Boys (and girls) will be boys...

Well I didn't play any shows myself last weekend (or at least I wasn't intending to...) but I did see a couple of bands :-

Friday night at The Crown and Treaty in Uxbridge and a young band called Girl In the Garden take to the stage. I'd seen a poster for them in the venue the previous weekend and Sam had said that he'd seen them and they were good so Pete, him and myself decided to go along. Sam was correct, they were good, very tight and well-rehearsed - something that we all agreed we were not even close to being at their age! I was a bit disappointed when they played a few cover versions as their own material was very good but I suspect it was to allow them to play in places like this where a lot of the audience want to hear familiar material. They reminded me a bit of The Arctic Monkeys (no bad thing) although I must say that overall I was very struck by what good players they all are - I suppose that in these days of guitar institutes and online tuition everybody is a virtuoso now. Is it just me or does it make them sound a bit, for want of a better term, grown up? It'll be interesting to see where they go next. 

Rockstock at The Halfway House in Barnes couldn't have been more different than the previous night's band. They feature the ever-excellent Pete Parks on guitar, Andy Heart on bass and vocals and the brilliantly-named Ivan Hoe (you don't know how much I hope that's his real name!) on drums and they offer what I guess could best be called 'classic rock covers'. Unlike Girl In The Garden this wasn't exactly a slick performance, being basically Pete and Ivan having a go at whichever song Andy called up. Well either that or the rehearsal studio was closed... that said they attempted some very ambitious material (as I was to discover!) and they mostly pulled it off, albeit with the odd wrong turn here and there. In the interval Pete asked me if I fancied doing a couple of numbers with them - somehow I found myself attempting 'Pinball Wizard' and (gulp!) 'Stairway To Heaven' (whatever happened to a bit of 12 bar rock 'n'roll eh lads?!?) and all things considered I didn't make too bad a job of them, although as usual I wouldn't have mentioned it here if it had...

Time for the first studio rehearsal (as opposed to getting together around one of our houses) for Back To Zero, at Soundlab Studios in Loughton. In the course of the session we looked at seven songs including both sides of their 1979 single 'Your Side Of Heaven' / 'Back To Back', and without wishing to sound too big headed they all sounded pretty good to me. It certainly sounded good for our first time in a studio together, although I guess that proves the worth of our earlier meetings. There's still a lot of work to do before our gigs in May but talking to Andy and Sam in the pub afterwards (Squirrel sadly couldn't stick around) we all agreed that this is a band that we're all getting really excited about. Excellent!

The Friday just gone (March 1st in case you're getting confused - I know I am!) saw Tropic At Ruislip invaded by punk rockers (mostly middle-aged punk rockers, but punk rockers nonetheless) for an evening with The Pistols and The Ramonas. I'd been looking forward to seeing The Ramonas for a while as I'd heard good things about them, and I must say that they didn't disappoint. I suppose an all girl Ramones tribute band is only ever going to be a bit of a one line gag - but it's a good gag, and the girls do a fine job of emulating Da Bruddas, even if the shouts of 'One-Two-Three-Four!' are in a rather higher pitch than I remember them. And The Pistols were great too - it's always interesting to see a band that I've recently depped in, and the excellent Steve Tones was in fine form throughout as were the rest of the band. Paul / Rotten did however break rule number 1 in the live music performance handbook when he decided to take the mickey out of Phil the soundman - I suppose Phil could have chosen to retaliate with a wall of feedback so the resulting silence from Paul's microphone was probably the best option, at least from the audience point of view. It was great to see plenty of people at the gig too - a fine night all round.

Saturday night I depped in The Atlantic Soul Machine at Patrick's Bar in Crystal Palace. I played with the band on Christmas Eve which must have gone well since they asked me back (!) and although there wasn't chance to get together for a rehearsal this time the show was if anything better than my first outing with them. We were joined by John O'Leary for a version of Howlin' Wolf's 'Who's Been Talkin'' ('It's on the 'Rocking Chair' album' said John cheerily, which only added to the confusion of the band members that hadn't heard the song) and started the second set with the previously unrehearsed 'Ooga-Boo-Ga-Loo' by The Jazz Crusaders (no,I'd not heard it before either) both of which could have gone horribly wrong but thankfully sounded good. There was much dancing and merriment from the enthusiastic audience, and everyone seemed to be happy with the show which is always a relief from my point of view as a sub-sti-tute. And it was good to see Pete Feenstra again too - he remains as tireless as ever in his promoting of live music in London, which can only be a good thing for all concerned. 

And talking of seeing bands that I've recently depped in, last night I saw The Good Old Boys at The Brushwood Inn (it'll always be The Turks Head to me!) in Hillingdon. Bill's depping for Nick on bass but other than that it was The A-Team of Alan on vocals, Pete and Simon on guitars and Hud on drums; with an early start in prospect I got there around 7.40 pm to find them already into their first set which sounded good if a bit loud for the room. (God I must be getting old!) Add to that the fact that they were mostly playing to lads who had been there all afternoon for the Arsenal vs. Chelsea match and so weren't too interested in the music and you've got the recipe for a somewhat patchy first set. Things improved considerably in the second half not least because more of the band's followers had arrived by then, and by the last few songs it was definitely a case of 'all's well that end's well' - at least it was until the aforementioned lads decided to get a bit too boisterous with each other and a small set-to ensued. It's always a shame when that happens, and it's definitely a shame when there's a band on as it might put people off from supporting live music at the pub in the future. Let's hope not, as the pub is only just starting to put groups on and the area could definitely do with a venue.

Right - this week sees Ruts D.C. play in Newport and Bristol, Wilko Johnson's farewell gigs and another Back To Zero rehearsal. A good few days in prospect then...

'Is that too loud? 'Cos I don't care!'

Well I may not be playing any gigs this week, but at least I've had chance to catch up on a few YouTube clips:-

After depping with them on Christmas Eve I've got another gig with The Atlantic Soul Machine next Saturday at Patrick's Bar in Crystal Palace. This is one of Pete Feenstra's venues - I haven't seen him for years so it'll be good to see him if he's there. Some of their material is tricky stuff as this clip demonstrates - still they've asked me to play with them again so I guess I must have done something right!
And with our new album 'Rhythm Collision Vol. 2' about to be released there are Ruts D.C. shows on the horizon - March sees shows in Newport, Bristol, Leeds, Stockton-on-Tees, Dundee and Liverpool along with an album launch party (oh yes!) in Birmingham; there are also appearances coming up at The Bearded Theory Festival in Derbyshire (I'm really looking forward to this one - apparently every year they attempt to break the World Record for the number of people wearing false beards in one place as this story shows; perhaps unsurprisingly every year they succeed!) and a return show at The Rebellion Festival in Blackpool, full details of which can be found on the band's website - in the meantime here's 'Staring At The Rude Boys' from last year's Rebellion Festival which seems to have just surfaced. Is that really me up there with a guitar in my hand? Yes, yes it is...
And it's really me in this footage of The Chicago Blues Brothers at Proms In The Park 2012 too. It's unedited so nothing much happens for the first three minutes or so, then you see us walk out as Tony Blackburn introduces us (yes, you read that bit correctly!) and we play our 25 minute set in front of approximately 50,000 people. That's around 2,000 people a minute! This turned out to be my last public performance with the band (I played a corporate show a few weeks later which if nothing else made me realise that my decision to leave the show was the correct one, sad though it was) and it really is extraordinary for me to see me and my mates all up there on that stage in front of all those people. I believe the show is now continuing with a new band - I don't know what it's like now, but it was pretty good then... 
And here is another clip that's well worth nine minutes of your time - it's Wilko Johnson (seen here demonstrating his guitar technique - very entertaining!) appearing on BBC Breakfast Television last week. I think it's an amazing, inspirational interview - have a look and see if you agree.

Jam yesterday (and maybe next month too)

Let's continue with the sad stuff - Dave Beal has died. I hadn't seen him for a few years, but remember him very well from his days promoting in Rayners Lane back in the 1990s. Along with Pete Feenstra and the late George McFall he worked tirelessly to promote live music in and around London - often in the face of no little adversity - and latterly he'd been involved with Club Ska as well as working with Los Pacaminos. I'll remember him as being a wonderfully enthusiastic man, whether he was expounding the virtues of the latest band that he'd booked to play or talking passionately about his beloved birdwatching, of which he had the most extraordinarily detailed knowledge. I'll also remember him as being a very nice guy.

Time for the first Flying Squad gig of the year, supporting The Clashed at Tropic At Ruislip on Friday night. I saw The Clashed at the same venue last year when they played with The Pistols - this show was better than that one, a 1 1/2 hour set that spanned the whole of The Clash's amazing career. They've still got things the wrong way round (the little chap in the middle sings like Mick, the tall chap on the end sings like Joe) but they made a good job of some very tricky material - it's hard to go from punk to funk and back again via reggae and rock but I thought they did it well. And even though I say so myself The Flying Squad played a very good show, with everyone on top form and a great audience reaction. We're back there in December supporting Dr. Feelgood which should be a very interesting evening, not least because we'll be obliged to learn an almost completely new set of songs - after all, we can hardly play 'She Does It Right' and 'Back In the Night' now can we?

The rest of the weekend saw two shows with Big Al Reed, the first of which was at The Royal Oak in Knowl Hill. It's a year since John the landlord first took the pub over, and comedian Adga Brown was also on the bill. Gigs with Al are always good fun if a little nerve-racking from my point of view since there's no telling what song Al's going to call up next - still it keeps me on my toes, as they say. Barring the odd 'how does this one go?' moment it was a good show, as was the gig at The Feathers in Chalfont St. Giles yesterday afternoon, which was distinguished by Al's mate Ekkie making an unannounced appearance with us by walking in through the front door playing saxophone, and the amusing (not to say astonishing) sight of Al's 84 year old mum dancing to several songs. I hope I'm as fit as she is at her age. Actually I hope I make it to her age at all!
We finished our last song around 7.30pm; after packing our gear away in record time we arrived at The Swan in Iver an hour or so later, where an open mic night was in full swing. Now I've always shied away from events such as this - the idea of jamming (maaan!) has always struck me as being far too hippie-ish for an old punk like myself to get involved in, although there are a lot of jam nights taking place these days and I'm often told that they're generally good fun and well worth going along to. This one is run by John who's an accomplished musician and guitar builder, and who has been cajoling me into coming along for quite a while. So it was then that Al and myself (accompanied by Tony on bass and Mark on drums) performed two songs which went down well enough for us to be asked to perform three more at the end of the session, the landlady approached Al with an offer of a gig, and I had a chat with the legend that is Les Payne - good stuff all round. I can't see myself seeking out too many similar events (although I suppose you never know - after all, plenty of people do!) but I enjoyed playing and I'll be making an effort to attend the next session (it takes place on the first Sunday of every month) on October 7th. 

In the meantime I'm playing at The Proms in Hyde Park this weekend - now that's a sentence that I never thought I'd ever type...

Ghosts of princes in towers

I've just read the sad news that Steve New has lost his battle with terminal cancer. He was 49 years old. He was a fine musician and by all accounts a great character - witness Glen Matlock's comment that he died 'surrounded by family and friends, as always with Steve there were more birds than blokes there'. I loved the Rich Kids album when it came out, and the show they played back in January stands as a fitting tribute to the man. It's another sad loss to the musical fraternity.

Meanwhile, back on Earth after Earthbound...

Eddie and the Hot Rods have been one of my favourite bands since I first heard (and indeed bought) their 'Live At The Marquee' EP (for anybody young enough not to know that stands for 'extended play') way back in the summer of 1976. I first saw them a year or so later at Brunel University, and have seen them in various line-ups over the years. These days singer Barrie Masters is the only original member but they're still sounding good, and I for one was very pleased when The Flying Squad was booked to support them at The Beaverwood Rooms in Chislehurst (one of Pete Feenstra's many venues) last Thursday. Leaving aside the fact that as a musician I think it's great to play on the same bill as someone that you admire or have been inspired by I also thought they'd a band that we'd be compatible with in that their audience (mostly blokes my age!) would enjoy our Feelgoods - powered r & b - happily this turned out to be the case as our 30-odd minute set went down very well with all concerned as was evidenced by CD and t-shirt sales afterwards. The Hot Rods all turned out to be very nice chaps (I've known guitarist Richard for many years due to his involvement at The Square in Harlow) and played a fine set which included plenty of newer material alongside classics like 'I Might Be Lying', 'The Power And The Glory' and the inevitable 'Do Anything You Wanna Do'. There was even talk of us playing with them again - excellent!

Sunday it was time for the mighty Kris Dollimore to make a very welcome return visit to The Load of Hay. It had been the hottest day for ages which probably contributed to the low turn out - a dozen or so brave souls saw the great man deliver another extraordinary performance, with highlights including tremendous versions of 'Inner City Blues' (really!) and 'The Message' (no, really!) and some finger-busting instrumentals that moved East to comment 'it's like having Jimmy Page playing in your front room'. And it was. Support came from the excellent David Bristow who played half an hour or so of excellent blues despite his performance being hampered by a very noisy quiz machine - Grant the landlord turned the sound off in the end, and hopefully it hasn't put David off from returning in his own right in the Autumn. A fine evening although I sometimes wonder what you actually have to do to attract an audience these days? It'll be a long time before there's a better night of music than this and yet hardly anybody turns up to see it - maybe they were all at home moaning that they had nothing to do?

Talking of Load of Hay gigs Pete has written up his account of our recent Blue Five reunion show on his blog and East has put this clip of The Blue Five up on ETV; and before we leave Earthbound here is 'Man Down' from the brewery gig - I don't play the riff correctly once throughout!

From vibrators to stockbrokers

Well- that was a busy 4 days in mad-guitar-land...

Thursday it was time for a Flying Squad gig in previously unchartered territories, supporting The Vibrators at The Beaverwood Club in Chislehurst. It's a gig promoted by Pete Feenstra who I first met sometime back in the 1990's when I was playing in The Flame; he promotes at a lot of venues- have a look at his website to see what I mean- and has done a lot of work in keeping live music happening at a time when it wasn't a particularly fashionable thing to be involved with. Bearing in mind that it was Guy Fawkes Night myself and Andy (vocals) set off early, but I don't know how early we would have to have left to avoid the traffic chaos that we encountered in the course of our 3 1/2 (yes, three and a half!) hour journey...

We'd just about got out of town when Dave (drums) called to warn us against using the M25 as it was at a standstill from junction 10; we got to junction 12 before turning off and trusted the 'avoid congestion' option on the sat nav. which did a pretty good job until we neared Wandsworth Common where there were literally thousands of people on the streets, presumably on their way to a fireworks display. Traffic was at an almost total standstill and it took quite a while for us to discover the reason why- the cars couldn't move as there were so many people were on a Zebra crossing. Surely a policeman or even a lollipop lady could have prevented this from happening? Or would that be too simple?

We eventually arrived at the club not long after 8 o'clock. Fortunately Dave and Mike (bass) had been there for a while and were all set up and ready to rock- by the time I'd said hello to Eric on the door (I hadn't seen him for 10 years or more!) and introducing myself to Al the soundman I had something like 15 minutes to set up for an 8.30 start. Easy! Soundcheck consisted of checking that my amp worked (it did) and Al telling us that he didn't think the monitors were working properly (he was right, they weren't.) It took a song or two to get used to the sound and to get going for want of a better term, but we played well and went down a storm with the audience.

How well did we play? Click here to find out!

And The Vibrators were excellent too- they're another of those bands that an old punk like me watches and thinks 'oh I'd forgotten about this one' rather more times than he thought he would. With frontman/guitarist Knox still recovering from an accident ex-Members guitarist Nigel Bennett was the sole 6-stringer and very good he was too; he also did a good job of remembering the time I saw him play 'Babylon's Burning' with Ruts D.C. at The Fulham Greyhound all those years ago when I spoke to him afterwards. A top evening- and it didn't take us quite so long to get home (thank God!)

Friday and myself and East (who's asked me to mention that he was called a 'horny little devil' by not one but two ladies at last weekend's Bucks Golf Club show- well, he was wearing a pair of red horns for much of the evening...) spent the evening at The Dolphin in Uxbridge checking out The Side Project. They're a band made up from students at Brunel University who are interested in playing at The Load of Hay so we went along to see what they were like. Maybe the best word to describe them is 'quiet' as they didn't use a P.A. system (they sang through their amplifiers!) 'though anyone who plays 'Dreaming Of You' by The Coral is alright by me- I guess that means they get a gig then...

Saturday saw something completely different- a gig at The Old Bell in Enfield for a new band consisting of your humble narrator on guitar, my old mate Terry on bass (we played together in The Informers sometime in the 1990's) and ex-Chevrons Terry on vocals and Mick on drums. Currently rejoicing under the admittedly rather ironic name of YOUNGBLOOD we've managed a couple of quick rehearsals before this short notice gig came in. With a set that makes the most of Terry's excellent voice (somewhere between Rod Stewart and Steve Marriott in my not-so-humble opinion- yes, that good!) we managed to get held up on the way to the venue by, you've guessed it, a large number of people on a zebra crossing (presumably going to a bonfire party?!?) and we definitely need a bit more rehearsals if this gig was anything to go by (a couple of songs ground rather unceremoniously to a halt amid some confusion) although there was still a lot to enjoy (let's face it, if it had been really bad I wouldn't have mentioned it here!) and it'll be interesting to see how it all shapes up over the next few months.

Sunday and it's time for another Acts Less Ordinary night at The Load of Hay in Uxbridge, and they don't come much less ordinary than Attila The Stockbroker. John (his real name- yes I was a bit disappointed too!) was in fine form especially considering that he and his wife Robina have spent a great deal of time recently caring for his mum (who suffers from Alzheimer's Disease) and step dad (who's been diagnosed with bowel cancer and has recently broken his hip.) Indeed myself and himself spent a fair amount of time in an in depth discussion on the subject of caring for our mums (I spent years with my mum when she had Motor Neurone Disease) at various points throughout the evening.

East (yes, the horny little devil himself) was at the bar for much of the gig and reported 'jaws dropping' at strategic points during the show; this happens a fair bit at Attila's gigs- as the man himself says on his MySpace page, 'I don't mess about. I've got lots to say and I'm out there saying it' 'though the person who said to me that they thought he was 'politically incorrect' had surely got their wires crossed although I guess it depends on what you consider to be 'correct'! We could have done with a few more people in (don't come moaning to me that there's nothing to do when gigs like this are happening!) but it was still enough of a success for Grant the landlord to invite Attila back for a return gig next year. Excellent!