And this week has indeed proved to be better than last week. Good!
I've spent much of it working in Balcony Shirts due to the shop being so busy; much time has been spent printing shirts for various Brunel University sports teams that are off on tour (for 'on tour' read 'drinking heavily'. Good on 'em!) this week in Europe. It's amazing what some people will walk around with written on their shirt... we also had an embroidery machine delivered this week which caused an uncommon, nay disproportionate amount of excitement in the shop. And why not?
I've also spent a fair bit of time caring for my (still!) ailing finger. In addition to having been prescribed antibiotics I was also have been obliged to soak it in salt water every day (which is apparently the best treatment for this sort of thing - it turns out that your nan was right all along!) and keep it covered the rest of the time. I've had to search out hypoallergenic plasters as I'm allergic to the usual ones but compared to the madness of a week ago it's all pretty straightforward. It's definitely getting better, to such an extent that I managed to play a gig with Big Al Reed and The Blistering Buicks last night, at the rather loftily-named Town And Country Club in Watford. The occasion was Bernie's 60th Birthday Party, and with Dave gigging elsewhere Bob Pearce returned on drums for the first time in ages. It's always good to see him, and he did a typically excellent job - although his comment 'sorry, I forgot that it was a shuffle!' after 'The Boys Are Back In Town' did follow a rather, erm, unusual performance of said song...
The band also played on Thursday night (in Sunningdale since you've asked) but I chose to miss that show, partly because of this exchange between the doctor who had just attended to my finger and your humble narrator last Monday afternoon -
Doctor (cheerily) - 'So when's your next gig?
Y. H. N. (equally cheerily) - 'Thursday'
Doctor (still cheerily) - 'And when's the one after that?'
Y.H.N (still equally cheerily) - 'Saturday'
Doctor (nowhere near as cheerily, and with a rather serious expression whilst nodding her head) - 'Saturday...'
- and partly because there was a rather splendid evening in prospect at The Half Moon in Putney. Regular readers (assuming that I actually have any) will be aware of my interest in the much-maligned musical genre that is Punk Rock so an evening featuring a band made up of members who have all been involved in acts from said genre was not to be missed if at all possible. Class Of 76 feature Barrie Masters and Steve Nicol from Eddie And The Hot Rods on vocals and drums respectively, Nigel Bennett from The Members (and more recently The Vibrators) on guitar and former Tonight and Wilko Johnson (ok I know neither of these are exactly punk rock, but they get in under the wire!) bass player Russ Strutter and play a set that mostly consists of song from bands that they've been involved with. But more about them in a minute - support came from Headline Maniac who are three current members of The 'Ot Rods and whose excellent set went down so well with all concerned that when I attempted to buy their recently-released album I found that it had sold out. A good band, well worth looking out for in the future. It was Class Of 76's second gig, and as such they're still finding their feet with some of the material; that said versions of 'Dead Or Alive' and 'Chinese Rocks' by Johnny Thunders (Nicol played with him for a while) were suitably sleazy, and somewhat inevitably the Hot Rods and Members songs sounded about the best of all. Definitely a band that I'll be keeping an eye on, although I suppose that if someone like me didn't like them they really would be in trouble?
This week, Upper Cut and Big Al gigs, some time in the shop and no doubt more besides. Provided my hand keeps getting better of course...
Showing posts with label Brunel University. Show all posts
Showing posts with label Brunel University. Show all posts
Sunday, March 27, 2016
Sunday, August 23, 2015
Back for good?
I've just been listening to the splendid new live album 'Triumph Over Adversity' by The Newtown Neurotics. Recorded at Brunel University in Uxbridge back in 1987, The Price supported along with a local band called In Session at a benefit night for Multiple Sclerosis research. Contrary to what the sleeve notes say Steve Lamacq didn't provide the recording of the show - I did. As a big fan of the band I gave the sound engineer a cassette and asked him to record their set - I then copied it for a few friends including Steve (who I don't remember actually being at the gig, despite what the sleeve notes say) who then inadvertently played it to Neurotics singer / songwriter Steve Drewett when he gave him a lift one day. The sleeve notes are correct on that point - although I don't think the bomb scare that occurred after our set was a terrorist threat; I recall it being an animal rights organisation who objected to the use of animal experimentation in MS research. Anyway after hearing it Steve D. asked me if I still had the master tape, which I did and subsequently passed on to him.
So - it's all my fault!
It really is a great show, every bit as exciting as I remember it being on the night, and although it's been available for official download for quite some time it's wonderful to see it receiving a 'proper' release at last. Highly recommended - even if the final encore of 'I Fought The Law' has gone missing! - and the band gave a fine performance at The Rebellion Festival earlier this month so they're still well worth seeing live if you get the chance.
It's often a bit weird to think back to earlier times. The past is a funny place isn't it? Musically I've always tried to leave it behind as much as possible - I rarely if ever listen to recordings by previous bands, and have never been one for over-analysing shows. They may have been good, they may have been bad, but they're done and you're only as good as your next show. Still between the above live album and last Friday's gig I've been travelling backwards and forwards in time a fair bit over the last few days, as on Friday evening I played a corporate show with The Amazing Blues Brothers at The Ocean View Hotel in Bournemouth. I worked a lot with Mike and Matt in The Chicago Blues Brothers, which all ended a few years ago amid no little chaos. I've stayed in touch with them and the other good guys in the band since it all ended, and it was a great pleasure to be asked to play with them again. With former CBB bassman Johnny Squirrel also on duty the band was completed by Josh on keyboards and Dion on drums - although everybody was set up and soundchecked by 2 pm we then had a 7 hour wait until stage time (I'd all but forgotten the 'hurry up and wait' aspect of many corporate shows) which might normally have been rather tedious, but with The Bournemouth Air Festival taking place the afternoon literally flew by.
Although I played any number of shows with the boys back in the day I hadn't played many of the songs since, and so had spent a fair bit of time earlier in the week revising the material. Most of it came back to me surprisingly easily, which was good news from my point of view as they were also playing a batch of songs that I was considerably less familiar with. Basically they lose the Blues Brothers suits and sing a set of what might best be described as 'party music', which includes a few songs that I'd not played at all before. We'd had a bit of time in the soundcheck to look at some of them, but it was all still a bit nerve racking from my point of view. And of course the other thing that I was reminded of is that these sorts of things are not 'gigs' as such i.e. nobody is there to see the band, but are actually there to eat, drink and be merry. All well and good you might think, but it does mean that your performance is often all but ignored by all and sundry. Matt and Mike were having none of that however, and soon had the dance floor full. I'd all but forgotten just how good the pair of them are both as individual singers and as Blues Brothers clones - as we finished our first set with 'Gimme Some Loving' the place was going crazy. This bode well for the second set - however although we only had a short break quite a few people had drifted away by the time we went back on, some to watch the fireworks taking place on the beach and some because they had, shall we say, peaked too early... still after a few songs the dance floor had filled up again and we were even asked to play for an extra 30 minutes. From my point of view I thought it was a good show although if I'm asked to play with them again I'll make sure I've changed the battery in my overdrive pedal - the bloody thing ran out halfway through the set. Bugger! I had a spare, but I really should have checked it first shouldn't I?
'Twas a very different show last night, when I was invited to play a couple of songs with Department S at The Lexington in King's Cross. Since I played with them in February Eddie the singer and Pete the bass player have put together a new line-up with Phil on guitar and Alex on drums, and having played a few low key shows last month this was to be their first London appearance. Thanks to the rigours of the London Underground I arrived just in time to miss the soundcheck, but did get chance to talk the songs through with the band - they had a new extended arrangement of 'Is Vic There?' but 'I Want' was the same as when I last played with them. From there it was time for a drink and a catch up before first band on Los Pepes opened the evening with an excellently raucous set. Next up were Duncan Reid and The Big Heads, whose blazing power pop performance bought the proverbial house down. A hard act to follow, but Dept. S weren't in the slightest bit intimidated - or if they were they certainly didn't show it. Kicking off with 'Clap Now' and 'Monte Carlo Or Bust' they were clearly in no mood for messing around - new songs mixed with old favourites and the audience loved every minute of it. By the time I fought my way across the packed dance floor to join them for their last two songs the place was going crazy, and my time on stage went by in a blur of pogoing and power chords. A fine evening all round, and the future looks good for the revamped Department S.
So there you have it - a bit of looking back, and a bit of looking forward. And why not?
So - it's all my fault!
It really is a great show, every bit as exciting as I remember it being on the night, and although it's been available for official download for quite some time it's wonderful to see it receiving a 'proper' release at last. Highly recommended - even if the final encore of 'I Fought The Law' has gone missing! - and the band gave a fine performance at The Rebellion Festival earlier this month so they're still well worth seeing live if you get the chance.
It's often a bit weird to think back to earlier times. The past is a funny place isn't it? Musically I've always tried to leave it behind as much as possible - I rarely if ever listen to recordings by previous bands, and have never been one for over-analysing shows. They may have been good, they may have been bad, but they're done and you're only as good as your next show. Still between the above live album and last Friday's gig I've been travelling backwards and forwards in time a fair bit over the last few days, as on Friday evening I played a corporate show with The Amazing Blues Brothers at The Ocean View Hotel in Bournemouth. I worked a lot with Mike and Matt in The Chicago Blues Brothers, which all ended a few years ago amid no little chaos. I've stayed in touch with them and the other good guys in the band since it all ended, and it was a great pleasure to be asked to play with them again. With former CBB bassman Johnny Squirrel also on duty the band was completed by Josh on keyboards and Dion on drums - although everybody was set up and soundchecked by 2 pm we then had a 7 hour wait until stage time (I'd all but forgotten the 'hurry up and wait' aspect of many corporate shows) which might normally have been rather tedious, but with The Bournemouth Air Festival taking place the afternoon literally flew by.
Although I played any number of shows with the boys back in the day I hadn't played many of the songs since, and so had spent a fair bit of time earlier in the week revising the material. Most of it came back to me surprisingly easily, which was good news from my point of view as they were also playing a batch of songs that I was considerably less familiar with. Basically they lose the Blues Brothers suits and sing a set of what might best be described as 'party music', which includes a few songs that I'd not played at all before. We'd had a bit of time in the soundcheck to look at some of them, but it was all still a bit nerve racking from my point of view. And of course the other thing that I was reminded of is that these sorts of things are not 'gigs' as such i.e. nobody is there to see the band, but are actually there to eat, drink and be merry. All well and good you might think, but it does mean that your performance is often all but ignored by all and sundry. Matt and Mike were having none of that however, and soon had the dance floor full. I'd all but forgotten just how good the pair of them are both as individual singers and as Blues Brothers clones - as we finished our first set with 'Gimme Some Loving' the place was going crazy. This bode well for the second set - however although we only had a short break quite a few people had drifted away by the time we went back on, some to watch the fireworks taking place on the beach and some because they had, shall we say, peaked too early... still after a few songs the dance floor had filled up again and we were even asked to play for an extra 30 minutes. From my point of view I thought it was a good show although if I'm asked to play with them again I'll make sure I've changed the battery in my overdrive pedal - the bloody thing ran out halfway through the set. Bugger! I had a spare, but I really should have checked it first shouldn't I?
'Twas a very different show last night, when I was invited to play a couple of songs with Department S at The Lexington in King's Cross. Since I played with them in February Eddie the singer and Pete the bass player have put together a new line-up with Phil on guitar and Alex on drums, and having played a few low key shows last month this was to be their first London appearance. Thanks to the rigours of the London Underground I arrived just in time to miss the soundcheck, but did get chance to talk the songs through with the band - they had a new extended arrangement of 'Is Vic There?' but 'I Want' was the same as when I last played with them. From there it was time for a drink and a catch up before first band on Los Pepes opened the evening with an excellently raucous set. Next up were Duncan Reid and The Big Heads, whose blazing power pop performance bought the proverbial house down. A hard act to follow, but Dept. S weren't in the slightest bit intimidated - or if they were they certainly didn't show it. Kicking off with 'Clap Now' and 'Monte Carlo Or Bust' they were clearly in no mood for messing around - new songs mixed with old favourites and the audience loved every minute of it. By the time I fought my way across the packed dance floor to join them for their last two songs the place was going crazy, and my time on stage went by in a blur of pogoing and power chords. A fine evening all round, and the future looks good for the revamped Department S.
So there you have it - a bit of looking back, and a bit of looking forward. And why not?
Tuesday, December 24, 2013
Teenage depression
Sad news - Dave Higgs has died. As guitarist with Eddie And The Hot Rods (and principle songwriter for the early part of their career) he helped bridge the gap between pub rock and the souped-up rhythm and blues of Dr. Feelgood and the punk power and perfection of The Sex Pistols, and as such it could be argued helped to change the face of rock music - no mean feat if you think about it. I bought their 'Live At The Marquee' EP (remember EPs kids?!?) when it came out and can honestly say that at that point I'd never heard a record like it - an energy overload with Higgs's brilliant guitar work driving it all along. The show I saw the band play at Brunel University in Uxbridge way back in 1977 remains one of the most exciting musical performances that I've ever been lucky enough to witness (here's the band with one of Dave's best songs 'The Beginning Of The End' from around the same time - great stuff!) and 'Do Anything You Wanna Do' is a genuine rock classic. Cheers Dave - it wouldn't have been the same without you.
Coincidentally I saw the current lineup of Dave's old band at Oceana (an unlikely type of venue for such an evening, it used to be the 'Bailey's' nightclub) in Watford last Tuesday evening, as part of a 'dream bill' that also included Nine Below Zero and Wilko Johnson. The Hot Rods were as great as ever, with Barrie Masters in fine voice and the band matching him blow for blow. When they encored with 'Get Out Of Denver' it almost felt as though the headline band had been on - but no, 20 minutes later it's time for Nine Below Zero, another band that I saw play an incredible Brunel show back in the day. I think they played eight encores, and when we came out it had been snowing - not quite nine below zero outside, but enough for an old (then young!) romantic like me to remember forever. With Brendan O'Neill on drums and Brian Bethell back in the fold Dennis Greaves and Mark Feltham gave a masterclass in rhythm and blues, with original songs easily holding their own next to the old classics and Feltham's harmonica sounding as amazing as it ever did. I'll bet I wasn't the only person who dug out their copy on 'Live At The Marquee' the next day... and what can I say about Wilko Johnson that I haven't said before? The man continues to defy medical science and is still delivering the goods. Wonderful stuff. Oh, and in case you're wondering, I saw him at Brunel University too. Perhaps I should have just moved there?!?
Wednesday night I rehearsed with Mr. Tibbs - I'm playing with them on New Year's Eve at The Greyhound in Chalfont St. Peter and as you can imagine there were quite a few songs to look at. There won't be a chance for another rehearsal before the show so time was at a premium, and while we managed to play through most (but not all) of the material that we're intending to play I can still see myself having to do a bit more homework before the night...
On Friday I found myself at The 12 Bar Club with Pete 'Manic Esso' Haynes. We'd gone into town to spend a bit of time in The West End as it was Pete's late brother Dave's birthday in the week (I played guitar at his funeral, you can read the story here if you like) and the area was a great favourite of his; when I saw that Pope were playing we decided to end our evening in Denmark Street. I was always a fan of The Chords, and hoped that Chris Pope's latest band would be in the same vein - I'm pleased to say that they were absolutely excellent, loud and brash and with great songs. And if that wasn't enough they ended with 'Maybe Tomorrow'. I'll definitely be looking out for them in the future.
I played my first show with Big Al Reed and The Blistering Buicks since mid-November on Saturday night, at The Three Mariners in Bagshot. I managed to spend a bit of time on Friday afternoon running through some of the songs, and I'm very glad that I did as I still had the odd blank moment. It's weird - it's only been a few weeks since I last played with the band, but given what I've done in the meantime it almost feels like a lifetime ago. Nevertheless it was a good show, not least given the fact that Al had been in hospital earlier in the week with an injured leg and so was in a fair bit of pain throughout the show. I thought that he did well to get through it at all.
Talking of bands that I haven't played in for a while - The Upper Cut gathered at RnR Studios on Sunday afternoon to rehearse for our upcoming Boxing Day show at The Dolphin in Uxbridge. A most enjoyable 4 hour session saw us running through a fair bit of our repertoire, as well as learning a couple of new songs and tightening up arrangements of some of the older ones. It's always a great band to play in, and it's a shame that we've not had many gigs lately - let's hope that we can get a bit more work next year.
And last night I went to the jam night at The Three Wishes in Edgware. I haven't been there for a month or so as I've been away gigging, and it was interesting to find myself being blanked by a couple of people - surely they're not jealous? Ooooh... I really must write a piece on jam nights one day!
Right - I'm off to play at The Crown in Cowley with Big Al and the boys - have a happy Christmas y'all...
Coincidentally I saw the current lineup of Dave's old band at Oceana (an unlikely type of venue for such an evening, it used to be the 'Bailey's' nightclub) in Watford last Tuesday evening, as part of a 'dream bill' that also included Nine Below Zero and Wilko Johnson. The Hot Rods were as great as ever, with Barrie Masters in fine voice and the band matching him blow for blow. When they encored with 'Get Out Of Denver' it almost felt as though the headline band had been on - but no, 20 minutes later it's time for Nine Below Zero, another band that I saw play an incredible Brunel show back in the day. I think they played eight encores, and when we came out it had been snowing - not quite nine below zero outside, but enough for an old (then young!) romantic like me to remember forever. With Brendan O'Neill on drums and Brian Bethell back in the fold Dennis Greaves and Mark Feltham gave a masterclass in rhythm and blues, with original songs easily holding their own next to the old classics and Feltham's harmonica sounding as amazing as it ever did. I'll bet I wasn't the only person who dug out their copy on 'Live At The Marquee' the next day... and what can I say about Wilko Johnson that I haven't said before? The man continues to defy medical science and is still delivering the goods. Wonderful stuff. Oh, and in case you're wondering, I saw him at Brunel University too. Perhaps I should have just moved there?!?
Wednesday night I rehearsed with Mr. Tibbs - I'm playing with them on New Year's Eve at The Greyhound in Chalfont St. Peter and as you can imagine there were quite a few songs to look at. There won't be a chance for another rehearsal before the show so time was at a premium, and while we managed to play through most (but not all) of the material that we're intending to play I can still see myself having to do a bit more homework before the night...
On Friday I found myself at The 12 Bar Club with Pete 'Manic Esso' Haynes. We'd gone into town to spend a bit of time in The West End as it was Pete's late brother Dave's birthday in the week (I played guitar at his funeral, you can read the story here if you like) and the area was a great favourite of his; when I saw that Pope were playing we decided to end our evening in Denmark Street. I was always a fan of The Chords, and hoped that Chris Pope's latest band would be in the same vein - I'm pleased to say that they were absolutely excellent, loud and brash and with great songs. And if that wasn't enough they ended with 'Maybe Tomorrow'. I'll definitely be looking out for them in the future.
I played my first show with Big Al Reed and The Blistering Buicks since mid-November on Saturday night, at The Three Mariners in Bagshot. I managed to spend a bit of time on Friday afternoon running through some of the songs, and I'm very glad that I did as I still had the odd blank moment. It's weird - it's only been a few weeks since I last played with the band, but given what I've done in the meantime it almost feels like a lifetime ago. Nevertheless it was a good show, not least given the fact that Al had been in hospital earlier in the week with an injured leg and so was in a fair bit of pain throughout the show. I thought that he did well to get through it at all.
Talking of bands that I haven't played in for a while - The Upper Cut gathered at RnR Studios on Sunday afternoon to rehearse for our upcoming Boxing Day show at The Dolphin in Uxbridge. A most enjoyable 4 hour session saw us running through a fair bit of our repertoire, as well as learning a couple of new songs and tightening up arrangements of some of the older ones. It's always a great band to play in, and it's a shame that we've not had many gigs lately - let's hope that we can get a bit more work next year.
And last night I went to the jam night at The Three Wishes in Edgware. I haven't been there for a month or so as I've been away gigging, and it was interesting to find myself being blanked by a couple of people - surely they're not jealous? Ooooh... I really must write a piece on jam nights one day!
Right - I'm off to play at The Crown in Cowley with Big Al and the boys - have a happy Christmas y'all...
Wednesday, November 27, 2013
The calm before the storm?
Over the past few days I have, among other things and in no particular order :-
Worked at the Balcony Shirts t-shirt emporium in Uxbridge.
Spent an evening with Pete 'Manic Esso' Haynes at The 12 Bar Club in London's Denmark Street during which Barnsley punks System Of Hate played an agreeably noisy set.
Rehearsed with Ruts D.C. at The Music Complex in Deptford.
Played 'Sweet Home Chicago' and 'Why Me' with Big Al, Pete and the house band at The Three Wishes jam night in Edgware.
Fought off a painful sinus problem. Hopefully.
Watched The Good Old Boys play a fine set at The General Eliott in Uxbridge.
Seem Lead Shot Hazard (who feature Balcony Shirts t-shirt printer Dave on bass guitar) come third in a Battle Of The Bands competition at Brunel University, also in Uxbridge.
And tomorrow I'm setting out with Ruts D.C. to support The Damned on their British tour :-
- oh yes!
If you're going to a show then I'll see you there...
Worked at the Balcony Shirts t-shirt emporium in Uxbridge.
Spent an evening with Pete 'Manic Esso' Haynes at The 12 Bar Club in London's Denmark Street during which Barnsley punks System Of Hate played an agreeably noisy set.
Rehearsed with Ruts D.C. at The Music Complex in Deptford.
Played 'Sweet Home Chicago' and 'Why Me' with Big Al, Pete and the house band at The Three Wishes jam night in Edgware.
Fought off a painful sinus problem. Hopefully.
Watched The Good Old Boys play a fine set at The General Eliott in Uxbridge.
Seem Lead Shot Hazard (who feature Balcony Shirts t-shirt printer Dave on bass guitar) come third in a Battle Of The Bands competition at Brunel University, also in Uxbridge.
And tomorrow I'm setting out with Ruts D.C. to support The Damned on their British tour :-
If you're going to a show then I'll see you there...
Monday, March 25, 2013
Young, gifted and skint
Well that was a busy few days in mad-guitar-World...
On Thursday night The Skints played at Brunel University in Uxbridge. I'd heard a lot about the band not least from my old friend Andy Peart (more about him in a minute) but had never seen them or indeed heard much by them. This was a good chance to rectify the situation although since the show was a 'student only' event (I thought they stopped doing that sort of thing years ago?!?) I was doubtful that I'd be able to attend - fortunately the afore-mentioned Andy knows the band and managed to get my name on the guest list. I spent a good amount of the first song trying to work out where the lead vocal was coming from (I never spot a singing drummer!) which set the tone for the rest of the evening as the young lady in the middle played a bewildering array of instruments - keyboards, guitar, flute, saxophone and probably some more that I've forgotten - during the course of their set. Equally bewildering was their choice of Sam Cooke's 'You Send Me' as a cover version - a great song but for me a bit out of place. Still a good gig overall and I'm glad that I managed to see the band at last.
Incidentally Andy used to write for Sounds magazine as well as producing the excellent 'So What' fanzine - he now writes for 'Vive Le Rock' and has a piece on Ruts D.C. in the next edition. Excellent!
Talking of Ruts D.C. - at last weekend's show in Stockton-on-Tees several people told me that Stiff Little Fingers had played 'Staring At The Rude Boys' at their Newcastle gig the previous evening. I've since discovered that they've been playing it on the whole tour with Jake Burns preceding it with words to the effect of 'if you saw this band you were very lucky'. Sometime during the day on Thursday I received a call from Segs asking me to 'have a guess what I'm doing tomorrow night'...
Myself and my old punk mate Pete made it through the wind and rain to The Assembly House in Kentish Town for 8.30pm. I'd told Pete something like 'a mate of mine is working with SLF' and we were to meet him in said public house at the allotted time; the first gig he ever went to was Ruts D.C. at The Fulham Greyhound in 1981, and his face when Segs came over was a sight to behold. After a quick drink we walked over the road to The Forum where the band were due on at 9.30pm. I've always been something of a fan of the band, having first seen them around the time of the 'Hanx!' live album. These days Ali McMordie is back on bass (replacing Bruce Foxton) and they sound pretty much the same as they ever did i.e. very good indeed. Several new songs were featured, and they all sounded good enough for me to say that the projected new album should be well worth getting. After the main set finished with 'Suspect Device' they went off for a few minutes before returning for Jake to say a few words before introducing Segs who came on to a hero's welcome. 'A blistering version!' said Dave Ruffy as the song ended and I have to agree. (You can find out how good it was for yourself if you click here.) After the show we met up with Segs (he and Dave were immediately collared by fans for photographs) and then myself, Pete and punk gig stalwart Coppo went to the aftershow party in the upstairs bar. We set ourselves a curfew of midnight, which was just as well given that we got back to Pete's car to find that the hazard warning lights were flashing. We decided that someone must have bumped into it as Pete was certain that he hadn't left them on - either way we were faced with the grim prospect of a flat battery. 'Don't worry lads' I said with far too much confidence given what happened next, 'I'm in Green Flag'. I get membership with my bank account - but when I spoke to them I found that I doesn't cover me in someone else's car and that wed have to pay a call out charge (£108!) and further charges according to what then had to be done. Bugger! After a suitable amount of swearing Pete came up with a plan - ring around cab companies and see if any of them have any jump leads. Within 10 minutes we were pushing the car from Kentish Town Road into a side street where a cabbie gave up a jump start (at a cost of £10) and we were on our way. An eventful evening - but that 'ring a cab company' idea from Pete was a good one wasn't it?
My only gig of the weekend was my first show of 2013 with T.V. Smith, at The New Cross Inn in New Cross. (I've been looking forward to typing 'New Cross Inn in New Cross' all weekend. It's a simple life sometimes isn't it?) Coppo offered myself and T.V. a lift to the show (that's another drink I owe you mate) but heavy-ish traffic meant that we sadly arrived too late to see the wonderfully-named Fishtits meaning that as I can't find them anywhere on the Internet we can only speculate on how they sound; however I did see Emergency Bitter (great raucous fun), On Trial UK (good old school punk) and The Phobics (excellent garage-y rock 'n' roll) all of whom were very entertaining. From our point of view we'd had a rehearsal on Wednesday which went well but I'd not had chance to run through the songs between then and the show meaning that I felt a little under-prepared. Whether this was the reason I started 'You Saved My Life Then Ruined It' in the wrong key I guess we'll never know. (It sounded terrible! T.V. thought that it was his fault - it wasn't!) That aside the show went very well, including responding to a call from the audience for 'The Servant' (we hadn't rehearsed that one or played it for ages - here it is from the gig!) and with T.V. as wonderfully energetic as ever. After the gig a chap came over and asked me if I'd sung with SLF the night before - he seemed terribly disappointed when I told him that it wasn't me. Well - it wasn't! In the meantime T.V. did a roaring trade in t-shirts and CDs including his latest re-issue, a Cheap anthology. I've been looking forward to this for some time, not least because I've written some sleeve notes for it - a blog posting on my (brief) involvement with the band will follow shortly but in the meantime you can get the disc from T.V.'s website here. I can't recommend it highly enough!
Back To Zero reconvened at Soundlab Studios in Loughton yesterday morning. Andy, Sam and Squirrel had got together in my absence last weekend, and we continued the good work with more progress being made and everybody pronouncing themselves happy with the way that things are going. There's still a fair bit of work to do before our gigs in May (more about them nearer the time) but it's all sounding very encouraging.
From there I made my way to The Crown and Treaty in Uxbridge for the monthly open mic / jam night (actually more of a 'jam early-evening') which proved to be a highly enjoyable affair. It also proved to be a rather longer and shall we say 'confusing' session than I for one was anticipating so the exact details are sketchy, but it was a good way to end the weekend. That said I've got to leave in a half hour or so for an Upper Cut rehearsal, and I don't mind admitting that I feel, to use a technical term, absolutely knackered. Still the last thing that I'm going to do is complain - on Wednesday T.V. said that I'd 'spent too long in the wilderness' and that it was great to see me so busy. It was a nice thing for him to say, and without counting too many chickens there does seem to be a change in the air at the moment on many levels, although next month is significantly quieter than this one and I still don't seem to have very much money... ah well, let's see what happens next.
Well what happens next is a launch party for the new Ruts D.C. album 'Rhythm Collision Volume 2' this Friday at The Hare And Hounds in Birmingham. I've never had a launch party before! It should be fun... and I'm on Music Scene Investigation this Sunday evening at 9pm - on with the big headphones once again!
On Thursday night The Skints played at Brunel University in Uxbridge. I'd heard a lot about the band not least from my old friend Andy Peart (more about him in a minute) but had never seen them or indeed heard much by them. This was a good chance to rectify the situation although since the show was a 'student only' event (I thought they stopped doing that sort of thing years ago?!?) I was doubtful that I'd be able to attend - fortunately the afore-mentioned Andy knows the band and managed to get my name on the guest list. I spent a good amount of the first song trying to work out where the lead vocal was coming from (I never spot a singing drummer!) which set the tone for the rest of the evening as the young lady in the middle played a bewildering array of instruments - keyboards, guitar, flute, saxophone and probably some more that I've forgotten - during the course of their set. Equally bewildering was their choice of Sam Cooke's 'You Send Me' as a cover version - a great song but for me a bit out of place. Still a good gig overall and I'm glad that I managed to see the band at last.
Incidentally Andy used to write for Sounds magazine as well as producing the excellent 'So What' fanzine - he now writes for 'Vive Le Rock' and has a piece on Ruts D.C. in the next edition. Excellent!
Talking of Ruts D.C. - at last weekend's show in Stockton-on-Tees several people told me that Stiff Little Fingers had played 'Staring At The Rude Boys' at their Newcastle gig the previous evening. I've since discovered that they've been playing it on the whole tour with Jake Burns preceding it with words to the effect of 'if you saw this band you were very lucky'. Sometime during the day on Thursday I received a call from Segs asking me to 'have a guess what I'm doing tomorrow night'...
Myself and my old punk mate Pete made it through the wind and rain to The Assembly House in Kentish Town for 8.30pm. I'd told Pete something like 'a mate of mine is working with SLF' and we were to meet him in said public house at the allotted time; the first gig he ever went to was Ruts D.C. at The Fulham Greyhound in 1981, and his face when Segs came over was a sight to behold. After a quick drink we walked over the road to The Forum where the band were due on at 9.30pm. I've always been something of a fan of the band, having first seen them around the time of the 'Hanx!' live album. These days Ali McMordie is back on bass (replacing Bruce Foxton) and they sound pretty much the same as they ever did i.e. very good indeed. Several new songs were featured, and they all sounded good enough for me to say that the projected new album should be well worth getting. After the main set finished with 'Suspect Device' they went off for a few minutes before returning for Jake to say a few words before introducing Segs who came on to a hero's welcome. 'A blistering version!' said Dave Ruffy as the song ended and I have to agree. (You can find out how good it was for yourself if you click here.) After the show we met up with Segs (he and Dave were immediately collared by fans for photographs) and then myself, Pete and punk gig stalwart Coppo went to the aftershow party in the upstairs bar. We set ourselves a curfew of midnight, which was just as well given that we got back to Pete's car to find that the hazard warning lights were flashing. We decided that someone must have bumped into it as Pete was certain that he hadn't left them on - either way we were faced with the grim prospect of a flat battery. 'Don't worry lads' I said with far too much confidence given what happened next, 'I'm in Green Flag'. I get membership with my bank account - but when I spoke to them I found that I doesn't cover me in someone else's car and that wed have to pay a call out charge (£108!) and further charges according to what then had to be done. Bugger! After a suitable amount of swearing Pete came up with a plan - ring around cab companies and see if any of them have any jump leads. Within 10 minutes we were pushing the car from Kentish Town Road into a side street where a cabbie gave up a jump start (at a cost of £10) and we were on our way. An eventful evening - but that 'ring a cab company' idea from Pete was a good one wasn't it?
 |
| T.V. and Leigh share a 'Status Quo moment'. |
My only gig of the weekend was my first show of 2013 with T.V. Smith, at The New Cross Inn in New Cross. (I've been looking forward to typing 'New Cross Inn in New Cross' all weekend. It's a simple life sometimes isn't it?) Coppo offered myself and T.V. a lift to the show (that's another drink I owe you mate) but heavy-ish traffic meant that we sadly arrived too late to see the wonderfully-named Fishtits meaning that as I can't find them anywhere on the Internet we can only speculate on how they sound; however I did see Emergency Bitter (great raucous fun), On Trial UK (good old school punk) and The Phobics (excellent garage-y rock 'n' roll) all of whom were very entertaining. From our point of view we'd had a rehearsal on Wednesday which went well but I'd not had chance to run through the songs between then and the show meaning that I felt a little under-prepared. Whether this was the reason I started 'You Saved My Life Then Ruined It' in the wrong key I guess we'll never know. (It sounded terrible! T.V. thought that it was his fault - it wasn't!) That aside the show went very well, including responding to a call from the audience for 'The Servant' (we hadn't rehearsed that one or played it for ages - here it is from the gig!) and with T.V. as wonderfully energetic as ever. After the gig a chap came over and asked me if I'd sung with SLF the night before - he seemed terribly disappointed when I told him that it wasn't me. Well - it wasn't! In the meantime T.V. did a roaring trade in t-shirts and CDs including his latest re-issue, a Cheap anthology. I've been looking forward to this for some time, not least because I've written some sleeve notes for it - a blog posting on my (brief) involvement with the band will follow shortly but in the meantime you can get the disc from T.V.'s website here. I can't recommend it highly enough!
Back To Zero reconvened at Soundlab Studios in Loughton yesterday morning. Andy, Sam and Squirrel had got together in my absence last weekend, and we continued the good work with more progress being made and everybody pronouncing themselves happy with the way that things are going. There's still a fair bit of work to do before our gigs in May (more about them nearer the time) but it's all sounding very encouraging.
From there I made my way to The Crown and Treaty in Uxbridge for the monthly open mic / jam night (actually more of a 'jam early-evening') which proved to be a highly enjoyable affair. It also proved to be a rather longer and shall we say 'confusing' session than I for one was anticipating so the exact details are sketchy, but it was a good way to end the weekend. That said I've got to leave in a half hour or so for an Upper Cut rehearsal, and I don't mind admitting that I feel, to use a technical term, absolutely knackered. Still the last thing that I'm going to do is complain - on Wednesday T.V. said that I'd 'spent too long in the wilderness' and that it was great to see me so busy. It was a nice thing for him to say, and without counting too many chickens there does seem to be a change in the air at the moment on many levels, although next month is significantly quieter than this one and I still don't seem to have very much money... ah well, let's see what happens next.
Well what happens next is a launch party for the new Ruts D.C. album 'Rhythm Collision Volume 2' this Friday at The Hare And Hounds in Birmingham. I've never had a launch party before! It should be fun... and I'm on Music Scene Investigation this Sunday evening at 9pm - on with the big headphones once again!
Monday, March 19, 2012
'It's music based on fear...'
So - I still can't hear very well, but things do seem to be improving. Good! It's definitely a case of 'it gets worse before it gets better', but at least it does seem to be getting easier to hear. It's been a busy week in the shop and at times I've had real difficulty hearing customers but most people have been very understanding - indeed many have their own 'oooh that's horrible isn't it?' story of the times that they've had a similar problem. And I managed to play a rather muffled gig on Saturday night, with Big Al Reed at The Feathers in Staines. It's not the biggest pub in the World and we were a bit cramped to say the least, but the people there were friendly and seemed to enjoy our efforts. It being St. Patrick's Day I'd expected there to be Guinness posters (and indeed drinkers) everywhere but there were none to be seen; there were a few likely lads who thought they could put Al off with a bit of heckling but he was having none of it (he's also a stand-up comedian and as a result is pretty fearless once he's in front of a microphone) and our second set saw Barry joining us once again to play some slide guitar blues and tables being moved to give people more room to dance. A good gig - well, the bits I could hear of it were anyway.
An interesting evening at The Load of Hay last night saw the first public performance in many-a-year from Graham Barnes, and the first public performance ever from a Brunel band led by Michelle De Jong.
I remember Graham from way back in the late '70s when his band I Jog and The Tracksuits (oh yes!) released the 'Red Box' single on the short-lived Tyger Records which was based at the Unit One youth club in Uxbridge. John Peel played it often, and the band got to the stage of playing venues like Dingwalls before it all ended; he went on to take a more folkier path musically, including a stint in The Ministry Of Humour, who I remember seeing at The Load of Hay when it was home to Uxbridge Folk Club in the 1980s. His pre-match nerves were not helped by his electro-acoustic guitar not working ('I haven't plugged it in this century!') which meant him having to sing and play with just a vocal microphone set up in front of him rather than D.I.-ing his guitar and using the microphone solely for vocals; however his times in the folk clubs stood him in good stead, and his 20-odd minute set managed to more-or-less hold the attention of the assembled student multitudes. No sign of 'Red Box' (shame!) and he did make the grave tactical error of including a song by the hopelessly - make that criminally - overrated 'songwriter' Robb Johnson (*who I believe is still pedalling his overwrought, arrogant, self-righteous twaddle to the sheep who are scared to criticise him for fear of being called 'politically incorrect' by the hopeless sycophants that surround him; still, you can't fool all the people all the time...) but he has every reason to feel very pleased with his comeback to showbusiness.
Michelle De Jong introduced her band - an engineering student on cello and two fellow music students on guitar and keyboards - and began her first song, very laid back, very quiet, with vocals that a local wit back at the bar later described as being high enough to shatter the glasses behind the bar. Before the second number an audience member (presumably studying sound engineering) took it upon himself to adjust the P.A. in some way which made no audible difference to my ailing ears (mind you I suppose it wouldn't - maybe they were deafening!) and my fears that their material was sounding 'samey' by the third song were confirmed a few seconds into the fourth. As the keyboard player smugly took the cello from it's owner and played it like a bass guitar in their last number the afore-mentioned local wit groaned the words 'multi-talentless' before gleefully returning to his hobby of confusing the barmaid. He had a point - he usually has - but I've no doubt that their SoundCloud (whatever that is) has infinitely more followers than this blog will ever have, and that they'll all go on to have musical careers that will dwarf mine, so what do I know? Perhaps I should cheer up and leave the overwrought, arrogant, self-righteous twaddle to the Robb Johnson's of this world?
Either way let's finish this missive with some words of wisdom from the legends that are Spinal Tap. Click here for their thoughts on music played quietly - many a true word is spoken in jest, as they (whoever 'they' are) say...
*Sorry about the ranting about Mr. Johnson - I'll tell you where it all stems from one day. He's not that bad really... actually thinking about it, he's probably worse!!
Friday, August 12, 2011
Critical mass
Incidentally two more clips have surfaced from last weekend's 'T.V. and Leigh' gig - along with 'Lion And The Lamb' which featured in the last posting 'Coming In To Land' and 'Man Down' (in black and white - excellent!) capture the atmosphere well, or certainly the atmosphere as I remember it. It would be nice to have the whole show - I wonder if the feeds to the screens were recorded?
Let's get back to the unreal World for a while, or more specifically the online World. Ian Husbands came into the shop this week - he's an old mate that I hadn't seen for a while (I think I last saw him when he helped us find a venue for a Price reunion gig way back in 2006) and it was good to catch up on things. Somewhere in the course of our conversation he revealed that he's involved with a podcast called Music Scene Investigation, in which three new songs by up-and-coming acts are reviewed by a panel of musicians and / or music industry people who then vote their favourite as 'Song Of The Week'. Somewhere else in the course of our conversation I somehow agreed to appear on this Sunday's addition, which goes out at 9 p.m. on the msi website. If nothing else it should be fun, if only to see if I can get to grips with using Skype...
Subscribe to:
Posts (Atom)
