Ruts D.C. European Tour, November / December 2019

As Ruts D.C. ready themselves for a return to showbusiness here's a look back at last year's November / December European tour... 

The stage is set - Das Bet, Frankfurt, November 29th 2019

Friday 29th November, 10.30 am, Room 21 of the Goethe Hotel, Frankfurt

'She said... I know what it's like to be dead...' I like The Beatles. I really like The Beatles. I mean I really like The Beatles. Sometimes I don't listen to very much else, and this is definitely one of those times. And today I really really like 'Revolver'. I've got something I can laugh about. Good day, sunshine.
Actually it's quite a grey day outside, but at least it's not raining. It was raining last night when we arrived at Das Bett in Frankfurt to load our gear in for our gig there, and it was still raining when we left there 7 or so hours later. At least that didn't stop a very enthusiastic audience coming to the show, but more about that in a minute. 
We - Ruts D.C. - are on tour in Europe. 12 shows in 12 days, 7 of them supporting The Stranglers in some very impressive venues, the rest club shows with us headlining. It's good to be back on the road (maaan!) although the road is long, with many-a winding turn - well, it certainly was yesterday as we travelled the 360-odd miles from Paris to Frankfurt, and it's the best part of 500 miles from Stuttgart to Bologna tomorrow. A long and winding road indeed.

But enough of the increasingly awkward quotes from not-particularly cool songs - how did we get here?

'Made it Ma,
top of the World...'

On Thursday evening we - tour manager Liam, Duds the driver and Dave, Segs and myself - stayed in the St. Albans B & B in Dover; this set us up for the 8.45 am ferry to Calais and the subsequent drive to gay Paris where the rain did nothing to dampen our enthusiasm at seeing our name (literally) up in lights at The Olympia. It's impossible not to be aware of the heritage of the place - from Edith Piaf to Jimi Hendrix and from Jacques Brel to David Bowie via Iggy Pop and indeed The Beatles, they've all graced the stage. And what a fantastic venue it is, from the drive-in backstage area to the astonishing foyer it lived up to it's legend with ease. Our breathless 45 minute support set started with 'Something That I Said', ended with 'Psychic Attack' and went down well with all concerned, although nothing quite prepares you for a shirtless Jean-Jacques Burnel coming into the dressing room to ask how the show went. 'Great' replied Segs cheerily, 'everyone said that I have a better physique than you'. 'Well, they would' smiled JJ. A good start to the tour.

And last night, the first of our 'solo' shows - a 90 minute roar through most of 'The Crack', a fair bit of 'Music Must Destroy' and all points in between. Das Bett is a excellent club, the audience was up for it from the first song - great stuff all round. 

Right - it's Stuttgart tonight so it's time for a shower now - on the road again...    

Monday 2nd December, 12.07 pm, carriage 5 seat 33 on the 11.45 am train from Rome to Turin 

Well. You never know do you? It goes to show you never can tell.

So there we were, less than 10 minutes away from The Orion, looking forward to another gig with The Stranglers and bemoaning the fact that we were on the Rome ring road rather than passing by The Colosseum when a previously unheard and not-even-vaguely nice sound came from somewhere beneath the bus. It was a kind of grinding noise. And as if by magic we stopped moving, and didn't start again. Bugger. I'd just replied to a message from Jim the Stranglers's drummer asking where we were and if we were ok by saying something like 'see y'all in 10 minutes' - as I say, you never can tell can you? 

Mr.Spock,
backstage at Goldmarks. Weird 

There are no good places to break down are there? This one could have been worse, but not much - as vehicles careered past us (and, strangely, the odd pedestrian - what on Earth were they doing there?) Duds had a hi-vis vest on and a red warning triangle out in no time while Liam went into a not-inconsiderable amount of mobile phone action. To cut a long-ish story short-ish, a very nice chap called Maximilian made three journeys to get the band, Liam and all our gear to the venue while the ever-heroic Duds stayed with the broken bus - he and it eventually got towed to the venue around 10 pm. We just about got set up and soundchecked before the doors opened at half past seven; we roared through our set as Liam made phone calls, sent emails and generally worked his magic on what until that point was looking like a distinctly unmagical situation while we played our show. We ended up staying on the outskirts of Rome (still nowhere near Colosseum - bah!) and we're now on the afore-mentioned train while Duds and Liam are in a hired van hoping to get our gear and baggage to Turin in time for tonight's show. Crazy times - and it had all been going so well... a great night for us at Goldmarks in Stuttgart - where we played a slightly different set to the previous night as there were people attending both shows) and a splendid support show in Bologna (where it was great to catch up with Marz from The Valentines and his lady Angela) had set us up for a good night in Rome. We played well - perhaps very well given the circumstances - but it was a very fraught time. In a effort to clear my head and to have a break from the backstage wheeling and dealing I went out to watch some of The Stranglers's set where I met some people from Coventry who had come all the way over to Italy to see us and who didn't actually know that The Stranglers were playing. Amazing. As I say, you never can tell - let's see what tonight brings...


Wednesday 4th December, 11.10 am leaving for Cologne

It's misty. Oh. ok, it's foggy. Actually that's a point - when does mist become fog? For that matter when does fog become mist? Hmm...

So here we are in our 'new' van, and very nice it is too. I believe that it comes courtesy of The Rumjacks via our friend Mark Sabin who, when he saw various Facebook posts detailing our plight in Rome contacted various people on our behalf. What a splendid chap - I really must get him a drink next time I see him.

When last we spoke Dave, Segs and myself were on a train bound for Turin. I spent much of my journey hemmed into my window seat by a (presumably) Italian goddess asleep in the aisle seat next to me. I don't think that she looked at me once during the journey - actually thinking about it she probably looked at me once and then decided not to look at me again. Ah well.

After arriving in Turin we took a taxi to The Hotel Galant where we managed 30-odd minutes of relative calm before taking another taxi to The Teatro Della Concordia just after 6 o'clock - after grabbing a bite to eat the call came through that our gear would be arriving any minute. Sure enough as the clock struck seven times the indefatigable Duds and the ever-exuberant Liam arrived, giving us 30 minutes to get the gear in, set up and soundchecked before the doors opened. Once again all hands were on deck, once again we somehow got it all done. It's amazing what you can do when you have to isn't it?

Live at Lucerne - thanks Martin!

When we started our show at 8.15 there must have been, ooh, 30-odd people in a venue that must hold at least 20 times that amount; when we finished 45 minutes later there were probably a couple of hundred more. They saw a show that for the second night running could very easily have not happened at all but which once again turned out to be better than it perhaps had any right to be. And last night we played Sedal in Lucerne - Martin and his team made us all very welcome (he designs the most wonderful posters as you can see here) and we played a very good show to a very enthusiastic audience. I do wish that they wouldn't let people smoke in venues though - they did ask people to stop while we played and put the air conditioning on but I suppose we've all got used to playing in clearer rooms these days. Sadly our stage fans had to be left in Rome due to lack of space in the van so it was bloomin' hot on stage - hopefully we'll be able to buy some more today. First World Problems eh?

Tonight we're in Cologne with The Backyard Band - we played with them last year and I really liked them so I'm looking forward to seeing them again tonight. We then rejoin The Stranglers for gigs in Amsterdam and Hamburg before journeying North for our own show in Husum - no, I don't know it either - then finish the tour in Berlin on Sunday. This means that we're now over halfway through our '12-shows-in-12-days' stint - I feel tired but not exhausted, and given the madness that has befallen us on the way everyone is in high spirits and pretty good shape. Let's hope that things stay that way.

Friday 6th December, 10.43 am, on the Amsterdam ring road

'Headache? Tense nervous headache? Take Anadin.'

Do you remember that advert? It's funny what comes into your mind sometimes isn't it? Well, it's funny what comes into my mind... 

Stage passes for the tour.
I could probably get a
few bob for these couldn't I?

I've got a headache at the moment, although not necessarily of the tense, nervous kind. It may be at least in part attributable to drinking until 2 am in Dan Murphy's Irish Bar near the venue. Or maybe I've just got a headache. In which case nothing acts faster than Anadin. Or something. Still 'twas a great night last night - The Milkweg is a classic venue, and with the show a sellout it was full when we started at 8 o'clock and even fuller (is that good English? It's not is it?) when we finished 40 minutes later. It was absolutely packed for The Stranglers, or it certainly was for the last part of their set, when I found myself wedged against the bar at the back of the hall - not the worst place to find yourself, although it did get a bit pricey... back to our show where, to continue the 'First World Problems' theme, both Segs and myself had odd moments with plectrums. I dropped mine during our first song ('Something That I Said' - we've started all the Stranglers support shows with this song, a good choice I think) and only just managed to get one out of my back pocket in time for the guitar solo (as I say, first world problems...) whereas Segs somehow cut his thumb opening a can of beer near the end of our set - as often happens if you cut your hand it bled profusely, although as he put it, 'it helped my plectrum stay on my hand'. On seeing it after the show JJ just calmly asked him 'did you hit someone?' A fair question I suppose. or certainly a fair question if you're Jean-Jacques Burnel. As I say, a splendid evening all round - unlike the previous evening at Helios 37 in Cologne where my amplifier decided not to work. Well that's not strictly true - it was fine during our soundcheck, to such an extent that our new friend Chris the sound engineer complemented me on how good it sounded ('at last, someone who knows how to work an amplifier'. What a nice chap!) And it sounded great after the show, when I decided rather nervously to try some trouble-shooting and it worked with no problem whatsoever. It was during the gig that it didn't play the game - total silence is never a good start to a show. Fortunately we had a spare, but it took me a few songs to get going - overall not a bad gig, but our standards are high, and we felt that we'd dropped back a bit from the previous night in Lucerne. Still we were definitely back on form last night, and we're in Hamburg tonight which is usually a good one for us. Oh and before I forget, The Backyard Band were excellent. Check 'em out, you won't be disappointed!

Right - time for a sleep to get rid of this headache. Hopefully.

Sunday 8th December, 10.29 am, leaving Husum

The obligatory 'on the road' photo -
going from Italy into Switzerland

Well as I said earlier I hadn't heard of Husum before, but what a great place. We arrived early afternoon yesterday and so had a bit of time to look around, which of course involved the triumphant sighting of a Guinness sign (oh yes!) and a meal in an Italian restaurant (implausibly attractive waitresses!) before heading out of town to The Paulsen Hotel where I managed an afternoon nap - rock 'n'roll eh? We returned to The Speicher to set up around 6 pm - it's a great club with friendly people, which set the scene for a top evening. Perhaps surprisingly it took a while to get going; maybe there was a bit of a language barrier or possibly it was one of those venues that people go to whether the know the band who's playing or not - for example Segs saying that it was Malcolm Owen's birthday was met by almost total indifference and indeed silence. Still things picked up and with much dancing and merriment it was very much a case of 'all's well that ends well'. And there were more first world problems to contend with, this time for your humble narrator when my mobile phone went dead. As in 'dead' i.e. not working, black screen, the lot. It turned out that the battery went from around half charge to 0% in a few seconds - when you get these things they don't tell you that they don't actually work do they?

The previous night we supported The Stranglers at Fabrik in Hamburg - no delay in getting going there, as we left the stage to a reception that many headline bands would have been happy with. Great stuff - and talking of headline bands, The Stranglers were excellent, although as I have observed on a number of occasions in these hallowed pages, they usually are.

So - Berlin tonight, the last night of the tour. I really must work out how many miles we've travelled. I must also work out what on Earth I'm going to do with myself when all of this is over.

Tuesday 12th December, 10.49 am at home

It's always weird, coming home after a tour.

You feel tired... empty... or something.

I've just worked that we travelled over 3,500 miles in the buses which, leaving out the 600 mile flight home, means that we averaged over 250 miles a day. No wonder I feel a bit... something or other...

Great photo eh? Thanks Rikki!

But what a show to end on - Huxleys in Berlin used to be Neue Welt, which saw appearances from The Clash, Jimi Hendrix and (gulp!) Adolf Hitler among many others. And since Hendrix also played at The Paris Olympia it means that we began and ended the tour on a stage previously graced by The Experience. That's a nice thing to be able to type... 'twas a great gig to end on, with 'H-Eyes' making it's first and therefore only appearance on the tour - it was a requested by Rikki from The Stranglers road crew, who took some excellent pictures of us throughout the tour. The Stranglers were brilliant, Vom and Andi from Die Toten Hosen came along as did Mutti and Monica from Muttis Bookings, and quite a few of us ended up in The Franken Bar until the small hours drinking far too much - as I say, a great gig to end on. 

Hopefully there will be many more shows with The Stranglers - it's a great double bill that works so well on many levels for both the band and the audience -but in the meantime Ruts D.C. have got work to do. We've got a live album to put together and songs to write for a projected new release - but first I've got to do two weeks worth of washing. More First World Problems eh? When are we back on tour?!?

Ruts Dc, Husum, Germany, December 7th 2019

10 out of 10

I bet you've often thought to yourself 'that miserable chancer who plays the guitar in Ruts D.C. - I wonder what his 10 favourite albums of all time are?' Well wonder no longer my friends, as those lovely lads and lasses at Louder Than War have given me the opportunity to tell just that to the whole wide World. Click here to discover the winners - including a 20-album sub's bench - and see what you think!

'I'm back - in full attack...'

Friday 30th December at 4 pm, in seat 15D on British Airways flight number BA542 not long after take-off.

Well it's been a while since I've done this. Blogging I mean. I think that I've, for want of a better term, lost the habit. Time I got it back then.

Somewhere near the end of October - or was it the start of November? - my computer went wrong. I switched it on one night - to write a blog post if I remember correctly - and the screen remained defiantly white, albeit with a little question mark in the middle. A quick scout around the Internet (we've all got that on our phone these days haven't we? It's funny how you go to use it almost with out thinking isn't it?) revealed that it was likely to be a hard drive problem - so what was I to do? Hmm... I wonder if that computer repair shop down the road could sort it out for me?
Well it turned out that they could. Eventually. My new friend Terry phoned me after he'd had a look at it to tell that I did indeed need a new hard drive ('you have backed it up haven't you?' he asked somewhat ominously and clearly expecting the answer 'no' - yes, incredibly I had, and fairly recently too) and went on to tell me that being an 'old' (i.e. not 'new') MacBook there were limits to what could be achieved. 'How about a hybrid drive?' said he, rather more cheerily than he'd asked the previous question; he'd usually suggest a solid state drive but my ancient device wouldn't be able to cope with that but this would do the trick. Well it sounded like a good plan and was a lot less expensive than I was fearing so I gave him the go-ahead. 'No hurry' I replied when he asked when I needed the computer back. This may in retrospect have been a bit of a mistake.
After a week or so I called to see how things were going. My new mate Terry was still very much my new mate, and he lost little if any time in telling me that things were going well and that he should be able to have my computer back with me by, ooh, the end of next week. 'Oh that great' said I - it was only after I'd put the phone down that I realised that it would by then be over three weeks since I'd had the computer at home. I had several outstanding invoices to send (if you're a self-employed person like me then you'll know what I mean!) and had among other things an increasingly dim recollection of writing something called a 'blog'. I used to enjoy writing that, even if I was never really sure if anyone actually read it. I'd been able to update my Facebook page on my iPhone but writing anything more than a few words was just too fiddly. A snap decision saw your humble narrator purchase an iPad Mini as there were bills to pay online - it's amazing how much of that we all do online these days isn't it? - and anyway, I'd fancied an iPad for a while as it'd be handy for taking away on tour. I'm finding it less fiddly to use than a phone but trickier than a computer - oh well, I'm sure it'll be ok in the end.
In the meantime my afore-mentioned computer reappeared at the afore-mentioned shop. Hurrah! I rather nervously switched it on - it worked. Good! But wait a minute - something was different. Well, actually quite a lot was different. It was... well, it was like I remember it being when I first got it all those years ago. It's not how I remember it before it went wrong. Bugger! Oh hang on - I guess that means that I have to, I believe the term is, 'restore my last back up' from the external hard drive that I've got all this stuff sitting on. Well that should be simple enough shouldn't it? Well indeed it should, but after what felt like an age on the Internet I still could get the bloomin' thing to work. Terry - help!
'You probably need some iCloud settings updating, and maybe a few other bits and pieces looking at - drop it back into the shop and I'll sort it out for you' said my by-now-old mate Terry. Will do. Could I have it back a bit quicker than last time please?
Well it finally made it's way back to me just before Christmas and I'm pleased / relieved to say that it seems to working fine. Having spent years being clogged up to breaking point with far too much music in iTunes it's now less than half full - plenty of room for yet more music then - and it's good to have it back working at something faster than the proverbial snail's pace. I must still keep using the iPad though mustn't I? All's well that end's well - except that I tried to back it up last night (I thought that I'd better have a go!) and it wouldn't work. I'd better look up 'Time Machine Settings' or something like it when we get back hadn't I?

And it's been a while since I've done this too. Flown to a gig I mean. Ruts D.C. have a New Year's Eve gig at The Covo Club in Bologna. I think that the last time that I saw the original band was New Year's Eve 1981 at The Fulham Greyhound. That's 35 years ago. Doesn't time fly when you're having fun. Doesn't time fly anyway?
Since last we spoke here I've been gigging a fair bit, mostly with Big Al Reed and The Blistering Buicks as well as a Boxing Night bash at The Dolphin in Uxbridge with The Upper Cut which all but erased the memory of our last not-so-good gig there. I've also worked many-a day at Balcony Shirts which has maybe not been quite as busy as at the same time last year, and spent most of Christmas Day ill with food poisoning or something like it. Urgh! I've managed to have a couple of much-needed quiet days after Xmas before before Segs, Dave and myself got together yesterday for rehearsal - buoyed by the recent news that 'Music Must Destroy' was voted Album Of The Year in Vive Le Rock magazine ('I'd like to thank the academy' etc) we spent four very enjoyable hours running through material for tomorrow night's show. 
A lot of people don't seem to be sad to see the back of 2016. There do seem to have been rather a lot of celebrity deaths don't there? Incidentally I was very saddened to hear that Rick Parfitt left the building just before Christmas - one of the great rock 'n' roll rhythm guitarists, I met him once and he seemed to be a very nice chap. And I was never exactly the world's biggest George Michael fan, but you can't deny that the guy could certainly sing... and then there was that little matter of the vote to leave The E.U. (am I the only person that thinks that we won't actually leave?) and the truly astonishing sight of someone who appears to be a complete and utter lunatic being voted President Elect of The U.S.A.; it remains to be seen how we fare in 2017 but surely it can't be quite as crazy as 2016?

Anyway the screen says that we're 51 minutes away from Bologna and I've got 'The Liberal Politics Of Adolf Hitler' by John King to read. That's quite a title isn't it? I'm told by the author that the band are in it somewhere (that wasn't the only reason that I bought it, honest!) so I'd better get on with reading it hadn't I? 

Saturday 31st December at 11.24 am, in Room 354 of The Ramada Encore Hotel in Bologna

Ah, that's better. I sometimes wonder if there's anything in the World that a hot shower or indeed a hot bath won't fix. Not that I had anything in particular that needed fixing, but you know what I mean I think.
It's a lovely sunny morning here, so perhaps I should be out and about rather than languishing in a hotel room. Fair point - but since we have a very long day in prospect (we're due on stage at 12.30 am) a lazy morning might be a good idea.

I bet you thought that
I'd made those names up?!?

'Twas a splendid evening just gone - we were met at the airport by Mars and Angela (I first met Mars several years ago when as a member of The Valentines he was backing T.V. Smith on some British dates) who took us to our hotel for check-in then to The Jukebox Cafe for some food. The Cafe (which incidentally serves such delights as Punkcakes, Eggy Pop and, believe it or not, a Ruts Burger - if you're in Bologna then visit immediately!) is part of The Covo Club - with no table available for a while it was suggested that we had a walk around town which turned out to be an excellent idea. Whilst musicians are lucky enough to find themselves in all sorts of interesting places there's often very little time to see anything other than where you're playing and where you're staying so it was great to be able to see some of the local sights. Mars recalled seeing The Clash play an open air show in the Town Square in 1980 - Topper was late so they played the first few songs with the drummer from the support band Whirlwind on drums before giving a blistering performance. 'It changed my life' said he, looking visibly moved. I bet that it did. They changed mine too.
Outside the cafe a board advertises the (very) imminent appearance of 'U.K. Punk Legends' Ruts D.C.; the jukebox is blasting out early Stones singles and the food is going down very well as is the local beer and wine. We all pretty much ran out of steam around midnight - it had been a long day. A taxi was called but few if any other attendees were leaving - The Jukebox Cafe looks like a good place to be.
Meanwhile I've got Creedence Clearwater Revival playing on the iPod (Keith Richards earlier, it's funny how some songs come to mind when you least expect it isn't it?) and I've got a bit of time to myself, which is good because J.K.'s book is every bit as good as I was hoping that it would be. It's all go isn't it? Well, it certainly will be later.

Sunday 1st January at 2.05 pm, in the hotel lobby

Ah - the wonder of the late check out. Mars spoke to the person behind the desk yesterday who apparently is a regular at the club. That was lucky.
We got back to the hotel not long after 5 am. It had been a long night, but a good one. Opening act Mars Valentines and The Illuminations had warmed the crown up with a set of suitably punky cover versions ('This Perfect Day' sounded particularly strong I thought) and had all looked as though they were having a whale of a time. They went on not long before midnight, and stopped after a couple of songs to open a bottle of champagne (or something very like it) and to toast the start of 2017. And why not? It was Mars's first stage appearance for over two years, and he made a great job of it. And let's face it, anybody who plays a Gibson Firebird has to be alright don't they?
When we were first offered the gig (not that long ago, around October if I remember rightly) I must admit that I for one was a little bemused. Are Ruts D.C. a 'New Year's Eve type of band'? I suppose the answer to that question is something along the lines of 'it depends on where you are on New Year's Eve'. They were certainly the right type of band for The Fulham Greyhound on NYE 1981, and it turned out that we were the right type of band for The Covo Club on NYE 2017. As previously discussed we'd not played a show since November, and while there was no reason that this show shouldn't have been a good one (after all we'd sounded fine in rehearsal) there is often an element of 'ring rustiness' in situations such as these. Thankfully that wasn't the case here, and our 18-song-set-with-a-4-song-encore roared by in no time - always a sign of a good show. Afterwards there was time for a drink (or two) and a chance to talk to some of the audience, many of whom were very emotional about our performance. It's easy to forget how powerful music can be - how it brings like-minded people together, how it can stir up often unexpected emotions and feelings, and how it can mean so much to players and listeners alike. This was definitely one of those nights, a pleasure to part of from start to finish. I often bang on about how lucky I am to be able to play music - I'm not going to do that again here (for once!) but suffice to say that it's good to be reminded of it sometimes... 

Monday 2nd January at 12.26 pm, back in Blighty and at home

So there you have it - a return to blogging after what feels like ages. It's actually only a few weeks, but having written something most weeks for the last 10 (10!) years it's something that's a bigger part of my life than I perhaps realise. I started it to learn to type and to find my way around a computer - despite still being a 'two finger typist' most of the time (thumbs and the odd second finger creep in here and there) I can now get up a reasonable head of steam, and whilst I wouldn't necessarily describe myself as being 'computer literate' I can do more on a computer than I ever could, especially when the damn thing works... I'm still not really sure that anybody reads this stuff, but I'm in too deep to stop now. So I'd better carry on then! Forward!

Oh and I nearly forgot - happy new year y'all!
(Assuming that anybody is reading this…)

Rudie can't fail

I finished my last posting with the words 'strange days indeed', a phrase I often use when things get, for want of a better word, 'strange'. I've found myself using it a lot lately. It's unashamedly stolen from 'Nobody Told Me' by John Lennon (so far I've stopped short of saying 'most peculiar mama' but I guess that's just a matter of time) and was used last time to make a vaguely Fab Four-related attempt at referring to the frankly astonishing news that I was to visit Abbey Road Studios on Sunday afternoon. So what was a herbert like me doing on such hallowed turf? Simple - Dave Ruffy and Tom Edwards were participating in a recording session there, and the chance to drop in and see them was just too good to miss. As I came out of St. John's Wood tube station I became all too aware of the number of people intently looking at maps or mobile phones - I rounded the corner into Abbey

Hello from Studio 2!

Road itself to see 20 or so people either side of that zebra crossing (you know the one!) taking photos of each other and causing traffic chaos in the process; as I walked up the steps to the front door I thought of some of the people who would have walked up those same steps on their way to work. I buzzed the entry phone, mumbled something about visiting Studio 2 and opened the door into the reception area where the cheery but weary face of a security man invited me to sign the visitor's book. Next to it a handwritten envelope read 'F.A.O. PAUL McCARTNEY c/o ABBEY ROAD STUDIOS'. Here we go then... down the corridor, past the stairs, first door on the right - as I went to knock on said door Tom opened it and greeted me with a hug, I thought he'd been watching me on CCTV but no, he'd just been going out to get something. I walked into the control room to see Dave picking up his phone to see if I'd texted him to let him know that I'd arrived - I was supposed to but had forgotten. Nervous? Maybe... suddenly I'm walking down the stairs into what has to be the most famous recording studio in the World. And there it is, just like it is in all the photographs. Oo-er! 

I was only there for about 30 minutes - I didn't want to outstay my welcome, and anyway I had a gig to go to. But it was a great - make that great - 30 minutes. I can very easily get hopelessly over-romantic about things like this, and let's face it, I normally do - but that was a half an hour that a Beatles Bore such as myself will never forget. But there's been a few things lately that I'll never forget, not least Wednesday night's show at Koko. It was I suppose everything that we hoped that it would be, although it wasn't without it's problems. Last minute letdowns by various people (not mentioning any names...) meant some eleventh hour changes to proceedings, one of which resulted in me sitting in dressing room 4 with no lesser figure than Charlie Harper running through the arrangement of 'Tommy Gun' - now there's something that I never thought I'd do. Mind you I never thought I'd play 'Kick Out The Jams' with MC5 guitar hero Wayne Kramer but as this footage shows that really happened too. Everybody involved was on top form, with the short opening set from The Crunch getting things off to a splendid start before Chris Salewicz read a passage from his acclaimed Joe Strummer biography 'Redemption Song' then introduced the documentary film 'I Need A Dodge! Joe Strummer On The Run' - sadly I missed most of this as I was getting ready for the gig but the bits that I did see were very interesting, making it a must-buy when it comes out on DVD from Cadiz Music later this year. As the credits rolled we took our places ready to start playing as soon as the screen was raised - as we began 'London Calling' with Mr. Kramer joining Dave, Tim, Tom and myself in the band and Paul from The Urban Voodoo Machine tackling the vocals head on it became clear that we were in for a memorable night. Everybody - Chris Bailey from The Saints, Tymon Dogg, Segs from Ruts D.C., Tara from The Duel and the afore-mentioned U.K. Subs legend Charlie Harper - gave their all, and by the time Wayne Kramer re-appeared for 'Jail Guitar Doors' excitement was at fever pitch. He sang well, sounded great - the loudest guitarist that I've ever stood on stage with! - and the two MC5 classics 'Looking At You' and 'Kick Out The Jams' bought a truly monumental evening to a unforgettable close. It really was an extraordinary thing to be part of - great stuff all round.

Two night's after (ahem!) blowing the roof off Koko I played at The Black Horse in Eastcote with Big Al Reed and The Blistering Buicks. With Dave the drummer gigging elsewhere Rudi joined us for the first time (thereby giving me the chance to use the name of a Clash song as the hopefully all-encompassing title of this posting - I don't just throw this stuff together you know!) and made a great job of things. I often get asked how I play a (relatively) big gig one day and a small one the next - the truth is that when shows are as enjoyable as this one it doesn't matter if you're playing to a few people in a small pub or hundreds or even thousands in a bigger venue. It's all about the music, and if the music is good then the night is good too. And talking of good nights...

He's back!

Ruts D.C. played at Koko back in October 2013 - the headline act that night was a certain Wilko Johnson, who at that stage of the game was, as the saying goes, living on borrowed time. He'd been diagnosed with pancreatic cancer at the start of the year and given just a few months to live, but against all the odds was still playing live. Now a year-and-a-half later he's back in more ways than one, having had treatment for what was previously thought to have been an inoperable condition. I like many thought that the show we played with him would be his last, but having just seen the great man on Thursday night at The Albert Hall I can confirm that he's playing better than ever - with the familiar figures of Norman Watt-Roy on bass and Dylan Howe on drums he stormed through a 30 minute set that got an audience reaction that many headline bands would have been proud of. He was supporting The Who, meaning that I got to see probably my two favourite guitarists ever on the same evening. I'd already seen The 'Orrible 'Oo at The O2 Arena on Sunday and Monday (that's where I was going after visiting Abbey Road Studios) playing two shows rescheduled from before Christmas, and while none of the shows were bad I think the R.A.H. gig just beat the other two in the 'best gig of the three' stakes. But not by much - it was great to hear 'Slip Kid' on Sunday, and the Monday show included a particularly good 'Eminence Front' among the usual highlights. 50 years on from their first record release they sound better than ever - you've got to love 'em haven't you? 

So there you have it, a memorable week in mad-guitar-land. And this week is looking pretty good too, with Ruts D.C.playing in Paris on Friday followed by two London shows the next night for your humble narrator - The London Sewage Company support The Men They Couldn't Hang at The Shepherd's Bush Empire (oh yes!) early in the evening while Neck play The Water Rats in King's Cross later in the day. Happy Easter y'all!

'Third verse, different from the first...'

It was a busy week last week. It looks like being a busy week this week. It's definitely going to be a busy week next week. Oh well - I wanted to play the guitar didn't I?

Thursday's Neck rehearsal went well despite a few technical hitches here and there - I was pleased with my recall of the seemingly countless number of songs (actually about 30) that I'd been playing along with for the previous few days, and while we didn't get time to run through everything I feel ok about the upcoming shows (The World's End in Camden Town this coming Sunday 15th and The 12 Bar Club in Holloway on Tuesday 17th, with more possibly being added) although I intend to be playing through the songs as much as I can over the next few days.

And then there's the Cadiz Music-promoted Joe Strummer film night at Koko - as the accompanying poster shows guests are being announced with more names to be added to the already impressive list. I'll be playing with Ruts D.C. and in the house band - I'm slightly concerned that we don't know which songs the guest singers are wanting to play yet (!) but hopefully that'll all get ironed out in the next few days. Rehearsals are due next week - it's exciting but I don't mind admitting that it's a bit daunting too.

As for the wedding gig on March 21st - well I haven't really had time to have a go at the projected songs for that one yet. I'd better find time this week though hadn't I? And as for The Price - who knows?!?

I did find time to visit Tropic At Ruislip on Friday to see Roadhouse, and I'mm gald that I did as they were very good. Support came from the previously-unknown-to-me Red Butler, who went down well enough with the audience and promoter to be offered a return gig immediately. They certainly did what they did very well, and although it was impossible not to say that they were a good band it was all a bit, for want of a better term, 'tutored' for my tastes. Blues without the blues, if you know what I mean. And on Saturday night Big Al Reed and The Blistering Buicks played at The Wishing Well in Watford - with Dave away gigging elsewhere Andy from Back To Zero (whatever happened to them eh?) depped on drums for two highly enjoyable sets. What with everything else that's going on it looks like my next shows with the band won't be until April, but as previously discussed there's plenty to keep me out of mischief in the meantime.

Right - Balcony Shirts tomorrow then a couple of days going through all these songs. Well, that's the plan anyway...

'Second verse, same as the first...'

Well much of my time since we last spoke has been spent attempting to learn some songs. Neck songs. Clash songs. Price songs. Other songs. Lots of songs. I wonder if I can remember any of them?

There's a Neck rehearsal on Thursday night in anticipation of a St. Patrick's Day show at The 12 Bar Club ; rehearsals for the Joe Strummer film gig have been scheduled for the week after next so I've got a bit more time with them, although perhaps predictably the set list is changing a lot at the moment as guest singers confirm and cancel accordingly. I'm sure it'll all be ok in the end... and then there's the prospect of a Price gig almost exactly 30 years since our first one - more news as and when I have it, but if it doesn't happen then there's a good chance of us playing at some time in the next few months so I thought I'd better have a look at some of our songs too. And I'm playing at a wedding in 3 weeks time - I received the proposed song list earlier this week, which among quite a few numbers that I've played before also includes (gulp!) some songs from this century. Oo-er! Whatever next?!?

Anyway having had no gigs of my own this week (not necessarily a bad thing for once!) I made it along to The 100 Club two nights running to catch some more punk rock. The latest Human Punk club night saw a rare London appearance from the legends that are Sham 69 - I don't mind admitting that I was never their biggest fan but listened to 30-odd years on it must be said that their best material has weathered well. With original members Jimmy Pursey, Dave Parsons and Dave Tregguna all present and correct their set mostly consisted of early material and was lapped up by the sold out crowd. For me it was great to hear Dave Parsons sounding so good, although I felt that his partner-in-crime Mr. Pursey looked rather vulnerable at times. The next night The Sex Pistols Experience played a suitably barnstorming show, ably supported by Lizzie And The Banshees. Rather like Sham 69 my knowledge of the Siouxsie And the Banshees catalogue is more-or-less limited to their singles, but I thought they made a very good job of what is often some very difficult material. The SPE gave a raucous performance, with Nathan's uncanny portrayal of Uncle Johnny as impressive as ever and the rest of the band matching him blow for (biggest) blow. And once again the show was sold out, which is a good thing to see in these troubled times.

Music Scene Investigation on Sunday evening was good fun as always, although I did have more than a little trouble with song number 3 as you can see if you watch the show here. And I met up with Ian from MSI at The Angel in Hayes last night where he runs a first-Monday-of-the-month jam night - I hadn't intended to play but ended up on bass for a few songs. And why not?

Right - back to The Clash. I mean Neck. I mean The Price. Er... oh well, one of them anyway. Or all of them. Or something.

The early bird catches the worm that turns

Well 'twas indeed a roaringly good night at The 12 Bar Club in Holloway last Friday, with great sets from The Bermondsey Joyriders and The Phobics and The London Sewage Company playing what we all agreed was one of our most enjoyable shows so far. The evening was also notable for the appearance of my old friend Leeson O'Keeffe, who I first met back in the mid-1980s when he was playing in The Shout and I was in The Price. These days he leads 'psycho-ceilidh' band Neck, who I did a stint with 10 or so years ago. During the course of our conversation I found myself taking possession of several CDs and a large number of song sheets - yes, I'm back in Neck for a couple of shows on or around St. Patrick's Day... and in the interests of over-committing myself I'm hoping to team up with some of my old Chicago Blues Brothers buddies (the ones that I still talk to!) for a wedding gig next month; there are also Clash songs to learn for a very special show at Koko in a few weeks time, and rumours abound of The Price making a return to show business - it looks as though I'm in for a busy few weeks. 

Hopefully in the midst of all this mayhem there will still be time for some shows with Big Al Reed and The Blistering Buicks. Last weekend's gigs in Hillingdon at The Brushwood Inn and at Sally B's in Hoddesdon were both excellent - the Saturday night show in Hillingdon saw my Dad attend his first Buicks gig, and it being his 83rd birthday he was definitely seen as something of a celebrity by the band if not by quite a few of the audience. And continuing the birthday theme the next afternoon's gig had Al's Mum celebrating her 87th birthday; Al often says something along the lines of 'the old lady you see dancing down the front here isn't some sort of nutter, she's my Mum' - and he's right, the old lady you see dancing down the front is his Mum. I hope I'm that fit at her age. Actually I hope I make it to her or indeed my dad's age!

Anyway with lots of songs to learn there is unlikely to be too much blogging time over the next few weeks; I'm not out playing this weekend, but given the amount of work I've got to get through at home this for once might not be a bad thing... still I'll be making my first appearance of the year reviewing new music on Music Scene Investigation this coming Sunday evening, so if you're lurking in Cyberspace at 9 pm I'll see you then. In the meantime it's just gone (gulp!) 6 o'clock in the morning and as I say, after what feels like a relatively quiet time I've got work to do. What's that old saying? No rest for the wicked? I didn't think that I was that bad...

New Year's Resolution

And so the new year begins. Oh hang on, didn't I say that last time...

Not a bad line-up eh?

My first gig of the year as an audience member was at Tropic At Ruislip last Friday when I witnessed a performance by original Wishbone Ash bass player Martin Turner. Apparently legal restrictions mean that he's not allowed to call it something like 'Martin Turner's Wishbone Ash' - hence the rather unwieldy 'Martin Turner and friends play the music of Wishbone Ash... and beyond' on the poster. Strange days indeed. I don't mind saying that musically it's not really my sort of thing, but I went along as I have good memories of my older cousins in Birkenhead playing their 'Argus' album (among many others) when we used to visit them during school holidays in the 1970s. I also think that it's good to support live music in our area on a night when I'm not out playing myself although that probably sounds a bit self-righteous? Oh well - maybe it is! Anyway they were very good indeed, with probably the best sound that I've ever heard in the venue. I may not be rushing out to buy their entire back catalogue, but it was definitely a good show to start my gig - going year with.

And Sunday afternoon's Upper Cut show at Ye Olde George in Colnbrook was definitely a good start to my gig-playing year - it's always a bit weird starting at 5pm but there were quite a few people in and there was dancing more-or-less from the word go; our two sets flew by and we were still playing well past our allotted end time of 8 o'clock. Great stuff all round.

This week all roads lead to The 100 Club, where Ruts D.C. are among various luminaries playing at The Resolution Festival. After the splendid 'The Clash - New Year's Day '77' show on BBC4 last week I for one am definitely in the mood for some punk rock, and it doesn't get much better than this does it? See you down the front!

Start as you mean to go on

'Another new year and too much beer and a puke into the sea' - so begins 'Airstrip One' by Attila The Stockbroker, a less-than-cheery (i.e. realistic) look at the way Britain became little more than an American aircraft carrier in the 1980s and in doing so proved George Orwell to have been correct nearly 40 years earlier. It's a song that always seems to come into my mind on New Year's Day - and yet as I sit here typing this nearly 12 hours into 2015 the only part of the line that applies to me are the first three words. Maybe that's not a bad thing? 
Last night's Big Al Reed and The Blistering Buicks gig at The Kings Arms in Harefield was certainly no bad thing either, although it took a while to get going - we played three sets beginning at half past nine and ending just over three hours later, and while our first one was all but ignored by the few people present things had certainly hotted up by the second stage of proceedings, and the third set saw plenty of dancing, singing along and general jollity, which as I say is no bad thing. New Year's Eve tends to be an odd event from a band point of view - it's traditionally seen by many as a night where a musician can earn a bit more than usual and play a suitably raucous show in front of a sea of adoring fans, where as the reality is often closer to it being something that's often almost dreaded as much as anticipated. Me? I like it. No really I do. Why shouldn't I? It's always good to play guitar, and it was definitely good last night. 
And it was good to play guitar on Monday night with The London Sewage Company at The 12 Bar Club. With closure looming time is running out for one of the best venues of them all, and even though I say so myself The LSC made the most of what was likely to be their last appearance on the 12 Bar stage with a spirited performance that was enjoyed by all concerned. Despite reoccurring Manflu (I've more-or-less shook it off now - hopefully! - although it appears to have been replaced by toothache. Bugger!) I decided to stay for a drink after the show, and was struck by the number of people taking photos of the bar, the entrance, the stage - I have a feeling that I'm not the only person who will miss The 12 Bar Club when it closes.

So - what's next? Well my first gig of this year is with The Upper Cut at Ye Olde George in Colnbrook this Sunday, after which it's time to set the controls for The 100 Club where Ruts D.C. will be playing a week today as part of The Resolution Festival. Billed as 'A 5 Date Celebration Of Punk In It's Spiritual Home' it certainly looks like it should be an event to remember, and I'm hoping to catch as many of the shows as I can. And talking of punk rock tonight on BBC4 they're showing 'The Clash : New Year's Day '77' which promises some previously unseen footage of The Clash. Not a bad start to 2015...