Showing posts with label Roger Cotton. Show all posts
Showing posts with label Roger Cotton. Show all posts

Tuesday, June 07, 2016

Tougher than the rest

Well, you know how this is going to work by now don't you? I make some weak (increasingly weak to be honest!) excuses about having no time to do anything other than work in Balcony Shirts, then I bang on about the things that have happened to me when I haven't been working in Balcony Shirts. Simple eh? Except this time it deserves more… or is that just egotism on my part? After all, it doesn't really matter what I write here does it? Not compared the death of Muhammad Ali anyway. Mind you, not much matters next to that does it? Whatever your opinion of boxing it's impossible to deny that Ali was one of the great figures of the 20th Century, and given the reaction to the news of his passing it's surely difficult to think that he won't be one of the great figures of the 21st Century and beyond. For what my opinion is worth he was, is and always will be a truly remarkable figure in history who transcended sport, politics, race and religion to inspire countless people to achieve things in their lives that they never have otherwise been able to do. That goes beyond any analysis - put simply, the world has become a better place for him having lived on it.

Right - let's get onto the 'I haven't had much time this week…' stuff - 

- I saw Wilko Johnson at Rough Trade East.
The extraordinary renaissance of The Canvey Island Assassin continues with the publication of his autobiography 'Don't You Leave Me Here', and last Thursday's early evening event saw the man himself interviewed by Zoe Howe about the new book and more. Hang on a minute - didn't she write a book with him a while back? Well yes she did, which has prompted more than a few 'so what's in this book that wasn't in the other one then?' questions; sadly I've not had time to read the new one yet (obviously!) so I can't answer that potentially rather awkward query, but I can confirm that both were on good form during the admittedly often rather contrived inquisition. I managed a quick chat with Zoe and her husband Dylan afterwards as well as catching up with Wilko's son and Eight Rounds Rapid guitar man Simon, after which I hightailed it across town to Denmark Street

- I attended The WitchDoktors's album launch night at The Alley Cat Club.
…where I arrived just in time to catch a couple of songs by The Healthy Junkies before The WitchDoktors gave a blazing performance in support of their new release 'Voodoo Eye'. I've seen them a few times here and there - they always give a good show and this was no exception. Great stuff - and the album is excellent too.

- Roger Cotton died.
I played quite a few shows with Roger, and The Flying Squad recorded with him in his studio - he was a great bloke and and a fabulous musician who I'm very proud to have known and worked with. A very sad loss.

- I played a show in Rickmansworth with Big Al Reed and The Blistering Buicks.
A lively evening at The Halfway House saw Big Al's two daughters winning friends and influencing people with their, erm, 'flamboyant' style of dancing. That's all I'm saying here, as I'd like to keep my job.

- I didn't play a show in Bethnal Green with The Upper Cut. 
Our run of bad luck at The Salmon And Ball continued when the PA system went wrong during our second number - despite repeated attempts at continuing we eventually gave it up as a bad job and went home. Bugger!

- I went to see Bruce Springsteen at Wembley Stadium.
On June 5th 1981 I witnessed a (literally) life changing performance from The Boss and the boys (no ladies in the band in those days!) at The Wembley Arena. 35 years to the day later I saw him and The 'heart-stopping, pants-dropping, earth-quaking, booty-shaking, Viagra-taking, love-making, legendary' E-Street Band put on a 3 1/2 hour show that might not have been quite as transcendent as the one that I saw all those years ago, but still left little if any doubt that they are indisputably one of the greatest bands of all time. Highlights were many and varied, but a mention has to be given to a devastating version of 'Candy's Room' - is there any greater moment in rock music than the first note of the guitar solo? - and 'Because The Night' which was as intense and powerful a performance as anything that I can remember seeing from him or indeed anybody else. Magnificent. 

And talking of magnificent, what better way to end this posting than with a quote from the late and undeniably great Muhammad Ali himself - 

'Only a man who knows what it is like to be defeated can reach down to the bottom of his soul and come up with the extra ounce of power that it takes to win when the match is even'.

There's nothing to add to that is there? Thanks Champ.

Wednesday, July 27, 2011

Vintage and rare guitars

And it was indeed a very long day. By lunchtime it was becoming all too apparent that I was developing the hangover that I'd up until that point managed to keep at bay with toast and coffee (either that or I was sobering up!) and by talking total gibberish to customers. Somehow I got through the afternoon - just! - and then went home and fell asleep. You knew I'd say that didn't you? But it really was a great night, with The Upper Cut giving a fine show which ended with a worrying amount of young people dancing wildly and quite a few drinks being drunk. Several kind souls bought me cards and presents, Mad Jock and his mates Brian and George came down all the way from Glasgow for the occasion (really!) and, well, quite a few drinks were drunk. The long-suffering Shirley eventually got East and myself out of the building sometime before 2 a.m. (oh yes!) by which time quite a few more drinks had been drunk. And why not?
The day itself had been relatively quiet (although you may argue that pretty much anything was 'relatively quiet' compared to the evening) with my Dad and brother coming round for the afternoon and your humble narrator showing heroic restraint when it came to alcohol. Given the mayhem that followed this was definitely a good move - I didn't have anything alcoholic to drink before 8.30 in the evening which might seem a bit serious, even (gulp!) sensible but I wanted to be able to play a decent show. Ooh, I am getting old... in the meantime Shirley and her family managed to surprise me - and I mean surprise me! - by getting me a Vintage Lemon Drop electric guitar, which was sitting on the front room table when I stumbled downstairs in the morning. Hmm... that'll be the same guitar that was in the shop a few weeks ago; given the amount of subterfuge that has clearly gone on over the last few weeks I may never believe anything that anybody anywhere ever says to me ever again!

The last gig of my 40s (sounds dramatic doesn't it?!?) was with The Chicago Blues Brothers in Sutton Courtenay near Abingdon, at the same venue / enormous house that we played at last August. As Richard arrived to pick me up around 6 o'clock the news of the death of Amy Winehouse came on the car radio - another casualty, another member of the dreaded 27 Club. Sad. I saw her at 'The Strat Pack' concert where I heard that voice for the first time - the guitar obsessives around me complained that she shouldn't have been there as she wasn't a guitar hero or something, I thought she sounded extraordinary. I wasn't sure if I liked her or not, but she certainly sounded extraordinary. There seems to have been a grim inevitability about her death, which it seems no one around her could do anything to prevent. A great shame.
It was the first CBB show for ages to feature a 3 man horn section - joining Richard on sax is John on trumpet who's not played with us before, and Andy on trombone who last played with us at Leeds Castle back in July 2007 when he distinguished himself by falling over on stage whilst pretending to be galloping around on horseback. Strange but true. Roger returns on keyboards, Tracy's on vocals, Marc and Squirrel are on drums and bass, Pete and Mike are in the hats 'n' glasses and our 90 minute set goes down well with the assembled multitude, quite a few of whom had clearly been enjoying the hospitality of the host to the full. Well the ones dancing in front of and indeed on the stage certainly had been. I seem to remember this happened last time too. Excellent!

Yesterday I had a rehearsal with T.V. Smith for our gig at the Rebellion Festival next weekend, today I'm playing a Blues Brothers show in an Italian Restaurant in Leeds. No, really, I am. This 'being 50' lark is off to a good start...

Monday, October 19, 2009

Studio tan

Yesterday saw The Flying Squad visit Roundel Studios in Kent to record 3 songs under the auspices of Roger Cotton. A fine time was had by all, and the results should be available on CD at the band's next gig- we're supporting punk legends The Vibrators (really!) in Chislehurst next month and details can be found here...

In case you were wondering, the 3 songs recorded are the Dr. Feelgood / Wilko Johnson classic 'She Does It Right', 'That's It, I Quit' (a Nick Lowe song also recorded by The Feelgoods) and 'Police Car' by Larry Wallis which I remember buying all those years ago on Stiff Records and which I heard again earlier this year on one of those free CD's that come with magazines these days; back in March we were on our way home from a gig in the early hours of the morning and Brian the driver and myself were listening to said CD when 'Police Car' came on- about 20 seconds into it we both said 'what a great song, someone should do a new version of this'. So we have! (And here is a great clip of Mr. Wallis himself playing it...) 

It's been a while since I was last in a recording studio, and I'd forgotten how much I enjoy it. Time to record that album that The Price should have recorded all those years ago then?!? Excellent!