Well, you know how this is going to work by now don't you? I make some weak (increasingly weak to be honest!) excuses about having no time to do anything other than work in Balcony Shirts, then I bang on about the things that have happened to me when I haven't been working in Balcony Shirts. Simple eh? Except this time it deserves more… or is that just egotism on my part? After all, it doesn't really matter what I write here does it? Not compared the death of Muhammad Ali anyway. Mind you, not much matters next to that does it? Whatever your opinion of boxing it's impossible to deny that Ali was one of the great figures of the 20th Century, and given the reaction to the news of his passing it's surely difficult to think that he won't be one of the great figures of the 21st Century and beyond. For what my opinion is worth he was, is and always will be a truly remarkable figure in history who transcended sport, politics, race and religion to inspire countless people to achieve things in their lives that they never have otherwise been able to do. That goes beyond any analysis - put simply, the world has become a better place for him having lived on it.
Right - let's get onto the 'I haven't had much time this week…' stuff -
- I saw Wilko Johnson at Rough Trade East.
The extraordinary renaissance of The Canvey Island Assassin continues with the publication of his autobiography 'Don't You Leave Me Here', and last Thursday's early evening event saw the man himself interviewed by Zoe Howe about the new book and more. Hang on a minute - didn't she write a book with him a while back? Well yes she did, which has prompted more than a few 'so what's in this book that wasn't in the other one then?' questions; sadly I've not had time to read the new one yet (obviously!) so I can't answer that potentially rather awkward query, but I can confirm that both were on good form during the admittedly often rather contrived inquisition. I managed a quick chat with Zoe and her husband Dylan afterwards as well as catching up with Wilko's son and Eight Rounds Rapid guitar man Simon, after which I hightailed it across town to Denmark Street…
- I attended The WitchDoktors's album launch night at The Alley Cat Club.
…where I arrived just in time to catch a couple of songs by The Healthy Junkies before The WitchDoktors gave a blazing performance in support of their new release 'Voodoo Eye'. I've seen them a few times here and there - they always give a good show and this was no exception. Great stuff - and the album is excellent too.
- Roger Cotton died.
I played quite a few shows with Roger, and The Flying Squad recorded with him in his studio - he was a great bloke and and a fabulous musician who I'm very proud to have known and worked with. A very sad loss.
- I played a show in Rickmansworth with Big Al Reed and The Blistering Buicks.
A lively evening at The Halfway House saw Big Al's two daughters winning friends and influencing people with their, erm, 'flamboyant' style of dancing. That's all I'm saying here, as I'd like to keep my job.
- I didn't play a show in Bethnal Green with The Upper Cut.
Our run of bad luck at The Salmon And Ball continued when the PA system went wrong during our second number - despite repeated attempts at continuing we eventually gave it up as a bad job and went home. Bugger!
- I went to see Bruce Springsteen at Wembley Stadium.
On June 5th 1981 I witnessed a (literally) life changing performance from The Boss and the boys (no ladies in the band in those days!) at The Wembley Arena. 35 years to the day later I saw him and The 'heart-stopping, pants-dropping, earth-quaking, booty-shaking, Viagra-taking, love-making, legendary' E-Street Band put on a 3 1/2 hour show that might not have been quite as transcendent as the one that I saw all those years ago, but still left little if any doubt that they are indisputably one of the greatest bands of all time. Highlights were many and varied, but a mention has to be given to a devastating version of 'Candy's Room' - is there any greater moment in rock music than the first note of the guitar solo? - and 'Because The Night' which was as intense and powerful a performance as anything that I can remember seeing from him or indeed anybody else. Magnificent.
And talking of magnificent, what better way to end this posting than with a quote from the late and undeniably great Muhammad Ali himself -
'Only a man who knows what it is like to be defeated can reach down to the bottom of his soul and come up with the extra ounce of power that it takes to win when the match is even'.
There's nothing to add to that is there? Thanks Champ.
Showing posts with label Zoe Howe. Show all posts
Showing posts with label Zoe Howe. Show all posts
Tuesday, June 07, 2016
Tuesday, April 08, 2014
The feelgood factor
Lee Brilleaux died on April 7th 1994, 20 years ago yesterday. He was one of the greatest rock 'n'roll frontmen of them all, as this fabulous live footage of Dr. Feelgood at The Southend Kursaal in 1975 amply demonstrates. A biography of the man himself is being written by Zoe Howe - click here to find out how you (yes, YOU! And for that matter, ME!) can help make it happen. Strange but true!
Having not been at the FFRUK Reggae Punk Monday nights at The 12 Bar Club for the last few weeks I've now found myself at said establishment three times in the last seven days...
Last Tuesday myself and Back To Zero drummer Andy attended a launch party for Chris Pope's great new album 'Peace Of Mind'. Pope (that's also the name of the band) took to the stage at the early hour of 7.40pm and delivered a blazing set of songs from the new release alongside Chords classics 'Now It's Gone' and 'Maybe Tomorrow' with 'Mutiny On The Thames' sounded particularly good to my ears. Back To Zero are playing with Pope at The 100 Club on Easter Sunday 20th April ('The Groovy Easter Eggstravaganza') alongside The Legendary Groovymen and The Sha La La's which should be a night to remember, especially if Pope play as well as they did here.
The next night it was time for The Fallen Leaves to host their latest 'first-Wednesday-of-every-month' club night - I arrived in time to catch The Transients who I've seen a couple of times on these evenings and who sounded splendidly garage-y with their cover of 'See No Evil' causing much mouthing along with the words from the enthusiastic audience. Actually come to think of it quite a few of their own songs received the same reaction, which can only be a good thing. The Fallen Leaves played as excellently as they always do, with frontman Rob Green looking sharp and authoritative while Rob Symmons's guitar rampaged around the room in time-honoured fashion. Their 'long held belief' that 'a good idea played badly is better than a bad idea played well' always makes me smile, but it must be said that they have an abundance of good ideas played very well indeed. Funnily enough Back To Zero are appearing with them at The 100 Club (on Sunday 22nd June, with the wonderful Eight Rounds Rapid also on the bill) as well. Co-incidence? Yes!
And it was Reggae Punk Monday last night - Demon Smiles were roaring through their last few songs as I arrived, and very good they sounded too, although the guitar could have used a bit of bottom end on it in my not-so humble opinion... I caught a couple of minutes each of Spitune and Daughters Of God (both a bit scary-sounding for a wimp like me!) but missed The Duel as it was getting late and I had to leave for the last train home. I wonder if they will ever run tube trains all night..?
In the meantime it's been three-gigs-in-three-days for your humble narrator, starting with Big Al Reed and The Blistering Buicks at The Swan in Iver on Friday evening. We'd not played there for a while, and a fair-sized audience turned up to see a good show that didn't quite get into the 'great' category, although it came close a couple of times. The next night The Upper Cut returned to The Dolphin in Uxbridge - when I was there last month I spent far too much of the evening being violently sick, and while thankfully nothing quite so untoward happened this time it was still a bit of an odd evening. We began our first set to an unusually empty room; fortunately by the time the time for our second set came around the place had filled up and the show took an upward turn as a result. And with Dave away elsewhere Roger from The Upper Cut filled in on drums with Big Al and co. the next afternoon at Ye Olde George in Colnbrook. With no rehearsal possible a suitably 'simple' set of songs was decided upon, and Roger did an absolutely excellent job throughout. Then again, he usually does.
This Saturday Ruts D.C. are playing at The Circus in Helsinki - no I've never been either - and I'm really looking forward to this, not least because one of the bands on the bill is called Anal Thunder. Oh yes! More news as and when I have it, as they (whoever 'they' are) say...
Having not been at the FFRUK Reggae Punk Monday nights at The 12 Bar Club for the last few weeks I've now found myself at said establishment three times in the last seven days...
Last Tuesday myself and Back To Zero drummer Andy attended a launch party for Chris Pope's great new album 'Peace Of Mind'. Pope (that's also the name of the band) took to the stage at the early hour of 7.40pm and delivered a blazing set of songs from the new release alongside Chords classics 'Now It's Gone' and 'Maybe Tomorrow' with 'Mutiny On The Thames' sounded particularly good to my ears. Back To Zero are playing with Pope at The 100 Club on Easter Sunday 20th April ('The Groovy Easter Eggstravaganza') alongside The Legendary Groovymen and The Sha La La's which should be a night to remember, especially if Pope play as well as they did here.
The next night it was time for The Fallen Leaves to host their latest 'first-Wednesday-of-every-month' club night - I arrived in time to catch The Transients who I've seen a couple of times on these evenings and who sounded splendidly garage-y with their cover of 'See No Evil' causing much mouthing along with the words from the enthusiastic audience. Actually come to think of it quite a few of their own songs received the same reaction, which can only be a good thing. The Fallen Leaves played as excellently as they always do, with frontman Rob Green looking sharp and authoritative while Rob Symmons's guitar rampaged around the room in time-honoured fashion. Their 'long held belief' that 'a good idea played badly is better than a bad idea played well' always makes me smile, but it must be said that they have an abundance of good ideas played very well indeed. Funnily enough Back To Zero are appearing with them at The 100 Club (on Sunday 22nd June, with the wonderful Eight Rounds Rapid also on the bill) as well. Co-incidence? Yes!
And it was Reggae Punk Monday last night - Demon Smiles were roaring through their last few songs as I arrived, and very good they sounded too, although the guitar could have used a bit of bottom end on it in my not-so humble opinion... I caught a couple of minutes each of Spitune and Daughters Of God (both a bit scary-sounding for a wimp like me!) but missed The Duel as it was getting late and I had to leave for the last train home. I wonder if they will ever run tube trains all night..?
In the meantime it's been three-gigs-in-three-days for your humble narrator, starting with Big Al Reed and The Blistering Buicks at The Swan in Iver on Friday evening. We'd not played there for a while, and a fair-sized audience turned up to see a good show that didn't quite get into the 'great' category, although it came close a couple of times. The next night The Upper Cut returned to The Dolphin in Uxbridge - when I was there last month I spent far too much of the evening being violently sick, and while thankfully nothing quite so untoward happened this time it was still a bit of an odd evening. We began our first set to an unusually empty room; fortunately by the time the time for our second set came around the place had filled up and the show took an upward turn as a result. And with Dave away elsewhere Roger from The Upper Cut filled in on drums with Big Al and co. the next afternoon at Ye Olde George in Colnbrook. With no rehearsal possible a suitably 'simple' set of songs was decided upon, and Roger did an absolutely excellent job throughout. Then again, he usually does.
This Saturday Ruts D.C. are playing at The Circus in Helsinki - no I've never been either - and I'm really looking forward to this, not least because one of the bands on the bill is called Anal Thunder. Oh yes! More news as and when I have it, as they (whoever 'they' are) say...
Friday, June 01, 2012
What a difference a day makes
I had a really good day on Wednesday.
I spent much of it with Ruts D.C. at The Music Complex in Deptford rehearsing for our upcoming appearance on Saturday at The Last Jubilee Festival at Bath Racecourse. We put together a one hour set that included some early Ruts material alongside new songs and ranging from punk classics to dub workouts, and even though I say so myself, we sounded great. Great. We were all looking forward to Saturday with an almost manic enthusiasm. That's a wonderful feeling to have at the end of a rehearsal. That's a wonderful feeling to have full stop.
The next few days were looking good - Cool Britannia gigs at Leamington Spa and Stevenage on Thursday and Friday followed by the Ruts D.C. show on Saturday. If you're going to have a job then that's not a bad job to have. As I left the studio I was tired (we'd also been in there Monday and Tuesday and it's a long way to Deptford!) but also elated - I'm playing in the band that I used to watch all those years ago, playing those wonderful Paul Fox guitar parts alongside new music that I'm contributing to. Who'd have predicted that?
And the day wasn't over yet. Wilko Johnson was playing a free show at Rough Trade East to launch his new book 'Looking Back At Me'; on the phone to the long-suffering Shirley I debated whether or not I should go along. Money is tight and it's been a long few days. Her view was simple - it'll be a great gig so go along, get yourself the book, stop worrying. Ok Shirl, I will... she was right as usual, it was a great gig, preceded by an introduction by co-author Zoe Howe (her husband Dylan drums in Wilko's band, alongside the inimitable Norman Watt-Roy on bass) and a very funny talk from the man himself. The band played a short set before they signed books, posed for photographs and generally made a lot of people very happy. It was a fine thing to see - after many years of slogging around Wilko seems to finally be getting through to a larger audience. There were many more people there than at the 'Oil City Confidential' launch show the year before last, and judging by the number of people that I saw singing along there's been a lot of catching up going on. As I left the shop I felt hungry, tired and for want of a better word, elated. I'd spent the day playing with Ruts D.C. and the evening watching Wilko Johnson. How much better does a day in my little world get? Excellent.
I had a really bad day on Thursday.
In the morning I received an email telling me that most of the Cool Britannia shows had been cancelled, including the two due to happen this week. Later in the day I was told that The Last Jubilee Festival wasn't happening either. Bugger.
I spent much of it with Ruts D.C. at The Music Complex in Deptford rehearsing for our upcoming appearance on Saturday at The Last Jubilee Festival at Bath Racecourse. We put together a one hour set that included some early Ruts material alongside new songs and ranging from punk classics to dub workouts, and even though I say so myself, we sounded great. Great. We were all looking forward to Saturday with an almost manic enthusiasm. That's a wonderful feeling to have at the end of a rehearsal. That's a wonderful feeling to have full stop.
The next few days were looking good - Cool Britannia gigs at Leamington Spa and Stevenage on Thursday and Friday followed by the Ruts D.C. show on Saturday. If you're going to have a job then that's not a bad job to have. As I left the studio I was tired (we'd also been in there Monday and Tuesday and it's a long way to Deptford!) but also elated - I'm playing in the band that I used to watch all those years ago, playing those wonderful Paul Fox guitar parts alongside new music that I'm contributing to. Who'd have predicted that?
And the day wasn't over yet. Wilko Johnson was playing a free show at Rough Trade East to launch his new book 'Looking Back At Me'; on the phone to the long-suffering Shirley I debated whether or not I should go along. Money is tight and it's been a long few days. Her view was simple - it'll be a great gig so go along, get yourself the book, stop worrying. Ok Shirl, I will... she was right as usual, it was a great gig, preceded by an introduction by co-author Zoe Howe (her husband Dylan drums in Wilko's band, alongside the inimitable Norman Watt-Roy on bass) and a very funny talk from the man himself. The band played a short set before they signed books, posed for photographs and generally made a lot of people very happy. It was a fine thing to see - after many years of slogging around Wilko seems to finally be getting through to a larger audience. There were many more people there than at the 'Oil City Confidential' launch show the year before last, and judging by the number of people that I saw singing along there's been a lot of catching up going on. As I left the shop I felt hungry, tired and for want of a better word, elated. I'd spent the day playing with Ruts D.C. and the evening watching Wilko Johnson. How much better does a day in my little world get? Excellent.
I had a really bad day on Thursday.
In the morning I received an email telling me that most of the Cool Britannia shows had been cancelled, including the two due to happen this week. Later in the day I was told that The Last Jubilee Festival wasn't happening either. Bugger.
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