Work, rest and play

As the '40 Years Of The Crack' tour gets ever nearer Ruts D.C. have been rehearsing. And rehearsing. And rehearsing. Well - failure is not an option; this can't be good, it has to be great, and it can't be great, it has to be brilliant... without wishing to sound too complacent, it's all going well although there's still a lot of work to do. But do it we will!

After one such rehearsal Dave, Segs and myself found ourselves in the hallowed confines of The Little Crown in Deptford drinking Guinness (which is excellent there, and well worth trying if you find yourself in the area!) and signing posters (like you do - well, like we do these days, there's a tour coming up you know!) when Sinead the barmaid (first name terms and everything!) asked if we'd play a show there one day. Well said Dave, we could maybe do an acoustic show - at which point someone (me!) suggested that we play there to mark the 40th anniversary of the first Ruts single 'In A Rut'. We could invite some friends, stream it live on the band's Facebook page, it'd be great... and so at 7 pm on Friday 11th January 2019 we did indeed play an acoustic show at The Little Crown in Deptford to mark the 40th anniversary of the release of 'In A Rut'. We invited some friends (including Ali McMordie of Stiff Little Fingers and MC Spee from Dreadzone - celebrity mates ahoy!) streamed it live on Facebook and it was great. I'd tell you more but details are necessarily sketchy.. well, remember how I good I said that their Guinness is... 

Besides rehearsing and drinking I managed to get along to a couple of shows from this year's Resolution Festival at The 100 Club - The Vibrators give a boisterous performance while The U.K. Subs played their first album 'Another Kind Of Blues' to the riotous approval of all concerned. And I've played my first gig of the year last night with Punky Reggae Party, at The Bread And Roses in Clapham where the heat inside contrasted with the cold outside and a fine time was had by all. I'm at The Cavern in Raynes Park with them on Saturday 2nd February, after which all roads lead to the Ruts D.C. tour, if they don't already. Not a bad start to the year then.

And in case you missed it, you can see the Deptford performance from soundcheck to gig and beyond here. Enjoy!

Roots, Radicals, Rockers and Reggae

So. 2018 then. Not a bad year?

No, not a bad year. Well, I didn't think that it was.

Then again considering that it began for me with my Dad catching The Flu then developing pneumonia I suppose I was rather hoping for it to improve... within a couple of weeks of that (and with him thankfully at home recovering) Ruts D.C. were gigging in Japan and Hong Kong then touring Australia and New Zealand before embarking on a British tour supporting Stiff Little Fingers. If that was all we'd done I'd be saying that it had been a good year, but we went on to play many more memorable shows - The Rebellion Festival in Blackpool is always a highlight, but the Rebellion Amsterdam weekend was wonderful; we also made our first visit to Denmark, played a tattoo festival in France, gigged on a boat up and down the River Spree in Berlin and more including a visit to Abbey Road Studios - little if any of which got reported here. It's all been on my Facebook page - which is a somewhat woolly excuse for this being only the twelfth blog posting of the year. There was a time when used to do that in a month. But I guess times change... maybe there'll be more here next year?    

Talking of 2019, I'm hoping to play some more shows with Punky Reggae Party. Having first gigged with them back in the summer (an incident that incredibly is reported somewhere in these hallowed pages!) I've since played a couple more gigs with them including a fine show at The Cavern in Raynes Park just before Christmas - hopefully they will be many more to come, the first of which is at The Bread And Roses in Clapham on Saturday 19th January. I'm also putting another band together with some old friends, but more news on that as and when I have it. And Ruts D.C. are heading out on the '40 Years Of The Crack' tour in February, with (hopefully) more to come after that.

So hopefully 2019 will be a good year for me and my guitar - and I hope it is for you too. 

Forwards!

Vintage vantage

So - no blog post for over a month. Lazy?

Well, no. I don't think so anyway. Much has happened since last we spoke...

The Stiff Little Fingers / Ruts D.C. 'Down To the Bone' U.K. tour went well. Very well. Inevitably some nights were better than others but pretty much everything went according to plan, with the Glasgow show at The Barrowland Ballroom being every bit as memorable as I for one was hoping it would be, and the last night of the tour at The Forum in Kentish Town turning out to one of the most enjoyable gigs that I've played in a very long time - it also exorcised the ghost of our last show there at Captain Sensible's 60th Birthday Party (you can read about it here if you like - suffice to say that all three of us were happy to have something better to remember about a show at the venue) which can't be a bad thing. We were hoping that there would be a few people in when we went on but were amazing to find the building all but full when we walked out onto the stage. Excellent! But as I say, everything about the tour was great - our crew Olie and Max were fabulous, and we travelled over 2,000 miles through England, Scotland and Wales. Not bad eh?

Since then we've played headlining shows at The Hat Factory in Luton and The Victory Hall in Balcombe, both of which both went well. It was great to play a longer set (we were playing a strict 45 minute show on the SLF tour) and to get to a couple of places that we'd not been to before. The Luton show was the last at the venue before it closes for refurbishment, and despite Dave feeling under the weather - he'd been unwell for the last three shows on the tour although he played as well as ever - we gave a energetic performance before a boisterous crowd. It was Segs's turn to feel unwell at the Balcombe show - he was asleep in the bus until around a half an hour before we were due to go on stage - but once again we pulled everything together on stage. And what an amazing venue - if you see a gig happening there that you fancy seeing then make the effort. You won't be disappointed!

In addition to appearing on stage we've also found ourselves on television - we recorded a session for Vintage TV in February (we weren't allowed to mention it anywhere - you might have thought that they'd have liked a bit of publicity?) which was first broadcast while we were away on tour (again they didn't tell us, we found out from friends and fans) and has been shown a couple of times since. It also featured The Skids among others, and it's on their website (episode 402 - here's a trailer for it) if you'd like to see it. The day was a bit of a strange one - we weren't too happy with our performance, but watching it now it actually looks pretty good. Dave and Segs are appearing on the channel again this coming Sunday 15th April at 5 pm on the 'Our Vintage' show, choosing some videos and talking about some of their favourite music - here's a preview. It looks good doesn't it? And your humble narrator made an appearance on The Fiery Bird show on Radio Woking, playing some favourite music and talking about, well, anything that Elaine the presenter wanted to talk about. A highly enjoyable two hours - thanks to Elaine and Joe for inviting me onto the show.

Things go a little quieter for the band now (this may not be a bad thing, it's been a hectic couple of months!) until the end of this month when we return to Glasgow to play the Scotland Calling festival. But there's work to do - the words 'new album' have been bandied about at Ruts DC HQ rather a lot lately... 

In the meantime it's been back to basics with Big Al Reed and The Blistering Buicks. I don't mind admitting that finding yourself playing in front of a few dozen semi-interested people at The Misty Moon in Northwood more-or-less exactly 24 hours after we'd played The Forum was a bit of an odd thing to find yourself doing; it wasn't an unenjoyable show, but as I say it was a little odd... the next afternoon saw an excellent gig at The Horns in Watford, and we've been out and about here and there ever since. We're out and about this weekend too... as I say, back to basics - and why not?

Stiff Little Fingers / Ruts D.C. 'Down To The Bone' Tour March 2018

OK - here we go again... 

We're supporting the great Stiff Little Fingers on their 'Down To The Bone' U.K. tour this month, starting in Cardiff this coming Friday and finishing at The Forum in Kentish Town on Friday 23rd March. There's a few new venues for your humble narrator - not least Barrowlands in Glasgow on (gulp!) St. Patrick's Day - among some familiar haunts. I'm intending to update my Facebook page as often as possible, and the Ruts D.C. page should include live streams and more. And as always if you're coming along to a show then please say hello!

Incidentally some of the venues have a club night or event after the gig - nights such as these are known (rather disparagingly) among road crew members as a 'Disco Loadout' - and we might be on stage as early as 7.15pm on those nights so please check with the venue so that you don't miss us!

Saturday Club

Ruts D.C. played their last gig of this year on Saturday 23rd December at The 100 Club. It was everything that we could have hoped it would be - sold out in advance, we gave one of our best shows of the year alongside great sets from our friends Department S and The London Sewage Company. And there were plenty of friends in the audience too - I hadn't seen ex - U.K. Subs guitar hero Jet for ages, Rupert Orton bought along Newtown Neurotics drummer Simon Lomond while Nigel Bennett introduced me to his friend Steve who, he said, 'wanted to meet me' - and I don't mind admitting that I wanted to meet Steve Lillywhite too... all well and good (and if I'm honest, very exciting!) but none of it would have mattered if there hadn't been an audience. And what an audience they were. People had travelled from far and wide to see the show - you never think that people are going to do that for something you're involved with (well, I don't anyway!) so when it happens it's quite something. Plenty of locals too, and even though I say so myself they saw a good one. You know when you've played well, and we played well - some nights it all falls into place, and this was one of those nights. One to remember forever - but it's been a year to remember for the band. So much has happened - The Stranglers tour seems an age ago now, as do the 'big gigs' with Die Toten Hosen and Stiff Little Fingers, the outdoor show at The Rebellion Festival and so many terrific nights up and down the country, not forgetting The BBC6 Punk Party with The Damned... as I say it's been quite a year for Ruts D.C., and next year we tour Australia and New Zealand with The Stranglers, Great Britain with Stiff Little Fingers and more. 

See you in 2018 - there's work to do.

And in the meantime here's 'Kill The Pain' and 'Psychic Attack' from the 100 Club show - enjoy! 

See You Up There!

Time for a belated report on three Ruts DC gigs the weekend before last, the first or which was at The Waterfront in Norwich. Support came from The East Town Pirates who I thought were very entertaining although I missed the second half of their set as I was summoned to a nearby pub by Segs where he was meeting Stiff Little Fingers bassman Ali McMordie. I walked in to find them both ensconced around a small table - if you'd have told me back in (say) 1979 that I would one day have been meeting up with them never mind being in a band with one of them then I don't know what I would have said... our show saw the return of my Marshall DSL100 amplifier after a repair at the factory, and without wishing to tempt fate I have to say that it sounded terrific. We also have a spare - hereinafter referred to as 'the Riverjuke amp'  as Harry, Adam and co. currently own it - but more about that in a minute. We played well although for me it was the weakest of the three shows - not bad, just not quite as good as the others, if you know what I mean.

The next day - Saturday 4th November, if you're taking notes - saw us journey across the country to Wolverhampton for The Midlands Calling Festival. There was time to check in at our hotel before making our way to The Civic Hall where Harry and Adam went in to set up our merchandise while Segs and myself walked the short distance to the Blooms clothes shop - we'd spotted it on the way there and Segs thought that it 'looked interesting'... he couldn't have been more correct - it was how I imagine tailor's shop would have been years ago, with a brace of cheery immaculately-dressed assistants with tape measures around their necks all only to happy to attend to your every clothing needs. It got a bit 'suit you' here and there - rarely a bad thing I'm sure you'll agree - and I loved it. I found a suit in the sale which I liked the look of, but as I said to the assistant, the trousers were 'a bit David Essex' (I like his music, but not the flares!) and I'd prefer three buttons while the jacket only had two - within seconds I was told that it could be altered and ready for collection the next morning. Sold! I must wear it on stage sometime soon... in the meantime we played a thunderous 45 minute set to the enthusiastic appreciation of the assembled multitude and everybody seemed to be very happy with our efforts. We'd decided to use the Riverjuke amp but to our dismay no sound was forthcoming - with only a short changeover between bands we decided to use the backline amp provided and resolved to have a proper look at it the next night in Wakefield. 

I'd not been to Warehouse 23 before, but it seems to me to be an excellent venue which is putting on a lot of very diverse entertainment, which is always a good thing to see. At the soundcheck we plugged the Riverjuke amp in again - still no sound. I set up my DSL 100 while Harry set about investigating - when he opened the amp up to his and indeed my astonishment he discovered that the four power valves were missing. Well, that would do it! It had gone to Marshalls at the same time as mine but they had clearly forgotten to put the valves back in after testing them. Doh! (Harry called them the next day and they have since sent a new set of valves free of charge, so hopefully all's well that ends well...) Thankfully my amp sounded great, and we went on to play what to me was the best show of the three. Again that's not to say that the other two were bad, just that this one just edged it. We're lucky, we play some good gigs - talking of which, it's just been officially announced today that we're supporting Stiff Little Fingers on their 'Down To The Bone' British tour next March. Once again, if you'd have told me when I was 18 that one day I'd be typing that sentence I don't know what I would have said...

'The skill in attending a party is knowing when to leave...'

So there I was, minding my own business on the main stage at Butlins in Skegness as Ruts D.C. were in the process of closing this year's Great British Alternative Music Festival - to my left Segs is flanked by Jake Burns and Kirk Brandon, behind me Dave Ruffy is on the drums and steering the ship in customary fashion while Stan Stammers is with me at my microphone; we're all singing 'if you're in a rut, you've gotta get out of it' - as the song ends Stan throws his arms around me and I shake hands with Kirk and Jake before the three of them leave the stage. We're about to slam into 'Babylon's Burning' when I allow myself a moment's thought - 'how the bloody hell did that just happen?' followed swiftly by 'and didn't Richard Jobson say that he was going to join in too?'
All in all it was a suitably surreal end to a wonderful run of Ruts D.C. shows. In the last month or so we've played all over Britain and Ireland and barring the odd mad moment or two it's been an absolute pleasure from start to finish. Our new friends Harry, Adam and Mike from Riverjuke have shown devotion above and beyond the call of duty (well I think that they have, they'd probably say that they're 'just doing their jobs') which has made the band's job immeasurably easier, and even though I say so myself we've played some really great shows. After a batch of gigs like these there's often one or two that stand out as being better or indeed worse that the rest, but I can honestly say that's not the case this time. Ok, maybe Aberdeen (where we were to say the least concerned that the P.A. system wasn't up to the job but which turned out to be a classic evening) and Cardiff (which saw my Marshall amp go wrong again meaning that I was in a less-than-cheery mood; thankfully the Riverjuke boys had thought to bring a spare and the show saw one of the best audience reactions of all) stand out, but not by much. Incidentally my amp's back at the factory for repair and I'm looking at buying the spare - there go the wages. Again. But maybe nothing tops the 'crikey, I'm on stage with members of Theatre Of Hate and Stiff Little Fingers' moment. Strange days Indeed. Most peculiar mama.

So - what now? Well Ruts D.C. return to the stage at the start of November so it was back to basics on Friday night when I rejoined Big Al Reed and The Blistering Buicks for a show at no lesser venue than Hayes Working Men's Club. Al was recovering from a minor operation on his left hand and so wasn't playing acoustic guitar (we usually start the evening with a few acoustic numbers) and so Pete and myself split the duties on his very nice Martin HD 28 - I really must get myself a good acoustic guitar one day... I'd spent a while revising the songs as I'd not played with the band for over a month and had restrung my Stratocaster accordingly - shame I'd neglected to try it through an amplifier as the volume pot had developed a fairly serious-sounding crackle when used. This sort of thing can happen when a guitar isn't played for a while, and hopefully will be cured with a squirt or two of switch cleaner when I get five minutes. (Thinking about it I should perhaps be doing that instead of typing this? Hmm...) And last night I went to The Hope And Anchor in Islington to see the debut performance by RiVeR who feature Matt on guitar - he writes the excellent Elvis In The Clouds blog and attends many of our gigs so it was good to go along and give him a bit of support. A highly enjoyable night saw your humble narrator chatting to quite a few people who had seen and indeed enjoyed Ruts D.C. on this tour, and one gentleman who recognised me as a member of Big Al's band. As I say, strange days indeed... but proof were it needed that you don't get something for nothing in this godforsaken life comes with the news that this coming Friday's Upper Cut gig at The Dolphin in Uxbridge looks like being the band's last ever show. Shame - but nothing lasts forever (sadly!) and we've had a good run so hopefully we'll go out on a high. What was that line that Michael Stipe said when REM split up? A lofty comparison perhaps, but a comparison nevertheless - let's we don't leave our dignity at the front door eh?

No Sleep 'til Belfast

Well - there you have it. It's all too rare that something lives up to it's promise quite as much as the weekend just gone, but I'm very pleased to say that this one did. It's good when that happens isn't it? Two Ruts D.C. shows supporting Stiff Little Fingers would be an exciting enough prospect at the best of times, but these really were great events to be part of. Friday night we supported them at The Academy in Dublin where our breathless 40 minute support set saw an amazing if unexpected amount of audience participation - we regularly see audience members singing along with songs like 'In A Rut' and 'Babylon's Burning', but to see the people joining in with 'Music Must Destroy' and 'Kill The Pain' really was a sight to behold. It set us up for an extraordinary night in Belfast where SLF celebrated their 40th anniversary with an open air show in Custom House Square. The Stranglers and The Outcasts were also on the bill, and with Terri Hooley of Good Vibrations Records DJ-ing it was an unforgettable evening all round. Well I say unforgettable - with poteen on the menu and our good friends Paranoid Visions on hand to help us, erm, celebrate the occasion things got a little hazy by the end. Still judging by the conversations we had with people at the airport on the way home we definitely did something right. Several people went as far as to say that it was the best night of live music that they had ever attended, and from what I saw and indeed felt I'm certainly not going to tell them that they were wrong.

Having played mostly festivals and support shows in the last few months we now set out on a series of headline gigs starting in Exeter on Thursday and Bristol on Friday - more shows have been added since this poster was produced (and indeed are still being added) so keep your eye on the Ruts D.C. Facebook page for more information. Sadly the Islington Academy show on September 2nd has been postponed until next year (!) but there is still plenty to look forward to. Well I'm certainly looking forward to it - if you're coming to a show then please say hello, and as always I'll be updating my Facebook page as regularly as possible as we wend our merry way up, down and around the length and breadth of Britain. See you up there, as someone once said... 

To Hull and back

Since last we spoke Ruts DC have played shows in Hull and North London - both good gigs, with more to come as we shall see. Big Al Reed and The Blistering Buicks have also been out and about at The Farmers Boy in St. Albans (I'd not been there before, a great little venue) The General Eliott in Uxbridge (a suitably raucous local gig which got so hot that Al had to go outside for some air halfway through the second set) and Ye Olde Swan in Burnham (with fellow six-stringer Pete elsewhere I had to play his parts - I didn't realise that I had so much skin on my teeth) all of which reminded me how much fun it is to play with the band.

Back to Ruts DC - the Hull show took place last Saturday in the wonderfully-named Zebedee's Yard, which I believe is a car park when it's not a venue. We travelled up by train and arrived to find everything ready for soundcheck. There was just time to say hello to The Stranglers before running through a few songs then heading back to our hotel for some much needed food. We returned to find The Black Delta Movement on stage and the venue filling up nicely despite the rain, which thankfully stopped just before we went on stage. With only 45 minutes to play with we stuck more-or-less to the set we'd been playing on the Stranglers tour, with the addition of 'Suffragette City' which we dedicated to for local legends The Spiders From Mars. Although the rain had stopped it was still quite windy meaning that the sound on stage was a bit variable - we weren't sure if we'd played well but thankfully the audience reaction suggested that we had. We saw about half of the Big Country show (I hadn't seen them since back in the day and they sounded great - mind you, they usually did) before deciding to take our instruments and gear back to the hotel - we'd intended to return to see The Stranglers but somehow ended up drinking in the bar until 2 am. Well - it had started raining again, and we were thirsty... talking of which, last night we played at Urban Voodoo Machine drummer Gary 50th birthday party at Bones And Pearl Studios (another great name!) in Seven Sisters. 'Twas an evening of great jollity as you might well imagine - indeed it might be better if I leave the details to your imagination... go on, try imagining what went on... you're probably correct... but we played well, and that's the main thing. It only ever is.

This week we travel to Ireland for two shows with Stiff Little Fingers - as a long time fan I've been looking forward to these gigs since they were first announced. We're in Dublin on Friday before travelling up to Belfast for an open air show to celebrate SLF's 40th anniversary; The Stranglers (yep, them again!) and The Outcasts are also on the bill and with Terri Hooley of Good Vibrations Records DJ-ing the scene is set for a classic event. And after that we set out to play some shows of our own - but more about that next time.

Same as it ever was?

Monday 7th August, 3.17 pm

As I write this, in shaky Biro in a reporter's notebook in the back of the bus somewhere on the Southbound M40 there is much to reflect upon. The Rebellion Festival is invariably a great thing to be part of and this year has certainly been no exception, but somehow this gathering seemed to go further than most. Ruts D.C. played two shows - an all-guns-blazing Saturday night electric set and an emotional performance to close the acoustic stage last night as well as nipping across to Hebden Bridge on Friday evening for a gig at The Trades Club where we were joined by Baz Warne of The Stranglers for two songs. I also spent a fair bit of time behind the Cadiz Music merchandise stall with Richard and Blaise as well as catching some great performances from T.V. Smith and The Skids among others. There were the usual unwisely late night drinking sessions (it was getting light as I stumbled through Blackpool on the way back to my hotel on Saturday night / Sunday morning) but that's just about par for the course - all things considered I don't feel too bad (it feels as though I rarely got to eat anything more substantial than sandwiches) although I suspect that I'm heading for an uncommonly early night tonight.

Our Saturday show on the outdoor Casbah stage was preceded by a suitably energetic Neville Staple show and was followed by a wonderful performance from Misty In Roots - I'm sure that I wasn't the only person excited to see the words 'Ruts' and 'Misty' on the same bill again after all these years. Earlier in the day we were interviewed by a BBC film crew for an upcoming documentary on the festival - as always it was Dave and Segs that they really wanted to hear from but I managed a few words here and there. They also filmed a fair bit of our show - I wonder how much if any of it will make it into the finished programme? There were a few fraught moments here and there - I got locked out of our dressing room ten minutes before the show and only just made it to the stage in time having had to run up and down gawd knows how many flights of stairs to get the key and then get changed. Maybe this meant that I didn't have time to get nervous - either way our performance was, even though I say so myself, a stormer. We'd played well the night before but this one really took off, with the middle section of 'In A Rut' featuring the riff from 'Interstellar Overdrive', a cover of 'Suffragette City' (which began life as an impromptu run through at Monday's rehearsal and which then somehow made it onto the stage) and the final song 'Psychic Attack' provoking a near riot. In contrast last night's acoustic show in a very full bar (possibly dangerously so) took everything back to basics, with rarely performed songs from 'Music Must Destroy' rubbing shoulders with Ruts and Ruts D.C. classics and grown men being moved to tears on several occasions. And that was just on the stage.

This coming Saturday we're playing at the splendidly - named Zebedee's Yard in Hull with The Stranglers and Big Country - The Spiders From Mars were from there so maybe 'Suffragette City' will make it to the stage again. In the meantime there is much to reflect upon. I've always been somewhat over-romantic (some might say pretentious, and let's face it, they may well have a point!) about the power of music, how it brings people together, the emotions that it can evoke and how something as seemingly insignificant as a mere pop song can sometimes mean everything to the listener - well I've seen all of that and more proved time and time again over the past few days. I feel as though I've shook hundreds of hands and been in almost as many photographs with people who wanted to say how much they enjoyed the shows, what a song or songs means to them, even to ask how I get a particular guitar sound - we stopped at a service station a few minutes ago and a couple come over to say how much they liked the acoustic gig. You can't buy moments like that, even if you wanted to. Suddenly the road home feels more like the road back to the real world, whatever that is. It's an amazing feeling to be told that you make a difference (however small) to people's lives, maybe even that you contribute to making life a bit more bearable when it all gets too much. That's something to be proud of don't you think? Well, I think that it is. 

So - now what? More gigs, including some Irish shows with Stiff Little Fingers later this month. Oh, and we're talking about the next album. Of course we are. The road home goes on forever...

Tuesday 8th August, 7.52 pm 

Ah! The usual post - Rebellion ramblings that seem to say very little but that somehow say everything about the previous few days. I bet that I said almost the same thing last year, and the year before that, and the year before that...

The new Ruts D.C. single 'Kill The Pain' is released today!

The new Ruts D.C. single 'Kill The Pain' comes out today on Westworld / Sosumi Records - it's certainly one of my favourite songs on 'Music Must Destroy' (incidentally Pete Sargeant has just published a splendid review of the album on Just Listen To This which you can read here - thanks Pete!) so I for one am well pleased that it's out in it's own right. And after what seems like an age of anticipation our tour with The Stranglers finally kicks off in Lincoln next Tuesday; it then winds it's way up and down England, Scotland and Wales (no Ireland sadly, but more about that in a minute) before finishing in Manchester on (gulp!) April 1st. It promises to be an absolute classic, and if you're coming along to a show then do please say hello. Blogging opportunities are likely to be few and far between but I will be attempting to update my Facebook page on a regular if not daily basis so if you're interested in following how it's all going that's the place to be.

And if you are interested in following how it's all going then you can find my Facebook page here. See you in Cyberspace!

As I say it's a great shame that we're not going to get over to Ireland this time - but we are playing with Stiff Little Fingers in Dublin on Friday 25th August before a very special show in Belfast the next night with SLF, The Stranglers and The Outcasts with Terri Hooley DJ-ing. Crikey! Did I really just type that? Yes, incredibly, I did. Hurrah! 

'Walking down the King's Road with some friends of mine...'

Back to the 'there's only time for a quick round-up of what's been happening in Leigh's Mad World Of Guitars' format...

- I went to 'Exhibitionism' at The Saatchi Gallery in Chelsea
I like The Rolling Stones more than I sometimes realise, if you know what I mean. And I liked this exhibition too - well I must have liked it, as I managed to spend over three hours there stumbling from room to room. There's lots for a nerd like myself to enjoy, and plenty of stuff for normal people too - if you're thinking of going then get along there before it closes!  

- I saw Dead Men Walking at Dingwalls. 
From Chelsea it was a short tube train journey up to Camden Town where with the help of Adrian from Aural Sculptors and his wife Gunta I eventually found Dingwalls (it's all changed around there since I was a lad I can tell you!) just as the band were sound checking. On stage from left to right were Kirk Brandon, Dave Ruffy, Segs and Jake Burns - a formidable line-up be anybody's standards. And I'm pleased to say that they sounded as good as you'd hope that they would. Highlights of the evening were many and varied, although the moment that sticks in my mind was when myself, Segs and ex - U.K. Subs guitarist Jet were in The Elephant's Head shortly before the show half-seriously considering some sort of appearance at the the then - happening open mic night when a chap got on stage and performed 'Rasputin' on a stylophone. He followed it with 'Ace Of Spades'. We decided not to play. How do you follow that?

- I played two shows with Big Al Reed and The Blistering Buicks.
With Pete still away I was on solo guitar duties in Greenford at The Black Horse on Saturday night; he then returned the next afternoon for a gig at Sally B's in Hoddesdon. The first show was good and the second was even better - things are definitely going in the right direction for Big Al and The Boys.

And hopefully things will be going in the right direction this week too, but more about that next time, when I've got time…

Southern man

Well having spent the last few weeks thinking that maybe, just maybe I'll get away with it this year I woke up on Friday morning with itchy eyes, a bunged-up nose and feeling as though I'd done a few rounds with Mike Tyson in his prime - yes, the hay fever season is upon us once again. Bugger! I spent much of the day dosing up with antihistamines and cursing the season that is summer, and much if that evening's Big Al Reed and The Blistering Buicks gig at The Ox and Gate in Neasden (or Dollis Hill, or Cricklewood, depending on which website you believe!) waiting for my my nose to betray me and make me sneeze at the most inopportune moment. I had bought a box of tissues along for just such an emergency - so in much the same way that if you take an umbrella with you it doesn't rain I of course didn't sneeze once throughout what despite being somewhat under-attended turned out to be a very enjoyable show. I hadn't been to the venue before but they seem to be working hard to make live music work there so let's hope that it's a success for them. 

The next night it was back up to Camden Town for the second Saturday in a row to help Bears guitarist Lionel celebrate his birthday at The Fiddler's Elbow. With entertainment provided by Ed Tudor-Pole, Spizzology (the stripped-down version of Spizzenergi), The Bermondsey Joyriders and X-SLF a splendid time was pretty much guaranteed for all; everybody I saw played well although sadly I arrived too late to see Sarah Pink and indeed The Bears themselves and had to leave during X-SLF's storming set to get the train home. I met ex-SLF drummer Jim Reilly in the Gents toilet - seizing the moment I managed to blurt out 'hello-I'm-Leigh-out-of-Ruts D.C.-and-we've-got-a-mutual-friend-called-Roland Link' while washing my hands. This seemed to amuse my new friend Jim no end, who immediately insisted on taking me to meet his friend and bandmate Henry Cluney - much jollity ensued, especially considering that I'd never met either of them before. Nice chaps, and as I say the band sounded great.

Yesterday's appearance on Music Scene Investigation was a bit of strange one even by my rather obscure standards - much of our time on air involved myself and Ian winding each other up about cheese boards, bread boards and all points in between. Somehow we (Andrea, Ian and myself) also managed to review three songs, all of which were very good and which made of a very interesting show as you can see for yourself if you click here. And maybe I will launch a range of combined cheese and bread boards one day...

On Wednesday night Ruts D.C. played at The Corn Exchange in Devizes as part of The Devizes Festival. Support came from 2 Sick Monkeys whose excellently breathless 30-odd minute set went down well with the early arrivers - and rightly so as they were great. Our show took a while to get off the ground - we were playing well but the audience seemed a bit reticent, although by the time we got to 'West One (Shine On Me)' things were all going in the right direction. A great night, and there are further great nights in prospect this coming November when the band visits Australia and New Zealand for the first time. Oh yes!

Three's company

I have just got hold of the new 4-track EP by Eight Rounds Rapid - you know, the band that supported Wilko Johnson at his farewell shows last month and who feature his son Simon on razor-sharp guitar - and it is, to use a technical term, bloody great. The item in question can be purchased from their website here - I suppose it's unlikely that I for one would have heard of the band without the Wilko connection (and it's very difficult for me to keep that out of the equation) but I genuinely think that they're a very good band well worthy of attention. Have a listen and see what you think... and talking of the mighty Mr. Johnson he has announced that following a guest appearance with Madness last Friday he has played his last live show. It's weird isn't it - since the announcement that he is suffering from terminal cancer he's played some extraordinary farewell shows, and I bet I wasn't the only person kidding themselves that 'he'll be alright after all'? You can see him playing with the band here and read the story here - let's hope he enjoys his time in retirement.

Last Friday saw a launch party for the new Ruts D.C. album 'Rhythm Collision Volume 2' at The Hare and Hounds in Kings Heath, Birmingham. There was a certain amount of confusion as to whether the band would be playing or not - Dave and Segs were always going to be DJ-ing, The Cracked Actors and the Black Bombers were always going to be providing live musical entertainment, I was (ahem!) always going to be behind the merchandise table with CDs and T-shirts a-plenty, but it was never actually advertised as a Ruts D.C. gig... a few days earlier I had a phone conversation with Segs which went along the lines of 'so if we were to borrow some drums and amps and play as a three-piece, what songs could we play?' Good question! 
My good friend Big Andy (who is!) joined me behind the merchandise desk while The Black Bombers (great garage-y rock'n'roll, definitely worth keeping an eye on) and The Cracked Actors (reggae/ska stuff, good but they played for a bit too long for me) did their stuff and Dave and Segs span some tracks in between times. We'd had a 'so what songs could we play then?' chat in the dressing room earlier in the evening and had come up with a rough plan - in the event we played (from memory so I might be wrong) 'Whatever We Do' / 'It Was Cold' / 'Backbiter' / 'Dope For Guns' / Staring At The Rude Boys' / 'In A Rut' and an encore of 'Babylon's Burning' to scenes of not-inconsiderable audience mayhem. Segs and Dave told a couple of very funny stories, I met Roland Link who wrote 'Kicking Up A Racket', a biography of Stiff Little Fingers and who is currently writing a book on The Ruts / Ruts D.C. and everyone I spoke to thought the evening was a great success. I think it was too! 

On Saturday evening The Upper Cut journeyed to Welwyn Garden City to play at Grant and Rachel's joint 40th birthday party at Panshanger Golf Club. It had been a while since I'd played at an event such as this - I always remind myself that the live entertainment is only a small part of the evening (after all, it's the person or people that the party is being thrown for that should be the centre of attention don't you think?) and that for that reason it's not a 'gig' as such, more a gathering of family and friends that happens to have a disco and a live band. I suppose this is all to make me feel better when the band is all but ignored which is something that so often happens at nights like this - we weren't ignored this time but you could feel people wondering why we were there and why the disco wasn't happening all evening. That said we did get some nice comments from a few people and there was no outright hostility so overall it was definitely a 'more-pluses-that-minuses' sort of evening - and the band hadn't played for a while so it was good to all get together again.

Sunday morning rehearsals seem to be the way of things with Back To Zero, and this week it was my turn for a local one - Andy, Sam, Squirrel and myself amassed outside RnR Studios in Uxbridge at 10am and waited...and waited... and waited... eventually a sheepish lad turned up to let us in mumbling about 'forgetting to put the clocks forward'. Well, I guess we've all done it haven't we? Over the next four hours we ran through all the material that we're intending to play at next month's gigs, and I have to say that it's all sounding rather fine. There's often a moment in rehearsals when you stop sounding like a band of musicians and start sounding like a 'band' - ours was somewhere on Sunday morning. There's still a keyboard player to add and one of the original singers is going to guest on a few songs but as it stands at the moment Back To Zero are already sounding good to my ears.
After a couple of late nights and an early morning I spent a fair bit of Sunday afternoon asleep - I'm sure that didn't used to happen when I was younger? Hmmm... anyway at 8.30 in the evening I was using the magic of Skype to talk to Rich, Tom and Ian of Music Scene Investigation, and from 9-10pm we all participated in the latest podcast of said programme. We had three good songs to review this time (that's not always the case!) as you can tell if you watch the show here - I still think that song 3 was the best don't you?
Of course after being asleep half the day I was wide awake at 10 o'clock in the evening, which meant that I was able to pop down to The Crown And Treaty where an all-day festival of original (as opposed to cover) bands was taking place. When I got there a rather scary black metal band were playing (sadly I don't know their name - incidentally if they ever read this and think 'hang on a minute, we're not black metal' than I apologise profusely!) and I'd arranged to meet my old mates Pete (still recovering from last week's SLF gig) Grant and Sam with whom I cowered at the back (it wasn't much quieter there to be honest!) before moving nearer to the stage to watch Frowser. I last saw them many (15?) years ago when I remember them being very impressive although it wasn't really my type of thing - Grant is a bit of a fan, Sam is less convinced and Pete missed them as he decided he'd had enough to drink and went home. I must say he did look as though he'd been there a while... anyway they were still very impressive although they're still not really my type of thing, although it must be said that it's great to see them still playing and indeed writing new material. However I have to agree with Sam's analysis that you 'watch them and think they're great but you can't remember a single song in the morning'. He's correct - I think they are, and no you can't...

Happy Easter everyone! Yeah! 

Young, gifted and skint

Well that was a busy few days in mad-guitar-World...

On Thursday night The Skints played at Brunel University in Uxbridge. I'd heard a lot about the band not least from my old friend Andy Peart (more about him in a minute) but had never seen them or indeed heard much by them. This was a good chance to rectify the situation although since the show was a 'student only' event (I thought they stopped doing that sort of thing years ago?!?) I was doubtful that I'd be able to attend - fortunately the afore-mentioned Andy knows the band and managed to get my name on the guest list. I spent a good amount of the first song trying to work out where the lead vocal was coming from (I never spot a singing drummer!) which set the tone for the rest of the evening as the young lady in the middle played a bewildering array of instruments - keyboards, guitar, flute, saxophone and probably some more that I've forgotten - during the course of their set. Equally bewildering was their choice of Sam Cooke's 'You Send Me' as a cover version - a great song but for me a bit out of place. Still a good gig overall and I'm glad that I managed to see the band at last.

Incidentally Andy used to write for Sounds magazine as well as producing the excellent 'So What' fanzine - he now writes for 'Vive Le Rock' and has a piece on Ruts D.C. in the next edition. Excellent!

Talking of Ruts D.C. - at last weekend's show in Stockton-on-Tees several people told me that Stiff Little Fingers had played 'Staring At The Rude Boys' at their Newcastle gig the previous evening. I've since discovered that they've been playing it on the whole tour with Jake Burns preceding it with words to the effect of 'if you saw this band you were very lucky'. Sometime during the day on Thursday I received a call from Segs asking me to 'have a guess what I'm doing tomorrow night'...
Myself and my old punk mate Pete made it through the wind and rain to The Assembly House in Kentish Town for 8.30pm. I'd told Pete something like 'a mate of mine is working with SLF' and we were to meet him in said public house at the allotted time; the first gig he ever went to was Ruts D.C. at The Fulham Greyhound in 1981, and his face when Segs came over was a sight to behold. After a quick drink we walked over the road to The Forum where the band were due on at 9.30pm. I've always been something of a fan of the band, having first seen them around the time of the 'Hanx!' live album. These days Ali McMordie is back on bass (replacing Bruce Foxton) and they sound pretty much the same as they ever did i.e. very good indeed. Several new songs were featured, and they all sounded good enough for me to say that the projected new album should be well worth getting. After the main set finished with 'Suspect Device' they went off for a few minutes before returning for Jake to say a few words before introducing Segs who came on to a hero's welcome. 'A blistering version!' said Dave Ruffy as the song ended and I have to agree. (You can find out how good it was for yourself if you click here.) After the show we met up with Segs (he and Dave were immediately collared by fans for photographs) and then myself, Pete and punk gig stalwart Coppo went to the aftershow party in the upstairs bar. We set ourselves a curfew of midnight, which was just as well given that we got back to Pete's car to find that the hazard warning lights were flashing. We decided that someone must have bumped into it as Pete was certain that he hadn't left them on - either way we were faced with the grim prospect of a flat battery. 'Don't worry lads' I said with far too much confidence given what happened next, 'I'm in Green Flag'. I get membership with my bank account - but when I spoke to them I found that I doesn't cover me in someone else's car and that wed have to pay a call out charge (£108!) and further charges according to what then had to be done. Bugger! After a suitable amount of swearing Pete came up with a plan - ring around cab companies and see if any of them have any jump leads. Within 10 minutes we were pushing the car from Kentish Town Road into a side street where a cabbie gave up a jump start (at a cost of £10) and we were on our way. An eventful evening - but that 'ring a cab company' idea from Pete was a good one wasn't it?   

T.V. and Leigh share a
'Status Quo moment'.

My only gig of the weekend was my first show of 2013 with T.V. Smith, at The New Cross Inn in New Cross. (I've been looking forward to typing 'New Cross Inn in New Cross' all weekend. It's a simple life sometimes isn't it?) Coppo offered myself and T.V. a lift to the show (that's another drink I owe you mate) but heavy-ish traffic meant that we sadly arrived too late to see the wonderfully-named Fishtits meaning that as I can't find them anywhere on the Internet we can only speculate on how they sound; however I did see Emergency Bitter (great raucous fun), On Trial UK (good old school punk) and The Phobics (excellent garage-y rock 'n' roll) all of whom were very entertaining. From our point of view we'd had a rehearsal on Wednesday which went well but I'd not had chance to run through the songs between then and the show meaning that I felt a little under-prepared. Whether this was the reason I started 'You Saved My Life Then Ruined It' in the wrong key I guess we'll never know. (It sounded terrible! T.V. thought that it was his fault - it wasn't!) That aside the show went very well, including responding to a call from the audience for 'The Servant' (we hadn't rehearsed that one or played it for ages - here it is from the gig!) and with T.V. as wonderfully energetic as ever. After the gig a chap came over and asked me if I'd sung with SLF the night before - he seemed terribly disappointed when I told him that it wasn't me. Well - it wasn't! In the meantime T.V. did a roaring trade in t-shirts and CDs including his latest re-issue, a Cheap anthology. I've been looking forward to this for some time, not least because I've written some sleeve notes for it - a blog posting on my (brief) involvement with the band will follow shortly but in the meantime you can get the disc from T.V.'s website here. I can't recommend it highly enough!

Back To Zero reconvened at Soundlab Studios in Loughton yesterday morning. Andy, Sam and Squirrel had got together in my absence last weekend, and we continued the good work with more progress being made and everybody pronouncing themselves happy with the way that things are going. There's still a fair bit of work to do before our gigs in May (more about them nearer the time) but it's all sounding very encouraging.
From there I made my way to The Crown and Treaty in Uxbridge for the monthly open mic / jam night (actually more of a 'jam early-evening') which proved to be a highly enjoyable affair. It also proved to be a rather longer and shall we say 'confusing' session than I for one was anticipating so the exact details are sketchy, but it was a good way to end the weekend. That said I've got to leave in a half hour or so for an Upper Cut rehearsal, and I don't mind admitting that I feel, to use a technical term, absolutely knackered. Still the last thing that I'm going to do is complain - on Wednesday T.V. said that I'd 'spent too long in the wilderness' and that it was great to see me so busy. It was a nice thing for him to say, and without counting too many chickens there does seem to be a change in the air at the moment on many levels, although next month is significantly quieter than this one and I still don't seem to have very much money... ah well, let's see what happens next.

Well what happens next is a launch party for the new Ruts D.C. album 'Rhythm Collision Volume 2' this Friday at The Hare And Hounds in Birmingham. I've never had a launch party before! It should be fun... and I'm on Music Scene Investigation this Sunday evening at 9pm - on with the big headphones once again!