child' gets another good reception which as Dave says 'means a lot to us', and we encore with 'Brand New Cadillac' for Joe Strummer amid scenes of no little audience pandemonium. Afterwards the organisers go on stage to thank the audience for coming but it's us that should be thanking them - it was a real pleasure to be part of such a great festival.
These two gigs were bookended by two shows with Big Al and co., the first of which took place on Thursday at The Sunningdale Lounge in Sunningdale. I'd been rehearsing all day with Ruts D.C. so felt quite tired by the time I got to the venue but it turned out to be an enjoyable show with several new-to-the-act songs (they're old numbers, we didn't write any of them!) alongside the usual crowd pleasers. But if I was 'quite tired' on Thursday then I'm not sure what word describes my condition during Bank Holiday Monday's 5pm show at The North Star in Iver. Let's go for 'out on my feet' shall we? I got home less than an hour before I had to leave for the show - I played the gig, but I'm not sure how. I don't think that I played too well, and I was pretty wound up, especially when some fat drunken oaf kept on saying that he wanted to get up to sing 'Mustang Sally' with us... I think the contrast between successive shows sometimes gets the better of me, or something... perhaps I should call everyone to apologise... in fact I might do that now... hmmm...
Labels:
Al Reed,
Ampeg,
Attila the Stockbroker,
Bologna,
Bug,
Colin Dredd,
Italy,
Iver,
King Kurt,
Led Zeppelin,
Mac Poole,
Marshall,
Paris,
rocksteady,
Ruts D.C.,
ska,
Strummercamp,
Sunningdale,
The Newtown Neurotics,
The Ruts
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