'Coughs and sneezes spread diseases...'

And so this is Christmas. Well, it was a few days ago - I spent much of it asleep thanks to re-occurring I-thought-I'd-shaken-it-off-by-now manflu, which I'm still trying to get rid of now. It's getting a bit... boring... still I've managed to keep gigging through the holiday (yes I know, that's probably why I'm still ill!) starting with a Christmas Eve show at The Sunningdale Lounge in Sunningdale. I spent the morning at Balcony Shirts before joining the rest of the team in The Queen's Head a few doors down from the shop - I think I said the words 'oh alright, just one more but then I really will have to go' a couple of times more than perhaps was wise, but after a visit to a chip shop on the way home I was ready to rock. With keyboard wizard Chris away for Christmas it was down to Pete and myself to make up for his absence on two guitars - even though I say so myself we did a pretty good job, although from the studied indifference shown to our first set by the audience you wouldn't necessarily have known. Things picked up a bit in the second set with a fair amount of dancing and merriment although I'm sure that they'd all forgotten that we'd played a few minutes after we'd finished. A fairly typical Christmas Eve gig then! 

After a somewhat lost day on the 25th (as I say, I spent much of it asleep) it was time for The Upper Cut to play The Dolphin in Uxbridge on Boxing Day. We've played this date for the last few years at this splendid pub - easily one of the best in the area - and it's always a good gig; this one was no exception although the fact that I wasn't feeling too good made it something of an uphill struggle from my point of view, which was a shame since I'd been looking forward to the show. I also had to replace a valve in my amplifier - I must remember to buy some more after the holidays. Still it was a good gig and the band played well, so no complaints there.

The next night Pete and myself journeyed over to The Acre in Windsor to see Upper Cut drummer Roger playing in The Lee Ryder Blues Band. I've depped with them a few times but it had been ages since I'd seen them play, so the chance to see them with their regular guitarist Dzal Martin was too good to miss. I first saw Dzal in No Dice back in the late '70s (supporting Eddie And The Hot Rods and The Tom Robinson Band if I remember correctly) and it was excellent to see him playing at close quarters. All the band are great musicians, and while some might find there to be a few too many solos I for one think that with players of this standard it's a pleasure to hear them play. A good gig.

And it should be a good gig tomorrow night, when The London Sewage Company play The 12 Bar Club. I just wish that I felt a bit better... time for more paracetamol and another early night then...

The week after the weekend before

Well what I actually did on Monday evening was answer phone calls and e-mails from people saying how much they'd enjoyed the show(s) then watch an episode of 'C.S.I. New York' (which featured the band Train amid the usual blood and guts, and very good they sounded too) before having a relatively early night - only to wake up around 4 o'clock in the morning wondering about what songs The Price should play at next month's Ruislip gig. I really must learn to switch off sometimes.

Tuesday evening saw the first Flying Squad rehearsal for a while - we're playing at (you've guessed it!) The Load Of Hay this coming Saturday (3rd April if you fancy coming along) and with Mike away Huggy is depping on bass. We last gigged back in February so there was lots for Andy, Dave and myself to remember as well as a fair but for Huggy to learn; we'll have another get together before the gig which should do the trick.

Wednesday I heard that Jim Marshall had died - no, not the boss of the well-known guitar amplifier manufacturers, but the photographer who's amazing images of the likes of Jimi Hendrix, Janis Joplin and The Who seem to me to sum up the 1960's rock music 'scene' in many ways - have a look at his website and see how many you recognise...

Thursday it was up to 'We Will Rock You' to service the guitars before Stuart the guitar repairman and myself walked across town for the latest in our occasional visits to 'The Jersey Boys'. When we arrived chaos reigned as an understudy rehearsal was taking place; we re-strung a couple of Telecasters before checking how much has to be done when we return next Thursday - rather a lot as it happens!

It was a busy Balcony day on Friday, including a visit from Attendants (and indeed Cane Toads) bass player Ken who came in to order some t-shirts (unsurprisingly!) for their upcoming round of re-union gigs (everybody's doing it!) including the one with us supporting The Members. I'll heroically resist re-promoting it here... oh, go on then - all the details and links are at the end of the previous posting. Hurrah!

Yesterday evening it was time to point an electric guitar at an audience again (at last!) as Youngblood played at The Mermaid in St.Albans. With Roger away drumming for The Lee Ryder Band myself and the two Terry's were joined by the excellent Geoff Nicholls on drums, who people like me remember from the 'Rockschool' T.V. programme back in the 1980's. When we arrived we found the pub to be reasonably busy with no obvious place for a band to play - when we told them we were the band the bar staff simply moved the people from the area where the bands play. I thought this would annoy the people concerned, but they just moved as asked and carried on chatting as if nothing had happened. I suppose the locals know that they're sitting where the bands play and don't mind moving when the time comes? After a quick rehearsal (a.k.a. 'talk-through the set with Geoff') we went on to play 2 sets to an ever-more appreciative audience, with Geoff doing a fine job behind the kit and Terry as excellent as ever on vocals-and-walking-up-to-members-of-the-audience-and-getting-them-to-sing-along - how does he do that without getting insulted? Or worse?! A good gig although rather less euphoric than the previous weekend's shows - back to work in more ways than one...

Happy birthday Tel!

It was my little brother Terry's birthday last week, and what better present could an old punk like me get an old punk like him than a ticket to see The New York Dolls at The Forum in Kentish Town on Friday...

Support came from The Urban Voodoo Machine who in addition to having the scariest drummer most of us will ever see (he's green!) include ex-Godfathers guitarist Paul Ronney (he played in one of the later line-ups) and ex-Blubbery Hellbellies accordion man Slim in their ranks. They're a very visual act, and describe themselves as 'bourbon soaked gypsy blues bop 'n' stroll' which strange as it may seem is a pretty good description of what they get up to on stage. Well worth keeping an eye out for methinks.

The Dolls kicked off just after 9 p.m. with a chaotic 'Looking For A Kiss' (you'd think that the P.A. would have been switched on when they started wouldn't you? Well- it wasn't!) before blistering versions of 'Cause I Sez So' and 'We're All In Love' made it obvious that we were going to see a classic gig. 'Yeah London' drawled David Johansen as he took off his scarf- yeah London indeed... no one drawls like Johansen and no one teeters quite so close to the edge of chaos like The Dolls- Sylvain Sylvain (Johansen- 'London's own Sylvain Sylvain; let's say his name backwards shall we- oh, it's Sylvain Sylvain') counted in 'Pills' which ground to an almost immediate halt when his guitar malfunctioned, then seconds later he counted it in again as if nothing had happened. And when a guy got on stage and danced around between Johansen and guitarist Steve Conte the band just laughed; I've seen incidents like these send primadonna ain't-never-beens into a petulant frenzy but The Dolls hardly seemed to notice that anything untoward had happened. In my not-so-humble opinion The Dolls play some of the greatest rock'n'roll any of us will ever see or hear. It really is magnificent stuff- and Conte signed my copy of his latest album when I bumped into him by the merchandise stall. Top man!

I'd originally had no gigs this weekend and had intended to go to see local heroes The Cane Toads at The Old Fox in Ickenham on Saturday evening, but I received a call from old drumming mate Roger Brewer earlier in the day to see if I was available to play guitar alongside him in The Lee Ryder Band at The Sportsman in Croxley Green. Much as it would have been good to see The Toads (I'm playing with them in a few weeks time so could have got an idea of what songs they're playing these days!) in my world it's always better to play than to listen... myself and Roger arrived just as Lee (vocals and guitar) Vince (bass) and Paul (keyboards) were loading their gear in (their regular guitarist is Simon who also plays in The Ali Mac Band among others, and who I depped for last week in that band- weird!) I set my amplifier up in front of the entrance to the gents toilet ('don't worry, they close it during gigs' said Vince, adding 'and anyway, it's obvious that it's your territory isn't it?' Hmm- let's hope so, and let's hope there's another toilet somewhere in the building!) and then joined the rest of the band for a tactical discussion. The Lee Ryder Band don't bother with silly things like rehearsals or setlists (good boys!) so it's follow-the-leader time with Lee asking us if we know a Peter Green song called 'Love That Burns'- Vince mumbled something like 'is it a good idea to start with a song we don't know?' Good question- but we did it anyway! I used my Gibson Les Paul Standard for the first time in ages which took a bit of getting used to- it's quite a bit more powerful than the Telecaster I use with the CBB show and feels a lot different too. I used a Marshall BB-2 Bluesbreaker pedal in the first set as a volume boost for solos but it made things sound a bit compressed so I switched to my MXR Micro Amp for the second set which seemed to do the trick. I'd not met Paul before (and if you've not either you can click here to find out how he usually occupies his time!) and thought he played some excellent solos, and Lee himself was on fine form throughout a highly enjoyable evening with the only really odd moment from my point of view occurring during 'Little Wing' when a guy walked past me and climbed over my amplifier on his way to the toilet...

Last night saw Kris Dollimore return to The Load of Hay for his second show there this year. Since then he's released a new album 'Now Was The Time' (some of which was recorded in his cellar!) which is every bit as good as his first release '02/01/1978'; he arrived just as I was setting up the P.A. system (I book occasional Sunday night shows there, the next one being John Hegley on January 10th) and it was great to be able to spend a bit of time talking with the man himself. The first time I remember speaking to him was at a Godfathers gig at The Town and Country Club back in the mid-'80's when I think we discussed Zemaitis guitars- he played one at the time, the lucky lad! These days he's playing an old Gibson 330 electric and a new Martin acoustic, both of which sounded fabulous during a show that was even better than the one back in May. Showcasing a fair few tracks from the new album he also played a cracking version of 'She Does It Right' (slower than the original, with a much bluesier riff) and his own extraordinary instrumental arrangement of 'Jolene' which he's considering renaming 'The Bastard Son Of Jolene' as he's changed it so much! As with last month's Attila gig I heard every excuse imaginable from people who couldn't/didn't come along ('I'm going out for a curry', 'I'm at a jam night' etc) and like then I despair of people who complain about how there's never anything to do but who didn't make the effort to see what turned out to be one of the best gigs that I've seen this year. Oh well- it's their loss, as they say... he'll be back at the same venue in around 6 months time- let's see what excuses they come up with then shall we?