Alvin Gibbs & The Disobedient Servants - June 2019

With some more gigs for the band on the horizon it's time for a look back at the first Alvin Gibbs & The Disobedient Servants tour, which took place in June of this year - enjoy.

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Monday 3rd, 8.31 am leaving Euston Station 

Coach A Seat 25 here - it's early. Well it's not, but it feels it. 

Great poster don't you think?

Ruts D.C. played a storming set (even though I say so myself!) at The Underworld last night as part of this year's Camden Rocks Festival; I got home some time after midnight then was up not long after 5 a.m. to make sure of getting on this train. It's great being neurotic... on the tube train to Baker Street a disembodied voice (presumably belonging the driver, although I suppose you never know) rather ominously informed us that there was a 'Code Orange' and that 'all lines are suspended'. They came back on again a couple of minutes later - well, I'm assuming that they did, as I got here in time to catch my train. I'm off to meet Alvin and Jamie to rehearse for the first Disobedient Servants tour which starts tomorrow. There's nothing like leaving it until the last minute is there? I've got to get some sleep on the way though or this could all go badly wrong - I'm in what claims to be the Quiet Coach, although the announcements are loud enough to be heard in the next world. Ah well - on with the iPod and headphones then, even though according to the sign next to me you're not 'supposed' to use them in this coach. Ah well. It's all anarchy isn't it? 

Tuesday 4th, nearly 1 am, in my room somewhere in the North West of England

A good rehearsal today -  still a bit of work to do, but instead of doing that we've been down the pub. Of course we have. And The Beatles are playing on the iPod in the background, which is always a good sign in my world. 
More tomorrow, or to be pedantic, today. 

12.38 pm 

Crikey - this all appears to be going to plan... a splendid breakfast (vegetarian sausages, egg and beans since you were wondering) and we're rehearsing at one o'clock. If only that cretin Trump wasn't on the telly. What a nasty little man he is. At least Corbyn has got it right (for once! He's missed so many open goals hasn't he?) and is having nothing to do with him. Good man. 

Wednesday 5th, 4.31 pm leaving Manchester Birch Services on the M62 

Well. That was, erm, interesting... 

We - Alvin, Jamie, Abel from ace support band Criminal Mind and myself - were in Dale the driver's bus with Jon driving the rest of Criminal Mind in his van. A text comes through - 'it look like you've got a flat tyre'. We'd better stop at the next services then... it turned out that the right back tyre wasn't flat but that it had a noticeable bulge in it. Time to call The AA then. 

'Twas a good start to the tour last night, at The Waterloo Music Bar in Blackpool. This was a new venue for me, and while it was by no means packed out - it rained heavily all evening - there were more than enough people in to make it work. Ian the guv'nor was very helpful, the previously-mentioned Criminal Mind were excellent and it's definitely looking good for these shows. We're at The Victoria Vaults in York tonight, which is another new venue for me - it's good to be out and about again. And as we're running a bit late so it's good to be back on the road now. After all - there's only so much time you can spend in a service station... 

Thursday 6th, 2.20 pm on the A64 

Encores are funny things aren't they? In many ways I've never really understood them. You play a show. You finish a show. Then you start again. Weird.

I told you he's good!

No encore last night. Why? Because no one asked for one. Well, no one asked for one until music came over the PA system, at which point people started cheering and demanding more - by which time the sound man was already putting the microphones away. Too little too late! But it had been a good, energetic performance with the band sounding better and better as the show went on. Earlier in the evening I'd spent a bit of time down the road in The Trafalgar Bay with Micky and Donna - it's strange how there's nothing like a sign saying NO SWEARING to make you involuntarily come out with all sorts of rude words isn't it? Micky is an extremely talented artist - check out his work here - who presented us with a wonderful caricature of the band. Amazing. We of course suggested that he print some up and put them on our merchandise stall immediately. We're in Manchester at The Star And Garter tonight - Dale tells me that during an apparently unrelated murder investigation (!) near the venue they once found a prostitute's head in a box . I am looking forward to tonight.

Friday 7th, 12.09 pm leaving the Travelodge 

Well I'm pleased to say that no prostitutes - headless or otherwise - were harmed during last night's performance (or if they were then I didn't see it happen) which was the best gig of the tour so far. A good sized crowd included Department S / Rezillos guitarist Phil Thompson, arch Damned fans Steve and Sheila, Ruts D.C. regulars Paul and Mandy and Richie Rocker among the familiar faces - after another splendid set from Criminal Mind we hit the ground running with 'Arterial Pressure' and 'Ghost Train' from Alvin' solo album followed by 'Bordeaux Red' and 'Drag Me Down' from The U.K. Subs's mighty back catalogue. It's interesting to see how the Subs songs in the set are going down - the ones that we're playing have all written by Alvin (and indeed sung by him on the albums) but have never been performed by the band. The Subs fans certainly seem to be really enjoying this side of our shows which is a great thing to see. We encored (see, we can do them!) with Ian Hunter's 'Once Bitten Twice Shy' (I've brought 'Diary Of A Rock 'n' Roll Star' with me to read in the bus) and the Urban Dogs song 'A Bridge Too Far' before joining the audience in the downstairs bar where drinks were drunk, merch was sold and everyone went home happy. Well I certainly did, although I've got a bit of a thick head now. Ah well - off to another Harvester then. Who'd have thought that punk rock legends The U.K. Subs are often seen in such establishments? The things you learn here eh? 

Saturday 8th, 12.18 pm somewhere on the M42 

'Baba O'Riley'.You forget just how good The Who were and indeed are don't you? Well, I don't as it happens, but it's playing on the van stereo as I write this so it's a chance to mention it here. Teenage wasteland indeed. 

Birmingham is usually a good place to play, and last night was no exception. The Castle And Falcon was yet another new venue for me, and what an excellent little gig it is. An extremely enthusiastic and often very vocal audience saw us joined by Godfathers guitar hero Steve Crittall for a suitably noisy show which seemed to go down well with all concerned. Criminal Mind were once again excellent, local lads The Dregs played a good opening set and Captain Sensible's guitar tech Sean kept me entertained with stories from the latest Damned tour. A top evening all round. 

It's raining heavily today. It's been doing that a lot lately. We opened the van door and as Dale put it, the 'sideways rain' pretty much soaked all the seats in about 2 seconds. Bah! 

Sunday 9th, 1.34 pm leaving Nottingham 

Well - what a splendid lunch. If you're in Nottingham and you're hungry then go to The Golden Fleece! 

Another great night last night - this really is turning out to be a good tour. Ruts D.C. played The Rescue Rooms back in February as part of our '40 Years Of The Crack' tour, and Alberts was just a few doors down from there - it wasn't much fun carrying the gear upstairs but the venue was excellent so it was all worth it in the end. Headsticks opened the evening - we played with them at Strummercamp a few weeks ago, I like their stuff - and Criminal Mind were as good as ever; they really are a great little band, well worth catching if you ever see them advertised. We were back to one guitar which took a bit of getting used to, but the sound in the venue was good so we soon got going, and by the end of our set there was much dancing and jollity down the front. And after initial concerns the turnout was such that, as the afore-mentioned 'Orrible 'Oo once put it, even the promoter smiled. Good!

2.59 pm somewhere on the M42 

Guy Stevens, Ian Hunter, Abbey Road, David Bowie, Alice Cooper, Iggy Pop... Alvin's got some great stories! 

Monday 10th, 1.22 pm on the road out of Bristol 

I've lost my watch. How annoying is that? And our gig in Nuneaton has been postponed, or cancelled, or something. Bah. 

I've just talked to my dad on the phone - he says that it's pouring down in London. We're at The 100 Club tonight so hopefully it'll have cleared up by the time we get there, or at least by the evening so as not to put people off from coming along. 

Right - that's enough moaning! Last night then - yet another new venue for your humble narrator and yet again The Louisiana in Bristol was a splendid place. Local heroes Criminal Mind took the place by storm and we had another good night, which sets things up nicely for tonight - once again Steve will be on guitar, and we also have Barry Francis from The Saints and Timo Caltio from Cheap And Nasty joining us for a song each (they both play on Alvin's album) so it's got the makings of a great evening. Oh, and I've got an interview for the Rebellion Festival programme. Lots to do... time for a sleep then... I wonder where my watch is...

Tuesday 11th, 10.49 am at home 

I've unpacked my bag and still haven't found my watch. I thought that I might, but I didn't. Bugger. Still, if the worse thing that happens to you is that you lose a watch then it's not a bad life is it? 

Last night's show at The 100 Club more than lived up to our expectations. It's good when that happens. Steve was great on guitar (he usually is!) as were Barry and Timo, there was a good crowd in - we were worried about the rain effecting things but thankfully that proved not to be the case - and were joined on stage for the legend that is Charlie Harper - I think you'll agree that sounds like a good evening?

The band heroically attempt to ignore
the stage invader in their midst...

So - what did Charlie sing with us? 
Good question - he sang a bit of the U.K. Subs classic 'Warhead'. 
Why did we only play a bit of 'Warhead'? 
Because we play it in the middle of 'In A Rut'. 
And who sings 'In A Rut'? 
I do. 
Yes, you read that bit correctly. I do. 

Nobody - nobody! - is more surprised than me. It even looks weird written down on paper. It took a lot of persuading to get me to do it, and I'd be lying if I didn't say that I still feel a bit awkward... but it's been happening every night on this tour, and incredibly it's been going down well. Strange days indeed.

It's a shame that there's no gig tonight, but we're off to Poland on Friday. Excellent. 

Thursday 13th, 1.38 pm on a tube train into town 

I did nothing yesterday. Nothing. 

Well, that's not true. Of course it's not. I did my washing. I caught up on emails. I ran through some songs for the gigs I'm doing depping with The Good Old Boys in a couple of weeks time. I talked to their guitarist Simon about some of the songs. I watched Poirot on the telly. I phoned a couple of mates. I ate some food, drank some drinks - well, you get the idea. I did quite a lot, especially considering that I did nothing. 

I'm now on my way to meet Alvin at Liverpool Street Station. It's pouring down with rain. Again. We have to be at Stansted Airport at 9 am tomorrow so we're staying nearby tonight. Apparently it's over 90 degrees where we're going - that's too hot for me. 

The reaction to the gigs has been brilliant, which is a great thing to see. To be fair, we have been playing well, but it's a new band - albeit one with a pedigree - and it's been great to see such interest. As you would expect the set is built around Alvin's album 'Your Disobedient Servant' - we've missed a couple of tracks but they will no doubt feature in the future -  and reflected his time with Iggy Pop by playing '1969' and 'Down On The Street'. We've also - slightly oddly from my point of view - reflected my time with Ruts D.C... I've been telling a short story each night along the lines of 'back in 1979 I was trying to learn to play the guitar, and I would sit on the end of my bed playing along with records by people like The Ruts and The U.K. Subs - somehow, 40 years later, this can happen...'   we then play 'In A Rut' with a snippet of 'Warhead' in the middle as previously discussed. It's been going down really well - but it's amazing for me to think that, yes, I did sit on the end of my bed playing along with records by people like The Ruts and the U.K. Subs, and now I share the stage with them and play the songs that I used to play along with. As I say, strange days indeed. Most peculiar mama.

Saturday 15th, 3.21 pm ready for take-off at Lodz Airport 

'Warning! Very strong winds, hail and storms expected in the afternoon and at night (15/06) Do not seek shelter under trees. Where possible stay indoors.'

Hmmm. This is perhaps not the sort of text message that you want to receive at any time, but if it arrives as you're preparing to broad an aircraft it really does, shall we say, focus the mind... the stewardesses - I still call them that, don't you? - are busily demonstrating the safety features of this aircraft even as we speak. Maybe I should be paying a bit more attention?

It was a busy day yesterday, hence the lack of writing here - but the notebook is back out now, and in an effort to put the above text message out of my mind I'm attempting to remember what happened and in what order. So...

On Thursday Alvin and myself spent a very enjoyable evening - and a fair bit of money, especially in his case - in Bishops Stortford. My old friend Adrian (he writes the always - excellent Stranglers blog Aural Sculptors) lives nearby so I texted him to say that we were local to see if he was about but sadly he was away. Next time! Once checked in at The George (which I've since been told by Adrian and his family is haunted! Oo-er!) we decided to go out for a walk to see what was about - within an hour he'd bought a very nice watch (that's how he spent more money than me!) and we were ensconced in The Half Moon on the Moretti and discussing tactics. Pizza Express is always a good bet especially for poncey vegetarians such as myself, and it proved to be so in this case; we then heard that Jamie would be meeting us at the airport as his train had been cancelled so we rounded our evening off by watching the Australia / Brazil ladies football World Cup match amid more drinking and tactical discussions. What crazy punk rockers we are eh? 

Ooh - we're taking off. It's always a bit mad isn't it? A bit bumpy, a few kids screaming - not too bad though, certainly not as bad as that text suggested that it might be. Good! 

9 o'clock on Friday morning and we're in a cab to Stansted Airport; half an hour later we've met Jamie (own up - you weren't sure that he was going to show up were you? To be honest - nor were we!) and we're checked in and through security without a hitch and heading for the duty free shops. No, I've never bought anything there either, but I was tempted by a JBL Bluetooth speaker - after heroically resisting it we had some much-needed breakfast before deciding to have a look around. As we left the cafe we were confronted by some familiar faces... it's funny when you see someone out of context but can't quite work out who they are isn't it? 'Are you the chap who plays in The Ruts?' asked the cheery bespectacled chap whose face I knew but couldn't quite place. 'Yes, I'm Leigh' said I. The cheery bespectacled chap extended his hand towards me - 'Kevin Armstrong' came the reply. 'Yes, I know -we've not met before but I've seen you at work' said I, grinning like an idiot. And I had, with David Bowie among others. He now plays in Iggy Pop's band along with Seamus Beaghen who of course played in Ruts D.C. and who played with Iggy at the same time as Alvin. 'We've all had the plane lurgee' said my new best mate Kevin, 'Seamus is here somewhere but he's not too well, I'll see if I can find him... actually, let's take a picture and send it too him'. So we did - somewhere there's a picture of Kevin, Alvin and myself. I must get that someday mustn't I? They were all off to Santiago for an Iggy gig, we were off to Lodz - we went our separate ways vowing to keep in touch. I hope that we do! 

A lot of people - especially bands - won't fly Ryanair. There are any number of horror stories aren't there? 10 minutes into our flight I remembered why. Cramped to hell, screaming kids, a small fortune for pretend food - terrible. And that bloody fanfare when the plane lands. Is that really something to celebrate? It's supposed to land isn't it, in the same way that it's supposed to take off and indeed to fly? Still we got there in one piece, and I even managed a bit of sleep so I guess it wasn't too bad. 

Passport control took ages. Ages. I stood in the seemingly-endless queue shuffling forward from time to time, all the while thinking 'my Les Paul is somewhere the other side of those big doors. I do hope that it's ok'. When I eventually got through the big doors my guitar was nowhere to be seen. Hmm... where's the outsize baggage area? There doesn't seem to be one... after all other baggage had been collected it was time to pluck up courage and ask one of the scary security men where my guitar might or might not be. 'Wait!' said the scary security man firmly. Waiting commenced immediately. He spoke into a walkie-talkie. 'Here' he said, indicating the baggage belt, which obligingly whirred into life. No guitar though. More walkie talkie action. More waiting. More belt whirring. Still no guitar. Suddenly he spoke - 'I have good news for you. Your guitar is here. Wait'. Waiting once again continued, albeit with considerable relief. Eventually one of the bursts of belt whirring led to my guitar appearing on it. Fank gawd. 'What happened?' I asked. 'It got stuck' came the reply. Ah - that explains it. Sort of. 

You thought I'd made it up didn't you?

10 minutes later and we're all in Christof's car leaving the airport. 40 minutes or so later we're at the wonderfully-named Hotel Hades which thankfully turns out to be closer to heaven than hell - plates of pasta and bottles of lager appear, and all is right with the world at last. 

The festival site is a short walk away so we decide to stroll down and have a look. It's state funded - why don't we have things like that in so-called 'Great' Britain? - so the P.A. and stage are good, there's not too many people about but we're assured it'll get busier later. Alvin is presented with a very nice - looking Fender Marcus Miller Jazz Bass to use (maybe I should have asked to borrow a Les Paul?!?) which is great to play but the guitar strap is too short for him. Still that's easily fixed, and with everything looking good it's back to the hotel for a snooze. 

We return to the festival at 9.15 pm to find everything in full swing. We set up and get ready to play - there's no backstage toilet (or if there is then I can't find it!) so it's time to, erm, find a bush... 

We start, as we have at all the shows, with 'Arterial Pressure' - there are more than a few punky types about including several U.K. Subs t-shirts so it looks as though we could go down well. Things get better and better as our set progresses, and we finish with 'Back To Mayhem', 'Living Dead' and 'Black Power Salute' to a great reception. After an announcement from the compare the crowd start singing something - it's 'Happy Birthday' for Jamie who gets presented with a cake which we eat back at the hotel with beer and sandwiches. I like Poland. 

We were up at half past nine today as breakfast finished at 10; we left for the airport at midday where there wasn't much to do, although as I said earlier that text message certainly livened things up a bit. I'm tired now though so it's time for some music and a sleep. Hopefully.

6 pm on The Stansted Express going back to Liverpool Street Station 

What was I saying about not flying Ryanair? 

I've just filled in a damage report. But more about that in a minute. 

The flight itself wasn't too bad in the end - provided you could ignore the terrifying racket being made by the child who sounded as though he was being disemboweled for the last 30 minutes of so of proceedings. By the looks on quite a few people's faces they may actually have been considering doing just that, or at the very least administering a general anaesthetic to said child or indeed to themselves. But the real 'fun' started back at Stansted Airport. After going through passport control (which was much easier than yesterday) I waited at outsize baggage - belt A in case you were wondering - for my guitar. And I waited. And waited. After about 20 minutes I decided to enquire as to where it might be - the very helpful lady behind the desk at Ryanair Baggage Claims said that she'd make some calls then asked if I had been 'very early' for my flight. When I said we were there a couple of hours before take off she said that it'd probably be ok, any earlier and they might have forgotten to load it on. Oh, great... she came back with the news that there was no sign of it so I'll have to fill in a form and they'll courier it over to me when it arrives back in Blighty. Not good news, but it could be worse I suppose.

Hang on - they've found a guitar in the middle of the road.

Whaaaat? 

They've found a guitar in the middle of the road. What does mine look like? Well it's in a black case which - rather optimistically as it turns out - has a couple of red 'Fragile' stickers on it. Oh, this could be yours then, I'll get them to bring it over. 

OUCH!

A quarter of an hour later my new friend Jerry hands me my guitar. We both open the case. I pick it up. It's still in tune. That's encouraging. I think that it's ok Jerry... we put it back into the case - but the clasp at the bottom of the case won't close. Actually, the case doesn't go back together properly either. Ah - that'll be where it hit the ground after falling off the baggage truck. Thanks for telling me that Jerry - time I filled in a damage report then don't you think?
What feels like a lifetime later I'm finally on my way home.I've got a horrible nagging feeling that when I look again at my guitar it'll turn out to be damaged after all, but that's hopefully just me worrying. Tomorrow I've got to photograph the damage and send it in to the Ryanair website - I'm told that they will then contact me accordingly. So that's ok then. 

Except of course, it's not. What was that I saying about people, particularly musicians, refusing to fly with Ryanair? Why do you reckon that is then? I'm sitting here thinking about the staff - very helpful, almost nonchalant about possible damage or loss of processions. Is that because it happens on a regular basis? I certainly wasn't the only person filling out forms... I've heard far too many stories like mine, and sadly this one won't be the last. I'm telling myself that it's 'only' the case that's been damaged, and that's why you put valuable instruments in them in the first place - but that's not really the point is it? 

So I'm not saying 'DON'T FLY RYANAIR'. Except of course, I just did. Welcome home Leigh.

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So there you have it - our first tour, with hopefully many more to come. Derby, Birmingham and Lewes this weekend - excellent. And in case you thought I made all that stuff about 'In A Rut' up, here it is from The 100 Club show. Oh and in case you were wondering - I found my watch! Oh yes!

Roots, Radicals, Rockers and Reggae

So. 2018 then. Not a bad year?

No, not a bad year. Well, I didn't think that it was.

Then again considering that it began for me with my Dad catching The Flu then developing pneumonia I suppose I was rather hoping for it to improve... within a couple of weeks of that (and with him thankfully at home recovering) Ruts D.C. were gigging in Japan and Hong Kong then touring Australia and New Zealand before embarking on a British tour supporting Stiff Little Fingers. If that was all we'd done I'd be saying that it had been a good year, but we went on to play many more memorable shows - The Rebellion Festival in Blackpool is always a highlight, but the Rebellion Amsterdam weekend was wonderful; we also made our first visit to Denmark, played a tattoo festival in France, gigged on a boat up and down the River Spree in Berlin and more including a visit to Abbey Road Studios - little if any of which got reported here. It's all been on my Facebook page - which is a somewhat woolly excuse for this being only the twelfth blog posting of the year. There was a time when used to do that in a month. But I guess times change... maybe there'll be more here next year?    

Talking of 2019, I'm hoping to play some more shows with Punky Reggae Party. Having first gigged with them back in the summer (an incident that incredibly is reported somewhere in these hallowed pages!) I've since played a couple more gigs with them including a fine show at The Cavern in Raynes Park just before Christmas - hopefully they will be many more to come, the first of which is at The Bread And Roses in Clapham on Saturday 19th January. I'm also putting another band together with some old friends, but more news on that as and when I have it. And Ruts D.C. are heading out on the '40 Years Of The Crack' tour in February, with (hopefully) more to come after that.

So hopefully 2019 will be a good year for me and my guitar - and I hope it is for you too. 

Forwards!

'Hey hey hey - we're all riding on the ghost train...'

Ruts D.C. in Aarhus, Denmark, Friday 14th September 2018

Well - so much for me getting back into blogging eh? Maybe I should just try for a monthly bulletin? 

In my defence your honour I have been updating my Facebook page regularly, which I suppose is for want of a better word 'easier' than writing extended pieces here. I think it's the immediacy of being able to put something up more-or-less as it happens that's so appealing, whereas it takes a fair bit more work to get things onto here. 

So - since last we spoke... 

Ruts D.C. played three shows in Germany and visited Denmark for the first time - a splendid if rather tiring 4 days. The good news is that in time honoured tradition I took the usual scribbly notes, the bad news is that I can't find them. Bugger! Oh well... there are enough other scribbly notes that need to be written up here before those!
As we're playing the '40 Years Of The Crack' tour in February we're obliged to go underground from now until then, although I'm pleased to say that we're appearing at The Inkmas Tattoo Festival in France on November 18th. Hopefully a few other shows will come in too... that said we've got plenty to do between now and the tour - there are 5 songs on 'The Crack' that we've never played live, and in addition to learning them we've got to put a show together. There are talks of back projections and stage sets - maybe we'll use them, maybe we won't. It's the music that's important - well, I think that it is anyway. And that magnificent music will be available again on vinyl very soon - Dave, Segs and myself spent a day in the hallowed confines of Abbey Road Studios last month with noted mastering engineer Geoff Pesche cutting a new vinyl master of the album. Well I didn't do much, other than stumble around thinking about The Beatles - who incidentally were working on the song 'Piggies' from the soon-to-be reissued 'White Album' 50 years to the day earlier on September 19th 1968. The things I know eh?

So then - Hallowe'en. I'm obviously far too miserable to have anything to do with it under normal circumstances, but these are far from normal circumstances... today sees the release of the new single by Alvin Gibbs & The Disobedient Servants - the appropriately-titled 'Ghost Train'. Alvin is of course the bass player in The U.K. Subs who's also previously played with Iggy Pop and Cheap 'n' Nasty among many others - here he's joined by Subs sticksman Jamie Oliver and Godfathers guitar hero Steve Crittall, alongside guest guitarists Brian James (yes that's right, the chap that wrote 'New Rose') on the B-side 'Clumsy Fingers' and, incredibly, your humble narrator on the A-side. How on Earth did that happen? Anyway I might be a bit biased here but I think that it's a great record - you can hear and indeed buy a copy here. See what you think - there are only 300 vinyl copies so I wouldn't hang about if I were you...

And talking of tattoo festivals (now there's something that I never thought that I'd ever type!) Neck played The London Tattoo Convention last month, supporting the excellent King Kurt. 'Twas a roaringly good event with some frankly astonishing sights - let's see what we see next month... and I may well have a bit more time to play with them and indeed a few other people now, as my time with Big Al and The Blistering Buicks has come to an end. I'll miss playing with the lads, but when you've gotta go, you've gotta go. And you never know, it might leave me with a bit more time for blogging. 

Well, as I say, you never know.

Magic And Loss

Some of these blog pieces more-or-less write themselves, some take a bit of coaxing and some take a lot of work. A lot of work, as in a 'why am I doing this to myself?' - style lot of work. This one is quite hard to write because of the subject matter, which is strange as there should be a lot of positive things to say about friendship, kindred spirits, feeling part of a team... they're all good things, but you don't get something for nothing do you?

I was on my way home on Thursday night when my phone made the slightly annoying car horn - type noise that it makes when I receive a text message. I should change the sound, but I never seem to get around to it. Or something. Anyway I took the phone out of my pocket and read the message. Then I read the message again. And again. It was telling me that Tom Edwards had died. But he can't have. He's only young. And he's Tom, he can't have... 
I first meet Tom a couple of years of years ago, but he's one of those people that it's hard to remember a time that you didn't know them, if you know what I mean. I played the 'I Need A Dodge' gig at Koko with him in 2015, went to the Marshall factory with him, saw him play with Adam Ant, played the riff to 'Day Tripper' on his guitar in Abbey Road Studios... I still don't really know what to say about it all, other than that he was a fabulous musician and a lovely man. I'll miss him - and I know that I won't be the only one.

Harlow is perhaps not the most obvious place to provoke any real emotion, or so you might have thought - but if you'd have been there on Saturday night then you'd have known that 'emotion' was most definitely on the agenda, as after several false alarms The Square finally closed it's doors for the very last time. I first played there with The Price in 1986, and just over 30 years later I played three songs at the last ever gig there. But what a last ever gig it was my friends... 
First band on The Orphans feature Oliver son-of-Simon-from-The-Newtown-Neurotics Lomond on guitar (to be pedantic, on my guitar for most of their set as he broke a string on his) and roared through a breathless half hour set (guitar, drums and vocals - not a bass guitar in sight!) to the approval of the rapidly arriving audience. After saying a quick hello to Steve Lamacq - if I remember rightly he was involved in getting The Price our first gig at the venue - in the downstairs bar it was back upstairs to catch local heroes The Newtown Neurotics who bought the proverbial house down. To be fair they were on safe hometown ground but their excellent performance didn't rest on any laurels, with frontman / songwriter Steve Drewett in fine form throughout. And what can I say about Eddie And The Hot Rods that I haven't already said in these hallowed pages? They've always been one of my favourite bands, and this show was as good as any I have ever seen them play. But it was different, very different - from my point of view at least.
Back in December I went to see The John Otway Big Band at The Borderline; I'd have gone along anyway as they're always well worth seeing but I went up to meet Hot Rods guitar hero Richard Holgarth (who also plays for Otway and was the sound man at The Square when The Price used to play there) to discuss the possible purchase of a Gibson SG guitar that he was considering selling. During the evening the subject of the Square's imminent closure came up, and he invited me up to the gig. At some point I said something like 'I'd love to play at that' - at which point he suggested that I play with Eddie And The Hot Rods. I thought about his offer for, ooh, two or three milliseconds before saying yes...
As I fought my way through the sold out crowd towards the stage I reflected on the situation - no rehearsal, not even a run through at the soundcheck, although I did have a chance to try my guitar through the amplifier that I was borrowing for the occasion. We only decided which songs I was going to play with them in the pub opposite around 3 hours ago. I eventually got to the stage as Hot Rods singer Barrie introduced me  - I never thought that would ever happen I can tell you - and I picked up my guitar. 'Are you ok?' said Richard cheerily as I tried a couple of chords - yes I was ok, and I was even more ok when 'Hard Driving Man' started. And there I was, little old me playing with Eddie and his Hot Rods. If you'd have told me that I was going to do that 40 years ago... 'Gloria' was next before we were joined by Jim Jones (he was DJ-ing after the gig) for 'Born To Be Wild' - and all too soon it was over. The gig, my time in The Hot Rods, one of the great independent venues, everything. There were more than a few tears, with more than a few of them coming from me. It had  been a lousy few days. You don't know what you've got until it's gone do you?

Oh and in case you're wondering, I bought the SG. Of course I did. Well, something good had to come out of it all didn't it?    

Yeah I know this isn't very well written and is all a bit garbled - as I say, sometimes this is quite hard to write... sad times...

Halfway to paradise

Right - I'm bored now. I've had enough of 'normal' weeks... 

On Friday evening Dave Ruffy played with Louise Aubrie at The Dublin Castle in Camden Town. I'd met her briefly when he was recording with her at the famed and fabulous Abbey Road Studios last year - fronting a group that aside from Dave consisted of members of Adam Ant's touring band she delivered a tight set of original material in front of a very appreciative audience. I certainly enjoyed the show, although I was left thinking that perhaps there was - for want of a better term - no 'killer song' in the repertoire. All well played and sung, plenty of energy, looking good - but no knockout punch. Then again this is commercial pop music - or if it's not then it should be - so since when did a middle aged man's opinion matter? As I say a good show - and it was great to catch up with six string superman Tom Edwards again for the first time in a while. And he really say that he was going to have a word with Schecter Guitars about getting me an endorsement deal with them?!?

Last night Big Al Reed and The Blistering Buicks returned to The Halfway House in Barnes for a boisterous performance that featured everything from a collapsing keyboard stand to a cheery chap buying the band a round of drinks then presenting us with a bottle of red wine during our second set. Bill depped on bass (he used to be in The Glitter Band! Really!) and Al rode the wave of his recent television performance for all that it was worth. Oh and I spoke to Doogy who I'd met there a couple of times but who this time revealed that he used to be in a band called The Press who played with The Ruts at The Music Machine back in the day. A most enjoyable evening.

Aside from the above it's been a quiet few days - very welcome in many ways - but after tomorrow in Balcony Shirts the word 'normal' ceases to apply (thank gawd!) as it's time to return to the Ruts D.C. fold to resume work on the upcoming 'Psychic Attack' album. On Wednesday I've got a day with producer James Knight recording guitar parts and then on Thursday and Friday we are all in writing and rehearsal mode - there are songs to finish, brand new material to consider (Segs has not been idle and neither have I!) and the following week's sessions in Perry Vale Studios with Pat Collier to prepare for. 'Tea break over, back on your heads' as the old gag goes. Excellent!

Rudie can't fail

I finished my last posting with the words 'strange days indeed', a phrase I often use when things get, for want of a better word, 'strange'. I've found myself using it a lot lately. It's unashamedly stolen from 'Nobody Told Me' by John Lennon (so far I've stopped short of saying 'most peculiar mama' but I guess that's just a matter of time) and was used last time to make a vaguely Fab Four-related attempt at referring to the frankly astonishing news that I was to visit Abbey Road Studios on Sunday afternoon. So what was a herbert like me doing on such hallowed turf? Simple - Dave Ruffy and Tom Edwards were participating in a recording session there, and the chance to drop in and see them was just too good to miss. As I came out of St. John's Wood tube station I became all too aware of the number of people intently looking at maps or mobile phones - I rounded the corner into Abbey

Hello from Studio 2!

Road itself to see 20 or so people either side of that zebra crossing (you know the one!) taking photos of each other and causing traffic chaos in the process; as I walked up the steps to the front door I thought of some of the people who would have walked up those same steps on their way to work. I buzzed the entry phone, mumbled something about visiting Studio 2 and opened the door into the reception area where the cheery but weary face of a security man invited me to sign the visitor's book. Next to it a handwritten envelope read 'F.A.O. PAUL McCARTNEY c/o ABBEY ROAD STUDIOS'. Here we go then... down the corridor, past the stairs, first door on the right - as I went to knock on said door Tom opened it and greeted me with a hug, I thought he'd been watching me on CCTV but no, he'd just been going out to get something. I walked into the control room to see Dave picking up his phone to see if I'd texted him to let him know that I'd arrived - I was supposed to but had forgotten. Nervous? Maybe... suddenly I'm walking down the stairs into what has to be the most famous recording studio in the World. And there it is, just like it is in all the photographs. Oo-er! 

I was only there for about 30 minutes - I didn't want to outstay my welcome, and anyway I had a gig to go to. But it was a great - make that great - 30 minutes. I can very easily get hopelessly over-romantic about things like this, and let's face it, I normally do - but that was a half an hour that a Beatles Bore such as myself will never forget. But there's been a few things lately that I'll never forget, not least Wednesday night's show at Koko. It was I suppose everything that we hoped that it would be, although it wasn't without it's problems. Last minute letdowns by various people (not mentioning any names...) meant some eleventh hour changes to proceedings, one of which resulted in me sitting in dressing room 4 with no lesser figure than Charlie Harper running through the arrangement of 'Tommy Gun' - now there's something that I never thought I'd do. Mind you I never thought I'd play 'Kick Out The Jams' with MC5 guitar hero Wayne Kramer but as this footage shows that really happened too. Everybody involved was on top form, with the short opening set from The Crunch getting things off to a splendid start before Chris Salewicz read a passage from his acclaimed Joe Strummer biography 'Redemption Song' then introduced the documentary film 'I Need A Dodge! Joe Strummer On The Run' - sadly I missed most of this as I was getting ready for the gig but the bits that I did see were very interesting, making it a must-buy when it comes out on DVD from Cadiz Music later this year. As the credits rolled we took our places ready to start playing as soon as the screen was raised - as we began 'London Calling' with Mr. Kramer joining Dave, Tim, Tom and myself in the band and Paul from The Urban Voodoo Machine tackling the vocals head on it became clear that we were in for a memorable night. Everybody - Chris Bailey from The Saints, Tymon Dogg, Segs from Ruts D.C., Tara from The Duel and the afore-mentioned U.K. Subs legend Charlie Harper - gave their all, and by the time Wayne Kramer re-appeared for 'Jail Guitar Doors' excitement was at fever pitch. He sang well, sounded great - the loudest guitarist that I've ever stood on stage with! - and the two MC5 classics 'Looking At You' and 'Kick Out The Jams' bought a truly monumental evening to a unforgettable close. It really was an extraordinary thing to be part of - great stuff all round.

Two night's after (ahem!) blowing the roof off Koko I played at The Black Horse in Eastcote with Big Al Reed and The Blistering Buicks. With Dave the drummer gigging elsewhere Rudi joined us for the first time (thereby giving me the chance to use the name of a Clash song as the hopefully all-encompassing title of this posting - I don't just throw this stuff together you know!) and made a great job of things. I often get asked how I play a (relatively) big gig one day and a small one the next - the truth is that when shows are as enjoyable as this one it doesn't matter if you're playing to a few people in a small pub or hundreds or even thousands in a bigger venue. It's all about the music, and if the music is good then the night is good too. And talking of good nights...

He's back!

Ruts D.C. played at Koko back in October 2013 - the headline act that night was a certain Wilko Johnson, who at that stage of the game was, as the saying goes, living on borrowed time. He'd been diagnosed with pancreatic cancer at the start of the year and given just a few months to live, but against all the odds was still playing live. Now a year-and-a-half later he's back in more ways than one, having had treatment for what was previously thought to have been an inoperable condition. I like many thought that the show we played with him would be his last, but having just seen the great man on Thursday night at The Albert Hall I can confirm that he's playing better than ever - with the familiar figures of Norman Watt-Roy on bass and Dylan Howe on drums he stormed through a 30 minute set that got an audience reaction that many headline bands would have been proud of. He was supporting The Who, meaning that I got to see probably my two favourite guitarists ever on the same evening. I'd already seen The 'Orrible 'Oo at The O2 Arena on Sunday and Monday (that's where I was going after visiting Abbey Road Studios) playing two shows rescheduled from before Christmas, and while none of the shows were bad I think the R.A.H. gig just beat the other two in the 'best gig of the three' stakes. But not by much - it was great to hear 'Slip Kid' on Sunday, and the Monday show included a particularly good 'Eminence Front' among the usual highlights. 50 years on from their first record release they sound better than ever - you've got to love 'em haven't you? 

So there you have it, a memorable week in mad-guitar-land. And this week is looking pretty good too, with Ruts D.C.playing in Paris on Friday followed by two London shows the next night for your humble narrator - The London Sewage Company support The Men They Couldn't Hang at The Shepherd's Bush Empire (oh yes!) early in the evening while Neck play The Water Rats in King's Cross later in the day. Happy Easter y'all!

Hey Ho, Let's Go!

And so it goes on - much of the last week was spent at The Music Complex in Deptford rehearsing for this coming Wednesday's Joe Strummer film show at Koko. Songs were learned then discarded, re-learned then re-discarded (does that last word exist? Answers on a postcard please, usual address...) and we're still not sure who's singing which song. It looks like it'll be an early start on Wednesday then... but the band is sounding good - joining myself and fellow Ruts D.C. member Dave Ruffy (that's how I got the job!) are Tim Slade on bass (he plays for Gary Numan among others) and Tom Edwards on guitar (he works with Adam Ant - I'm really do feel like a junior partner here!) and even though I say so myself we've made a good job of things. It goes without saying that I'm looking forward to Wednesday - but I've said it anyway!

I was supposed to be playing at a wedding last night but it got cancelled (our show that is, not the wedding. Well I don't think that got cancelled!) so rather than do my already-depped-out Big Al gig (I don't like that thing where band members 'take back' a gig because they become available - do you?) I went to see The Ramonas at The 100 Club. Support came from the always-worth-seeing Louise Distras who appeared with a band rather than as her usual solo self. For me her voice worked better in this format - it's sometimes a bit too much for me over just an acoustic guitar, but she sounded great here. Afterwards she told me that she's hoping to concentrate more on group shows rather than solo, so let's hope hope that it works out for her. And The Ramonas were great too - a 28 song set (I wasn't counting, Chloe Ramona said it at the end, honest!) that featured many of the best Ramones songs played at a suitably breakneck pace to a healthily-sized crowd, all of whom loved ever minute of it. A splendid evening.

Today is the 30th anniversary of the first Price show. 30 years! Doesn't time fly when you're having fun eh? Actually it flies whether you're having fun or not... we were hoping to play a show this weekend - sadly that fell through but hopefully we'll be performing somewhere soon. And what better way for me to celebrate this (ahem!) momentous occasion than by going to see The Who? So that's what I'm doing, as they're playing at The O2 Arena tonight - but first I'm off to Abbey Road Studios. Yes, that Abbey Road Studios. Strange days indeed...